Discover Movies

When Pak Tin Estate is going to be demolished, the residents will move to a new place, but how about the dead residents? Where could they go? Ho Ying-kuen who majors in Myth and Poetry, and Playwriting, leads us to a time and space of a demolishing public estate. We will come across the residents of the estate, a mother with her two sons selling incenses, and two monkeys having conversation about their mother. A mixture of fiction, experimental and documentary images, Lost Cemeteries studies about filial piety and death with a strange and interesting approach.

Shot below the radar, this film follows the journey of Chinese factory migrant worker-turned-activist Yi Yeting, who takes his fight against the global electronic industry from his hospital bed to the international stage.

This is Hong Kong. This is Malaysia. This could be any corner of the world. Perhaps we’ve met; perhaps never. Sometimes life glows; sometimes, nothing happens. On the journey of life, we endure, we refuse. Most of the time, we only want to do a bit more, to bring modest changes to the status quo. “Me, my city or somewhere else” documents the thoughts, inner conflicts and choices of five Hong Kong and Malaysian activists at some stages of their lives.

Edward Leung was an average student before he unexpectedly finds himself at the focal point of two Legislative Council elections. Despite winning over 60,000 votes in the by-election, his ticket to LegCo is forfeited when the regime imposes extra measures in the nomination process. On the other hand, Edward finds his free days numbered as he faces rioting charges for taking part in the Mong Kok Protest.

310 Tung Chau Street is a tenement building in Sham Shui Po. Three Vietnamese from the same province share a subdivided flat. Unemployment, drug addiction, and arguments brew and breed incessantly in this heated environment. During filming, the two young directors were encumbered by a series of obstacles, which turned the process into a chance to reflect on documentary truth.

Between 2009 and 2015, Wen Hai followed the lives of workers and worker activists in southern China, the world’s factory. His astonishing film gives nameless workers a face, shows their vital sense of justice and resistance to owners who are only interested in profits – and how they escape the role of victim.

In late 2015, a group of high school students arranged a four-day exchange program between an international school and a local school in Hong Kong. The exchange was filmed by a team of students from both schools and developed into a 40-minute documentary titled, “One Education, Two Systems”. The aim of the project was to develop mutual understanding and appreciation between students at international schools and traditional local schools in Hong Kong and help bridge the divide in the education system. At the same time, the documentary also seeks to spark discussion on education-related topics, various disparities and other differences between the two systems (teaching styles, mental health, learning attitude, general atmosphere and competitiveness).

Everyone has their secrets. Everyone has the past no one’s heard about. But what makes an entire generation sit in stunned silence with unmentionable hesitation to talk about their past? Even the past was 50 years ago. Five decades after the Hong Kong leftist riots, six ex-young prisoners speak out for the first time about their personal and unmentionable experience. Documentary film YP1967 is about their love and hate towards their country, their honour and dishonour as a convicted criminal, their condonation and condemnation of the parties involved, and their truth-seeking and reconciliation with the past.

The town of Zhili accounts for 80 percent of China's output of children's clothes. 15 Hours was shot in August 2016. Zhili, part of the city of Huzhou in the province of Zhejiang, is home to around 18,000 small factories for children's clothing, manned throughout the year by over 200,000 migrant workers. In the 1980s, Zhejiang saw the emergence of a private capital-based garment industry open to any and all operators prepared to invest in flexible business models based on mutual credit or leasing. This film documents one day in the lives of the workers of 68 Xisheng Road in Zhili.

On the small isle of Tap Mun, the ocean breeze gently lifts up strands of grey hair on Lai Lin-shau’s head. He quietly sings in the characteristic tones of the fisherman’s ballads. Seemingly without rules, the pitch and tones alternate and repeat themselves as if they were synchronising with the ocean waves. Lai is one of the few people alive who knows the fisherman’s ballads intimately. None of his children experienced the harsh and unforgiving life at sea. They are not even aware of his priceless knowledge of the ballads. As the fishing community shrinks, old fishermen found new ways of life on land. One performs and teaches the ballads to young children; another uses the ballads to spread her Christian faith. The ballads have become a spiritual harbour for these landed fishermen. But deaths come brutally. Lai loses his listeners and his memory of the ballads. A precious part of him is dying.

No one knows the slope of a refuse chute, the angle a worker bends to pick up a garbage bag. No one heard the noise from the refuse room, is it the glass broken or the worker fallen? 10 years of collecting the waste, being disrespected, having a sore waist and an aching back. It is a degrading job, but I will still go on.

In 1995, the young Taiwanese woman writer Qiu Miaojin committed suicide in Paris's Montmartre district, leaving behind the autobiographical novel LAST WORDS IN MONTMARTRE. Two decades later, the novel was published in English by the prestigious New York Review Books, bringing Qiu renown in Western literary circles and quickly prompting translations into other European languages. Qiu is considered the first openly lesbian novelist in the history of Chinese literature; her debut novel, NOTES OF A CROCODILE, became a "Bible" for the Taiwanese lesbian community and an underground classic in Taiwan and Hong Kong, with an official edition finally published in 2012. DEATH IN MONTMARTRE travels through Taiwan, Paris, and New York to trace the life of this literary star who enjoyed fame only after her death, interviewing literary masters from Taiwan, France, and the U.S. while discussing LGBTQ culture and lesbian literature from a perspective of equality.

Fukushima used to be a wonderful place. Unfortunately, since March 11, 2011, "Fukushima" has been superseded by another name: Nuclear Disaster Zone. Six years have passed, but over 80,000 Fukushima residents still cannot return home, still cannot return to their former lives. How did they get through it? Reconstruction work is slow. Several years on, surrounding the site of the Fukushima nuclear incident, there remain many refuge-seeking residents whose homes are still in lockdown. In the streets, people are taking it to their own hands to save their communities. Psychologically and practically, how does one rebuild? Does the civil society's self-rescue mission conclude in recovering what was lost, or in reviving an even better community? In their eyes, what is "revival"? What is the meaning of "rebirth"? Our crew went all over the coastal areas of Fukushima, recording stories of residents each finding their own ways to save themselves.

Breaking 60: Challenging the Impossible is a documentary about the Hong Kong Four Trails Ultra Challenge, a Fat Ass-style trail running event where there are no race fees, no prizes, no medals, no pats on the back for being super awesome. Just a bunch of slightly left field individuals trying to run all four of Hong Kong’s ultra trails ‐ totaling 298km ‐ non stop, unsupported and in less than 60 hours. Each year a small group of runners are hand selected and Breaking 60 explores the personal challenges facing 4 of them. Since its inception, no one has ever gone sub 60.

COPYSHOP accompanies Berlin-Köpenick rapper Romano on a journey of discovery to Hong Kong, where he recalls his time working in a copy shop in his home town. It’s all about megacities, stereotypes, creative spaces, rap music, Romano’s copy shop biography and the copy of the copy of the copy...

Tse Man Fu collapsed at home and his daughter filmed the entire process of him receiving treatment. This process also inspired the daughter to take a new look at her divorced parents, her stubborn grandmother and how their three-generation family has been coexisting.