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Kung Fu Stuntmen

A new documentary film revisits the golden age of kung fu stuntmen and action directors in Hong Kong during the 1960s-'80s, exploring their pain and struggles. The documentary is a tribute to kung fu stuntmen. “They risked their lives for stunts,” said kung fu choreographer Yuen Bin. In their heyday, these stuntmen and choreographers presented the best, most creative and most complicated kung fu fight sequences anywhere in the world, creating stunts that looked seemingly impossible.

Kung Fu Stuntmen

7.2 2021
My Way

When facing a path with no future or precedent success, will we ever choose to stay? Cheuk Cheung’s My Way explores the Cantonese Opera tradition of male Dan performers, men who play female roles, against the backdrop of a Hong Kong society increasingly putting less value on art. Although female performers have long been part of the mainstream of Cantonese Opera, the film follows the stories of two young men who are still fascinated by the art of the male Dan, striving to find their own way to carry on the practice. A moving and searching look at the struggle for identity, My Way is a colourful, musical and moving film which offers a unique and highly personal look at perseverance in the face of a changing society.

My Way

8.0 2012
Jackie Chan: My Stunts

Jackie Chan: My Stunts shows some of the tricks of the trade that Jackie and his stunt team utilize to perform their stunts. This is not an endless gag reel of stunts gone wrong, but an in depth look at how timing and camera placement can make or break a shot. Jackie will show you what is done to enhance fights and protect the stuntmen from getting injured. Of course, if the character you are portraying is wearing shorts and a tank top, you just have to get hurt!

Jackie Chan: My Stunts

7.2 1999
Same Boat

Since 2017, the cognitive ability of Yin's grandma began to deteriorate. Since then, Yin has become one of the caregivers in her family, taking care of her granny's diet, health and emotion. Before the epidemic, every summer, granny would return to her hometown in Xiamen in the mainland China to gather with her sons and other relatives there. During granny's visit to her hometown, Yin would take this opportunity to get some rest and do her own business. However, after the outbreak, Yin's granny has not returned to Xiamen for more than two years. Now she stays at home almost every day. Her cognitive decline seems to become more serious, and she is more eager to keep her family members close to her, especially Yin.

Same Boat

NR 2022
The Invincible Fighter: The Jackie Chan Story

The setting is Hong Kong and the hero of the film is Jackie Chan. This documentary chronicles the life and entertainment career of the star of Hong Kong action films. Archival photographs and the personal recollections of family and friends paint a portrait of the private life of the film star. Clips from movies, such as Top Fighter and Rush Hour, as well as the television series Jackie Chan's Adventures show the martial artist's prowess and skill. Interviews with Chanand his colleagues give viewers an inside look at how some of the stunts are set up and carried out, as they put the action in action films.

The Invincible Fighter: The Jackie Chan Story

NR 1996
Stillness in the Wave

The documentary portrayed one of the most established dance companies in Hong Kong which has a history of over four decades. With a tradition of blending Chinese dance and ballet together in the training, the dance company has set sail to re-evaluate its artistic essence by adapting new physical disciplines and philosophy, picking up different cultural traces, meditation and Chinese martial arts. Through monologues of the company members, the film unveiled their fears, self-doubts, and findings in their quest to refine their dance forms and express their cultural roots. It's an uncertain journey towards the cultivation of inner peace and the essence of movement and stillness.

Stillness in the Wave

NR 2022
Cinema Hong Kong: Kung Fu

Filmmaker Ian Taylor examines the impressive legacy of Hong Kong cinema -- specifically, how martial arts crossed borders and become an international phenomenon -- with the help of footage and interviews with the stars who made the genre what it is today. Director Lau Ka Leung (who helmed The 36th Chamber of Shaolin) joins in, sharing his thoughts on how certain cinematic technologies have improved martial arts films and expanded their appeal, on the set of Drunken Monkey (2003).

Cinema Hong Kong: Kung Fu

7.1 2003
Sunless Days

Director Shu Kei travelled to Venice, Canada, London and Hong Kong, collecting accounts of the Tiananmen impact. Among his interviewees are: award-winning Taiwanese filmmaker Hou Hsiao-hsien; Hong Kong director Alfred Cheung, a witness to the massacre; actress Deanne Ip, whose national consciousness is fired by the event; as well as his own brothers, one who soon migrates from Hong Kong, and the other, already an Australian emigre. Their personal testimonies are pieced together into a mural of the Chinese people united in their horror and outrage.

Sunless Days

7.0 1990
I've Got the Blues

Following her award-winning documentary, One Tree Three Lives, about novelist Hualing Nieh Engle, Hong Kong director Angelina Chan examines the artist Yank Wong Yan-kwai. A complex man who resists easy categorizations, Wong is a painter, art director, set designer, writer, musician, and photographer, an elusive renaissance man of bountiful creativity. More than a portrait of an artist and the creative life, the lm is also a high-octane cat-and-mouse game between lmmaker and subject: one tries to capture, the other evades

I've Got the Blues

7.0 2018
No No Sleep

In 2015, Tsai Ming-Liang was once again invited by the Hong Kong International Film Festival to make the opening short film. This time, he selected Shibuya station in Tokyo as his main filming location and invited the famous Japanese actor Masanobu Ando to appear alongside Lee Kang-Sheng. They sleep separately at a capsule hotel and cleanse themselves at a public bath. Their fatigued bodies yearn for sleep but restless minds keep them for falling asleep. "No No Sleep" won the Best Director Award at the Taipei Film Festival.

No No Sleep

5.9 2015
Blue Island

Although the Chinese government promised that Hong Kong would retain separate status until 2047, in recent years the Chinese state has consolidated its power over the metropolis. Large-scale protests by the populace have been brutally suppressed. This mix of documentary, fiction, and visions of the future reveals the current state of desolate depression among the people of Hong Kong. “A desperate attempt to capture the final moments of a sinking island”, as maker Chan Tze-woon himself puts it.

Blue Island

6.7 2022
The Path of Soul

Shifting his lens from Cantonese opera to Japanese Noh drama, documentary filmmaker Cheuk Cheung continues his exploration of complex gender issues ingrained in traditional theatres. For seven centuries, only the male body has been granted the privilege to inhabit this highly stylised art form that embraces spirituality in subtle movements. The film traces the journey of third-generation Noh performer Uzawa Hikaru, a young woman who makes her presence in the male-dominated space; yet behind the mask lies a daughter yearning to seek a resolution beyond her mother’s path – a quest to fuse body and soul in pursuit of the profoundly mysterious aesthetic.

The Path of Soul

7.0 2026
Ah Cheung: Wings of Hope

Law Wai-cheung is an important figure in promoting disability’s rights in Hong Kong. A life in a wheelchair equipped Law with the perseverance and fighting spirit to not only achieve independent living, but even dedicated himself to helping others in the local disabled community to build a life of their own. Executive produced by Oscar winning documentarian Ruby Yang, this documentary by So Ka-ue incorporates heartwarming animation by Macau animator Wong Weng-chon to chronicle Law’s life in tandem with the local disability’s rights movements from the 60s to the present.

Ah Cheung: Wings of Hope

NR 2024
Being Rain: Representation and Will

A group of documentary filmmakers began to shoot the civil social movement in Hong Kong, which became part of the city's common landscape. Spanning over two years, the filmmakers attempt to reveal the visible and invisible control behind. They trace a mysterious organization which is suspected to secretly control the weather which dampens the mood and suppresses the intention of the public to participate in social movements. On the surface, the question on inclement weather could be answered by climate changes around the world. The underlying sordid discussion, however, is really about intervention, pervasive suppression and control instead of any conspiracy theory.

Being Rain: Representation and Will

7.0 2014
Sister Kam

Behind Mongkok’s Portland Street where French music plays in cute little artsy cafés, the back alley is a totally different world. Sister Kam washes dishes in the alley every night. She fights with the workers at the rubbish collection point and proudly boasts to the waiters how she could slaughter a pig on her own. She works till midnight and gets up at 5:30am, day after day. In the thousands of alleys in Hong Kong, stories that speak of life’ struggles wait to be told.

Sister Kam

6.0 2013
Boundless

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

Boundless

7.7 2013
Nobody's Perfect

Former classmates Alexandra and Alexis may share the same name, but they couldn’t be more different. Alexandra is beautiful, intelligent, rich, and completely insufferable. Self-centered and patronizing, she’s an expert in quick put-downs, nasty name-calling, and brokering gossip into profit. Alexis is a simple-minded, pure-hearted, and hard-working gal who is constantly bullied by her future sister-in-law’s family with whom she stays. Crossing paths again by chance, the two girls don’t want anything to do with each other – until a freak accident causes them to switch bodies!

Nobody's Perfect

4.0 2008
I Wish

Hong Kong started and flourished as a fishing port in the past, and its people have long been committed to worshipping ancient deities for their blessings. With over a hundred Tin Hau temples (Goddess of Sea) in Hong Kong, there are three on Lamma Island alone, located respectively in Sok Kwu Wan, Luk Chau and Yung Shue Wan. The film documents the states of Tin Hau temples on the island and beyond, as an attempt to contextualise the everyday practice of the fishing community, islanders and city dwellers visiting the temples.

I Wish

NR 2022
Dragons of the Orient

For martial arts enthusiasts and fans of Jet Li, Yang Ching, and Wang Chun, this historical filmography about the origins of Chinese martial arts, the legendary Shaolin Monastery, and modern kung fu will prove to be an irresistible treat. The documentary is told through two fictional characters, Instructor Wang and Hong Kong sports reporter Ms. Chin Chin, who chance to meet in a park. Ms. Chin Chin is writing a story about the history of martial arts and so Instructor Wang offers to help. Together they visit the Shaolin Monastery and view a weapons demonstration by the monks.

Dragons of the Orient

6.0 1988
Yang ± Yin: Gender in Chinese Cinema

An exploration of Chinese cinema and its relationships with gender and sexuality, which the film argues has been more frankly and provocatively explored than in any other national cinema. Utilizing both film excerpts and interviews with many leading directors and academics, the film examines topics such as male bonding in kung fu movies, depictions of same-sex bonding and physical intimacy, the emphasis on women's grievances in melodramas, and the career of Yam Kim-Fai, a Hong Kong actress who spent her life portraying men on and off the screen.

Yang ± Yin: Gender in Chinese Cinema

5.2 1998
Open Road After Harvest

In such a difficult situation in Hong Kong agriculture, to local farmers, before expecting a good harvest, they have to first overcome the problems caused by agricultural policy implementation, land policy and urban development in Hong Kong. This film is about three middle-aged local organic farmers and their farming stories: A peasant leader, who faces political infiltration in organization, decides to quit and focuses on his farming; a rural woman who fights against North East New Territories development plan and taking care of her sick husband at the same time, decides to combine family life with her home farming; a sixty years old truck driver who decides to have a career change, trying to live a fearless and free life as a farmer.

Open Road After Harvest

NR 2015