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When the colors of the street seem fading, vitality of the city seems weakening, rhythm of people's life seems confusing...... There is still a bunch of young people, who are trying to confront the brutal facts of reality, to safeguard the kind of lifestyle they want to live. This is a fable from industrial building.

A documentary focused on plastic pollution in the world's oceans.

When facing a path with no future or precedent success, will we ever choose to stay? Cheuk Cheung’s My Way explores the Cantonese Opera tradition of male Dan performers, men who play female roles, against the backdrop of a Hong Kong society increasingly putting less value on art. Although female performers have long been part of the mainstream of Cantonese Opera, the film follows the stories of two young men who are still fascinated by the art of the male Dan, striving to find their own way to carry on the practice. A moving and searching look at the struggle for identity, My Way is a colourful, musical and moving film which offers a unique and highly personal look at perseverance in the face of a changing society.

Following her award-winning documentary, One Tree Three Lives, about novelist Hualing Nieh Engle, Hong Kong director Angelina Chan examines the artist Yank Wong Yan-kwai. A complex man who resists easy categorizations, Wong is a painter, art director, set designer, writer, musician, and photographer, an elusive renaissance man of bountiful creativity. More than a portrait of an artist and the creative life, the lm is also a high-octane cat-and-mouse game between lmmaker and subject: one tries to capture, the other evades

In 2015, Tsai Ming-Liang was once again invited by the Hong Kong International Film Festival to make the opening short film. This time, he selected Shibuya station in Tokyo as his main filming location and invited the famous Japanese actor Masanobu Ando to appear alongside Lee Kang-Sheng. They sleep separately at a capsule hotel and cleanse themselves at a public bath. Their fatigued bodies yearn for sleep but restless minds keep them for falling asleep. "No No Sleep" won the Best Director Award at the Taipei Film Festival.

A group of documentary filmmakers began to shoot the civil social movement in Hong Kong, which became part of the city's common landscape. Spanning over two years, the filmmakers attempt to reveal the visible and invisible control behind. They trace a mysterious organization which is suspected to secretly control the weather which dampens the mood and suppresses the intention of the public to participate in social movements. On the surface, the question on inclement weather could be answered by climate changes around the world. The underlying sordid discussion, however, is really about intervention, pervasive suppression and control instead of any conspiracy theory.

The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic.

Behind Mongkok’s Portland Street where French music plays in cute little artsy cafés, the back alley is a totally different world. Sister Kam washes dishes in the alley every night. She fights with the workers at the rubbish collection point and proudly boasts to the waiters how she could slaughter a pig on her own. She works till midnight and gets up at 5:30am, day after day. In the thousands of alleys in Hong Kong, stories that speak of life’ struggles wait to be told.

10th Anniversary “Miss You Much Leslie” memorial concert held in 2013, commemorating the death of Leslie Cheung in 2003.

This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

An insight into the everyday lives of 50 inmates of a mental institution in the Chinese province of Yunnan, who are there for killing someone, committing a crime against a public official, or have a developmental disability.

Two high school students from very different backgrounds participate in a musical with mentally disabled children, which eventually leads to the realisation of their dreams and aspirations.

Music documentary with Faye Wong.

France’s Bordeaux region has long commanded respect for its coveted wine, but shifts in the global marketplace mean that a new, voracious consumer base in China is buying up this finite product. Bordeaux both struggles with and courts the spike in demand, sending prices skyrocketing. Narrated by Russell Crowe, Red Obsession is a fascinating look at our changing international economy and how an obsession in Shanghai affects the most illustrious vineyards in France.

In such a difficult situation in Hong Kong agriculture, to local farmers, before expecting a good harvest, they have to first overcome the problems caused by agricultural policy implementation, land policy and urban development in Hong Kong. This film is about three middle-aged local organic farmers and their farming stories: A peasant leader, who faces political infiltration in organization, decides to quit and focuses on his farming; a rural woman who fights against North East New Territories development plan and taking care of her sick husband at the same time, decides to combine family life with her home farming; a sixty years old truck driver who decides to have a career change, trying to live a fearless and free life as a farmer.

The film tells the story of how Hong Kong rice farmers use their crops to pour time and strength into connecting Hong Kong people and their land. To stand up to the challenges Hong Kong nature offered, the farmers put effort into farming their own rice and spread their contribution in agriculture in order to enable Hongkongers to taste the rice from the very soil they stand on. The countless stories behind a bowl of local rice, which embeds the inseparable relationship between the land and its people, are told through this film.

J and Jacky are good friends who attend the same school. J is from a single-parent family, and will be taken care by Jacky’s family whenever his mother has to return to Mainland to renew her visa; such kind of story is not an isolated case. These families have been uprooted for a “better future” in Hong Kong, but is this “future” that the children really long to have? A Chinese saying: “How does one understand the joy of fish, if one is not a fish?” Will the adults really understand what the children want?

Hong Kong's high-speed rail link, the demolition of Choi Yuen Village, the impending budget and the influence of the global Occupy movement are at the centre of independent filmmaker Lo's timely measure of the city's pulse. Ostensibly the third entry in a trilogy that began with 21 years after. (2010) and to be continued (2010), which also captured public reaction to watershed moments in Hong Kong's political life since 2009. The documentary was built upon the material used in its previous installment (to be continued, 46 minutes). It disproves the notion of a passive Hong Kong in a chronicle of a generation poised for massive social change.

High on the Tibetan Plateau, the old way of life is on the decline. We follow the nomads of Ritoma as they navigate the collision of tradition and modernity.

A documentary on madness, by Hong Kong director Yan Yan Mak and singer-songwriter Denise Ho. Inspired by the classic "Ten Days in A Madhouse"

Mr Yuen Tai-Yung (b. 1941) is a Chinese artist known for his creation of over 200 iconic Hong Kong movie posters - which include many films from the Bruce Lee, Hui Brothers, Stephen Chow, Jacky Chan and Sammo Hung's kung fu and comedy series. This documentary chronicles the director's quest to find the reclusive master and subsequent encounters with the man within a period of 12 months. It captures the life and art of the self-taught genius who single-handedly depicted the look and feel of what can be describe as the Golden Era of Hong Kong Cinema from 1975 to 1992. Western audiences might recognize some familiar faces from the prolific painter's recent works - undeniably breathtaking - such as the portraits of Marlon Brando, Michael Jackson, James Dean, John Lennon, Audrey Hepburn and Anne Hathaway.

The story focus on Caridad and Georgina, who had learned the art of Cantonese Opera in Havana as a young age and performed as divas for over a decade before their lives were changed by Fidel Castro's revolution.

This experimental animation approaches Hong Kong’s built environment from the conceptual perspective of celluloid film, by applying the technique of film animation to the photographic image. The city’s signature architecture of horizon-eclipsing housing estates is reimagined as parallel rows of film strips: Serial Parallels.

MY NEXT STEP follows a young Kunqu Opera artist YANG Yang(28 year-old) over the course of several years. It offers its audience a glimpse into the world of Kunqu, and a magnifying look into the ambivalence of a young man struggling to find a way out for a fading art.

The turmoil that has overtaken Hong Kong since its return to Chinese sovereignty in 1997 has spawned a new generation of young, passionately committed activist filmmakers; they want to tell Hong Kong's story with Hong Kong voices. And the best indie documentary to have emerged so far from the HKSAR is this year's Yellowing, by Chan Tze Woon, a 29-year-old with degrees in policy studies and film production. Hong Kong's fraught, tense relationship with its mainland Chinese overseers came to a head with the Umbrella Movement of 2014. A crowd of protesters stormed Civic Square on September 27. The next day police shocked most residents of the HKSAR by attacking the growing crowds with volleys of tear gas, whereupon a wide cross section of Hong Kongers occupied the streets in several areas and stayed for almost 6 weeks. Chan took his camera on the streets for 67 days during these events.

Tuberous Sclerosis Complex (TSC) is a genetic disorder that causes noncancerous tumors to grow in different parts of the body. However, the Hong Kong government has been slow to allow treatment for the disease, especially in relaxing regulations for drugs that treat the tumors. Director Wong Siu-pong turns his camera on Hong Kong’s medical system with this heartrending documentary about a young TSC patient who also lost her mother to the disease.

From the ambitious young filmmaker behind Boundless, The Weaving of a Dream is a short documentary that details the making of Johnnie To's film Three.

In a fast growing city of East China, migrants have been arriving and living for a dream of a better life. But what they find there is little opportunities and poor living conditions that push people, even couples, into violent and oppressive relations. Xiao Min, Ling Ling and Lao Yeh are some of the characters of this bitter chronicle of today China.

In 2012, the Hong Kong International Film Festival invited Tsai Ming-Ling to make the opening short film. Having grown up with Hong Kong's popular culture, Tsai Ming-Liang decided to pay homage by making a "Walker" film, contrasting the Walker's slowness with the frenzied pace of Hong Kong's cosmopolitan life. The film ends with a song by Hong Kong actor and singer Samuel Hui, who was Tsai Ming-Liang's idol during his youth. The film was invited to be the closing short film for the Cannes Film Festival in 2012.

In late 2009, over twenty Hong Kong civic groups united as the "Anti-High-Speed Rail, Stop Funding" coalition, aiming to halt Legislative Council approval of the HKD 66.9 billion Express Rail Link amid deep social rifts. The "Post-80s Anti-High-Speed Rail Youth" group drew thousands of young people with their slogan “Defend Our Homeland, Protest with Joy,” leading to three funding suspensions that surprised the public. Media coverage was intense and innovative, featuring rare camera angles and lively online debate among journalists. This documentary explores how reporters shaped the movement, their emotional involvement, and the dynamic relationship between the media and activists during Hong Kong’s pivotal 2009–10 protests.

When Pak Tin Estate is going to be demolished, the residents will move to a new place, but how about the dead residents? Where could they go? Ho Ying-kuen who majors in Myth and Poetry, and Playwriting, leads us to a time and space of a demolishing public estate. We will come across the residents of the estate, a mother with her two sons selling incenses, and two monkeys having conversation about their mother. A mixture of fiction, experimental and documentary images, Lost Cemeteries studies about filial piety and death with a strange and interesting approach.

The film traces the life and times of Esther Eng, a San Francisco native known as Hong Kong’s first “directress.” She directed 10 Cantonese talkies.

Shot below the radar, this film follows the journey of Chinese factory migrant worker-turned-activist Yi Yeting, who takes his fight against the global electronic industry from his hospital bed to the international stage.

They are frozen in place, stagnating without any direction. Around them, things change rapidly.

The film charts the origins of the Umbrella Movement through the eyes of the activists and ordinary people who made it happen. From the June 4th Candlelit Vigil until September 28th, this documentary puts us at the heart of the action, allowing us to experiencing the highs and lows of that remarkable summer, when Hong Kong witnessed a "blossoming of democracy."

Johnnie got his gun is a mix of interview snippets with To, these are taken from various sources and are cobbled together with clips from including Breaking news, P.T.U and The Mission amongst others. It seems Montmayeur did do an interview but it's so chopped up and mixed in it feels insignificant. Prominent members of casts and crew also feature in interview form but again from many different times and sources.

M+, Hong Kong's museum for visual culture, presents a video on the making of neon signs. Get to know how neon signs are made as the masters go through the production processes from design, tube bending, gas filling and more. A documentary covering the current situation and challenges of the industry in Hong Kong behind the glowing neon signs. Produced by M+, WestK as part of "NEONSIGNS.HK" — an online exhibition on Hong Kong's neon signs.

This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

This is Hong Kong. This is Malaysia. This could be any corner of the world. Perhaps we’ve met; perhaps never. Sometimes life glows; sometimes, nothing happens. On the journey of life, we endure, we refuse. Most of the time, we only want to do a bit more, to bring modest changes to the status quo. “Me, my city or somewhere else” documents the thoughts, inner conflicts and choices of five Hong Kong and Malaysian activists at some stages of their lives.

Via Dolorosa captures director’s journey in reconnecting with Vietnamese homeless persons whom she filmed for another short film two years ago. While she accompanied a man in his final days, Jo searched within herself to resolve the original sin of the documentary filmmaker as a bystander to the suffering of others.

Sangwoodgoon was founded in the Anti-High Speed Rail Movement and Tsoi Yuen Village Movement in 2009. In 2012, Sangwoodgoon tries cultivating rice for the second time. This film records the rice planting process in spring and Dragon Boat Festival. Not only did the director experience the unpredictable nature of weather, questions for his companion are raised at the same time: How is the life as a farmer in Hong Kong when there is shortage of land and labour? Apart from documenting the non-traditional rice cultivating techniques, the film also wants to discuss about the relationship between farmer and nature, and the changing state of mind of protestors all the way through.

The film traces the rise of one of the world's premier architects, Norman Foster, and his unending quest to improve the quality of life through design.

Edward Leung was an average student before he unexpectedly finds himself at the focal point of two Legislative Council elections. Despite winning over 60,000 votes in the by-election, his ticket to LegCo is forfeited when the regime imposes extra measures in the nomination process. On the other hand, Edward finds his free days numbered as he faces rioting charges for taking part in the Mong Kok Protest.

Flowing Stories is a documentary about change, migration of Hong Kong people and the unknowability of the future.

Why does Old Granny seem less lovable as she ages? 82-year-old Granny lives with her fifth son in a Guangzhou apartment, but spends most of the time by herself. Two of her children are dead, another two have their own families, and a further two divide their time between Shenzhen and Hong Kong. The only connection among members of this family seems to be the annual grave sweeping ceremony.

Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.

In the aftermath of 2014's Umbrella Revolution, five Hong Kong activists are confronted with the question of what it means to be Hong Kongers.

No matter how quickly or far the times move forward, some people and some events will always be remembered by someone. June Fourth has yet to be redressed, rights activists have disappeared, and justice for indigenous peoples remains convoluted and slow. All these injustices bring sorrow. Yet, they refuse to give up; they keep thinking, acting, connecting with like-minded people, and creating alternative spaces in the land where they live. A one-party wall stands before them, making each step difficult; even with party alternation, nothing is guaranteed. They all know this. In these dark times, they join hands and move forward together, often very slowly, very slowly. Perhaps, one day, they will meet each other.

A Hong Kong documentary directed by Oscar winner Ruby Yang, chronicles the trials and tribulations of a group of under-privileged middle school students as they undergo six months of vigorous training to produce a musical on stage.

Stuntman, action director, and martial arts legend Mark Houghton tells his story of breaking into the Hong Kong film industry, his struggle with injuries and depression, and the promise he made his teacher, the legendary filmmaker Lau Kar Leung.

Hong Kong as seen through a cab window. Inhabitants discuss their lives, problems and dreams as they are driven to their destination through the chaotic streets of Hong Kong.

The director spent her childhood living apart from her family and knew very little about its history. This changed when she graduated from college and decided to face her parents with her camera in a search for answers to questions about her past.

310 Tung Chau Street is a tenement building in Sham Shui Po. Three Vietnamese from the same province share a subdivided flat. Unemployment, drug addiction, and arguments brew and breed incessantly in this heated environment. During filming, the two young directors were encumbered by a series of obstacles, which turned the process into a chance to reflect on documentary truth.

Bill Wong works on a wide variety of films, some of modern setting, some with historical backgrounds; some are award winners, some lesser known. As a cinematographer, he does not strive for personal style. Instead, he concentrates on fulfilling the potential of the film and realizing his director’s designs. He is a consummate team player. This documentary features interviews with Wong and five directors with whom he has worked – Patrick Tam, Ann Hui, Tony Au, Lee Chi-ngai and Shu Kei, tracing the paths on which they have travelled together.