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A full length documentary on sexy Chinese movies (including sizzling scenes from EROTIC GHOST STORY, SEX AND ZEN, CONFESSIONS OF A CONCUBINE, SEX AND THE EMPEROR and many more.

A look at Hong Kong's nightlife, where gigolos service women.

When the colors of the street seem fading, vitality of the city seems weakening, rhythm of people's life seems confusing...... There is still a bunch of young people, who are trying to confront the brutal facts of reality, to safeguard the kind of lifestyle they want to live. This is a fable from industrial building.

Welcome to the world of the martial arts. A voyage for the times of the martial arts cinema, from the beginning in China in the 6th Century A.C. by a Buddhist monk, Bodhidharma, until the actual time and the influence in the world, with interviews to actors and historians, and a review to the most important movies of all times and to the most famous action movies actors. A magnificent jewel of this genre what nobody wouldn't lose.

The Official Golden Harvest tribute to the Master of the Martial Arts Film, Bruce Lee.

Jackie Chan is one of the world's biggest action stars, famed for his wacky sense of humor, remarkable martial arts techniques, and willingness to perform incredible stunts without the use of doubles -- or a net. This video takes a personal look at Chan as he works on screen projects in Hollywood and Beijing and candidly discusses his life and work.

A documentary focused on plastic pollution in the world's oceans.

When facing a path with no future or precedent success, will we ever choose to stay? Cheuk Cheung’s My Way explores the Cantonese Opera tradition of male Dan performers, men who play female roles, against the backdrop of a Hong Kong society increasingly putting less value on art. Although female performers have long been part of the mainstream of Cantonese Opera, the film follows the stories of two young men who are still fascinated by the art of the male Dan, striving to find their own way to carry on the practice. A moving and searching look at the struggle for identity, My Way is a colourful, musical and moving film which offers a unique and highly personal look at perseverance in the face of a changing society.

Since 2017, the cognitive ability of Yin's grandma began to deteriorate. Since then, Yin has become one of the caregivers in her family, taking care of her granny's diet, health and emotion. Before the epidemic, every summer, granny would return to her hometown in Xiamen in the mainland China to gather with her sons and other relatives there. During granny's visit to her hometown, Yin would take this opportunity to get some rest and do her own business. However, after the outbreak, Yin's granny has not returned to Xiamen for more than two years. Now she stays at home almost every day. Her cognitive decline seems to become more serious, and she is more eager to keep her family members close to her, especially Yin.

A new documentary film revisits the golden age of kung fu stuntmen and action directors in Hong Kong during the 1960s-'80s, exploring their pain and struggles. The documentary is a tribute to kung fu stuntmen. “They risked their lives for stunts,” said kung fu choreographer Yuen Bin. In their heyday, these stuntmen and choreographers presented the best, most creative and most complicated kung fu fight sequences anywhere in the world, creating stunts that looked seemingly impossible.

Jackie Chan: My Stunts shows some of the tricks of the trade that Jackie and his stunt team utilize to perform their stunts. This is not an endless gag reel of stunts gone wrong, but an in depth look at how timing and camera placement can make or break a shot. Jackie will show you what is done to enhance fights and protect the stuntmen from getting injured. Of course, if the character you are portraying is wearing shorts and a tank top, you just have to get hurt!

Australian stuntman Grant Page travels to Hong Kong to find Bruce Lee's successor and looks at the cultural phenomenon that Asian martial arts has become in the West. He talks to actors such as Angela Mao, Stuart Whitman and George Lazenby - who were all making movies in Hong Kong at the time - and fights Carter Wong twice.

In 2015, Tsai Ming-Liang was once again invited by the Hong Kong International Film Festival to make the opening short film. This time, he selected Shibuya station in Tokyo as his main filming location and invited the famous Japanese actor Masanobu Ando to appear alongside Lee Kang-Sheng. They sleep separately at a capsule hotel and cleanse themselves at a public bath. Their fatigued bodies yearn for sleep but restless minds keep them for falling asleep. "No No Sleep" won the Best Director Award at the Taipei Film Festival.

A documentary following Wong Kar-wai and his cast and crew through the production of his 2000 film In the Mood for Love.

Following her award-winning documentary, One Tree Three Lives, about novelist Hualing Nieh Engle, Hong Kong director Angelina Chan examines the artist Yank Wong Yan-kwai. A complex man who resists easy categorizations, Wong is a painter, art director, set designer, writer, musician, and photographer, an elusive renaissance man of bountiful creativity. More than a portrait of an artist and the creative life, the lm is also a high-octane cat-and-mouse game between lmmaker and subject: one tries to capture, the other evades

The documentary offers a glimpse into the life of a farmer who worked in the fields with his father when he was young. After spending time in the city as an adult, he returns to the countryside to take over the family’s business and learns the essence of making a living from the land.

Director Shu Kei travelled to Venice, Canada, London and Hong Kong, collecting accounts of the Tiananmen impact. Among his interviewees are: award-winning Taiwanese filmmaker Hou Hsiao-hsien; Hong Kong director Alfred Cheung, a witness to the massacre; actress Deanne Ip, whose national consciousness is fired by the event; as well as his own brothers, one who soon migrates from Hong Kong, and the other, already an Australian emigre. Their personal testimonies are pieced together into a mural of the Chinese people united in their horror and outrage.

Music Documentary with Eason Chan.

Law Wai-cheung is an important figure in promoting disability’s rights in Hong Kong. A life in a wheelchair equipped Law with the perseverance and fighting spirit to not only achieve independent living, but even dedicated himself to helping others in the local disabled community to build a life of their own. Executive produced by Oscar winning documentarian Ruby Yang, this documentary by So Ka-ue incorporates heartwarming animation by Macau animator Wong Weng-chon to chronicle Law’s life in tandem with the local disability’s rights movements from the 60s to the present.

The documentary portrayed one of the most established dance companies in Hong Kong which has a history of over four decades. With a tradition of blending Chinese dance and ballet together in the training, the dance company has set sail to re-evaluate its artistic essence by adapting new physical disciplines and philosophy, picking up different cultural traces, meditation and Chinese martial arts. Through monologues of the company members, the film unveiled their fears, self-doubts, and findings in their quest to refine their dance forms and express their cultural roots. It's an uncertain journey towards the cultivation of inner peace and the essence of movement and stillness.

Documentary on the legendary martial artist Bruce Lee, with a focus on the production of his unfinished film Game of Death. Using interviews and behind-the-scenes footage, Lee aficionado John Little paints a portrait of the world's most famous action hero, concluding with a new cut of Game of Death's action finale, reconstructed from Lee's notes and recently-recovered footage.

This documentary tells the story of Bruce Lee and his unsuccessful efforts to start a acting career in the U.S., he returned to Hong Kong where he became an international star, and his death at age 32.

Documentary featuring scenes of hand-to-hand and combat with weapons.

Shifting his lens from Cantonese opera to Japanese Noh drama, documentary filmmaker Cheuk Cheung continues his exploration of complex gender issues ingrained in traditional theatres. For seven centuries, only the male body has been granted the privilege to inhabit this highly stylised art form that embraces spirituality in subtle movements. The film traces the journey of third-generation Noh performer Uzawa Hikaru, a young woman who makes her presence in the male-dominated space; yet behind the mask lies a daughter yearning to seek a resolution beyond her mother’s path – a quest to fuse body and soul in pursuit of the profoundly mysterious aesthetic.

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

The setting is Hong Kong and the hero of the film is Jackie Chan. This documentary chronicles the life and entertainment career of the star of Hong Kong action films. Archival photographs and the personal recollections of family and friends paint a portrait of the private life of the film star. Clips from movies, such as Top Fighter and Rush Hour, as well as the television series Jackie Chan's Adventures show the martial artist's prowess and skill. Interviews with Chanand his colleagues give viewers an inside look at how some of the stunts are set up and carried out, as they put the action in action films.

hong kong film

The first episode of Patrick Tam’s anthology series “Seven Women” (1976)

Filmmaker Ian Taylor examines the impressive legacy of Hong Kong cinema -- specifically, how martial arts crossed borders and become an international phenomenon -- with the help of footage and interviews with the stars who made the genre what it is today. Director Lau Ka Leung (who helmed The 36th Chamber of Shaolin) joins in, sharing his thoughts on how certain cinematic technologies have improved martial arts films and expanded their appeal, on the set of Drunken Monkey (2003).

The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic.

A documentary that takes audiences on a captivating journey into uncharted territories, pushing the boundaries of filmmaking and advancing the art form. It serves as a captivating window for audiences to appreciate the unique charm and cultural richness of Hong Kong cinema.

J and Jacky are good friends who attend the same school. J is from a single-parent family, and will be taken care by Jacky’s family whenever his mother has to return to Mainland to renew her visa; such kind of story is not an isolated case. These families have been uprooted for a “better future” in Hong Kong, but is this “future” that the children really long to have? A Chinese saying: “How does one understand the joy of fish, if one is not a fish?” Will the adults really understand what the children want?

Talking to two fishermen made me realize I have never looked at Hong Kong from their perspective. Urban Diary tries to look at Hong Kong and see our shoreline from the sea. We filmed the two fishermen in action, getting on their fishing boat, experiencing fishing and looking at the ongoing reclamation of the harbour with them.

Behind Mongkok’s Portland Street where French music plays in cute little artsy cafés, the back alley is a totally different world. Sister Kam washes dishes in the alley every night. She fights with the workers at the rubbish collection point and proudly boasts to the waiters how she could slaughter a pig on her own. She works till midnight and gets up at 5:30am, day after day. In the thousands of alleys in Hong Kong, stories that speak of life’ struggles wait to be told.

Tracing the beginnings of Jet Tone Films, which was founded in 1991 by Wong Kar Wai for the production of Ashes of Time (1994), the film features never-before-seen materials, including deleted scenes, behind-the-scene footage, and selected narration by Wong Kar Wai.

A group of documentary filmmakers began to shoot the civil social movement in Hong Kong, which became part of the city's common landscape. Spanning over two years, the filmmakers attempt to reveal the visible and invisible control behind. They trace a mysterious organization which is suspected to secretly control the weather which dampens the mood and suppresses the intention of the public to participate in social movements. On the surface, the question on inclement weather could be answered by climate changes around the world. The underlying sordid discussion, however, is really about intervention, pervasive suppression and control instead of any conspiracy theory.

A portrait film of two female contemporary Hong Kong artists shot over ice and smoke, in which these two substances reflect the real-life, turbulent events currently playing out in the ill-fated Special Administrative Region of the PRC.

Amidst the protests for freedom in Hong Kong, a domestic worker plans to break free and run wild, towards her dreams of independence, romantic love, and true motherhood.

The film tells the story of how Hong Kong rice farmers use their crops to pour time and strength into connecting Hong Kong people and their land. To stand up to the challenges Hong Kong nature offered, the farmers put effort into farming their own rice and spread their contribution in agriculture in order to enable Hongkongers to taste the rice from the very soil they stand on. The countless stories behind a bowl of local rice, which embeds the inseparable relationship between the land and its people, are told through this film.

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

Magic & Me is a Hong Kong Documentary starring Jackie Chan

Although the Chinese government promised that Hong Kong would retain separate status until 2047, in recent years the Chinese state has consolidated its power over the metropolis. Large-scale protests by the populace have been brutally suppressed. This mix of documentary, fiction, and visions of the future reveals the current state of desolate depression among the people of Hong Kong. “A desperate attempt to capture the final moments of a sinking island”, as maker Chan Tze-woon himself puts it.

One of Hong Kong's most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung's directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year career is an unequivocal testimony to her unyielding dedication to filmmaking, and her expedition into the metamorphic city. This biopic probes into the acclaimed director’s idiosyncratic world, where we witness her rashness and goofiness, as well as her humanistic concerns for the everyday nobodies which make her films so moving.

The sequel to "Top Fighter" focuses on the importance of women in martial arts movies, from starting as the "hero's girl" to becoming superstars by themselves. Featuring Angela Mao, Michelle Yeoh, Cynthia Rothrock and more.

Still Life (2024) is a self-reflexive documentary and intimate portrait of renowned self-taught painter Yeung Tong Lung (b. 1956, Fujian), best known for his large-scale figurative paintings that capture daily life in Hong Kong’s busy urban landscape. With a cinematic quality, Yeung’s paintings compress multiple perspectives and spaces into one canvas, coaching his audiences in different ways of seeing. The film follows Yeung over a three-year period, including his preparations for his 2021 solo exhibition Daily Practice at Hong Kong’s Blindspot Gallery.

An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.

Continuing her career-spanning contemplation of home and reunion, Tsang Tsui-shan (Flowing Stories, 38th) once again turns the camera on her home village of Ho Chung. This time, she documents her village’s Tai Ping Ching Chiu Festival, a once-in-a-decade event that brings villagers back from all over the world to the village. But when the world is hit by a global pandemic, what will happen to this long-awaited reunion? Made amidst great change in Hong Kong and her own life, Tsang’s latest love letter to her home is a melancholic and wistful affair.

During the turmoil of 2019 Hong Kong, before pursuing his studies in Taiwan, the director was abruptly frozen in the present by a message from his father. As Hong Kong entered a pandemic lockdown, the director, now in Taiwan, began to Skype call his father, unpacking his traumatic memories and their entangled hearts.

Former classmates Alexandra and Alexis may share the same name, but they couldn’t be more different. Alexandra is beautiful, intelligent, rich, and completely insufferable. Self-centered and patronizing, she’s an expert in quick put-downs, nasty name-calling, and brokering gossip into profit. Alexis is a simple-minded, pure-hearted, and hard-working gal who is constantly bullied by her future sister-in-law’s family with whom she stays. Crossing paths again by chance, the two girls don’t want anything to do with each other – until a freak accident causes them to switch bodies!

Hong Kong Superstars is a documentary

Hong Kong's high-speed rail link, the demolition of Choi Yuen Village, the impending budget and the influence of the global Occupy movement are at the centre of independent filmmaker Lo's timely measure of the city's pulse. Ostensibly the third entry in a trilogy that began with 21 years after. (2010) and to be continued (2010), which also captured public reaction to watershed moments in Hong Kong's political life since 2009. The documentary was built upon the material used in its previous installment (to be continued, 46 minutes). It disproves the notion of a passive Hong Kong in a chronicle of a generation poised for massive social change.

10th Anniversary “Miss You Much Leslie” memorial concert held in 2013, commemorating the death of Leslie Cheung in 2003.

A making of documentary for Happy Together. Includes interviews, on-set footage, cut scenes and footage of crew members revisiting the locations where Happy Together was filmed.

Compilation of Anita Mui's last eight performances, weeks before she passed away. Recorded on 6-11, 14-15 November 2003 at Hong Kong Coliseum.

Two high school students from very different backgrounds participate in a musical with mentally disabled children, which eventually leads to the realisation of their dreams and aspirations.

High on the Tibetan Plateau, the old way of life is on the decline. We follow the nomads of Ritoma as they navigate the collision of tradition and modernity.

Music documentary with Faye Wong.

Mr Yuen Tai-Yung (b. 1941) is a Chinese artist known for his creation of over 200 iconic Hong Kong movie posters - which include many films from the Bruce Lee, Hui Brothers, Stephen Chow, Jacky Chan and Sammo Hung's kung fu and comedy series. This documentary chronicles the director's quest to find the reclusive master and subsequent encounters with the man within a period of 12 months. It captures the life and art of the self-taught genius who single-handedly depicted the look and feel of what can be describe as the Golden Era of Hong Kong Cinema from 1975 to 1992. Western audiences might recognize some familiar faces from the prolific painter's recent works - undeniably breathtaking - such as the portraits of Marlon Brando, Michael Jackson, James Dean, John Lennon, Audrey Hepburn and Anne Hathaway.

Hong Kong started and flourished as a fishing port in the past, and its people have long been committed to worshipping ancient deities for their blessings. With over a hundred Tin Hau temples (Goddess of Sea) in Hong Kong, there are three on Lamma Island alone, located respectively in Sok Kwu Wan, Luk Chau and Yung Shue Wan. The film documents the states of Tin Hau temples on the island and beyond, as an attempt to contextualise the everyday practice of the fishing community, islanders and city dwellers visiting the temples.