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To Be Hamlet

Documentary examination of the role of Hamlet, in which ten prominent actors who have played the part discuss Hamlet's personality, Shakespeare's play, and the enduring popular fascination it has inspired. The actors interviewed are Laurence Olivier, John Gielgud, Richard Burton, Nicol Williamson, Ben Kingsley, Jean Louis Barrault, Vittorio Gassman, Maximilian Schell, Innocenti Smoktunovsky, and Mandy Patinkin. Includes excerpts from various film and television versions of Hamlet, featuring these actors and others.

To Be Hamlet

NR 1985
Black Wax

Gil Scott-Heron, one of rap's earliest (and unfortunately unknown) pioneers, gets his full due in Black Wax, the 1982 documentary recently reissued on video. Interspliced between performance footage of Scott-Heron and his Midnight Band are vignettes of him walking around Washington D.C., spouting his views on then-President Reagan (dubbed "Ray-Gun") and generally dropping knowledge. The live performance features many of Scott-Heron's best-known hits, including "Johannesburg," "Winter in America," and "Angel Dust," among others. Warm, intelligent, and insightful throughout, Scott-Heron is clearly enjoying himself and the opportunity to espouse his views. A must for any fan of Scott-Heron's, and definitely worth a look for fans of the funkier jazz music of the mid to late 1970's.

Black Wax

10.0 1983
Movies Are My Life

The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, the making of Mean Streets and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.

Movies Are My Life

6.8 1988
Urgh! A Music War

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

Urgh! A Music War

7.4 1981
Talking Proper

Accents and dialects provoke strong prejudices and reactions. In a film that examines why this should be, broadcaster Janet Street -Porter, Scottish announcer Susan Rae and actor Peter Bowles are among those who have suffered because of the way they speak. Meet the Queen's English Society, which keeps a candle burning for the purity of the spoken word, and the Devon Dialect Society, which has very different ideas about how vowels should sound. Eavesdrop on an elocution class, hear from Scottish schoolchildren whose accents might affect their job prospects, and go behind the scenes at the BBC Pronunciation Unit and the northern auditions for the Speaking Clock. See how fashions have changed over the years, and how trends are likely to develop in the future as we enter a world of talking robots and computers....

Talking Proper

NR 1985
The Outcasts

Roaring through the streets in dirty denims and leather, The Outcasts present a menacing appearance to the respectable folk of East Anglia. Theirs is an alternative world of wild parties, arrest and sudden death. This film shows a group most people would cross the street to avoid. It's a life which borders on the edge of society and the law, but one which is governed by strict rules and traditions. There are two faces to The Outcasts. One exists in the pounding of heavy metal music and the exhaust fumes of powerful customised motorbikes. The other lies in the day-to-day grind, where even Outcasts have livings to earn, children to feed and bills to pay.

The Outcasts

6.0 1985
La Belle Epoque

Featuring Douglas Fairbanks Jr. and Diana Vreeland, La Belle Epoque evokes "the beautiful era" of 1890-1914, a time in which the wealthy upper classes of the Western world gave themselves over to a life of elegance and taste-making, their eyes closed to the increasing social and political turmoil fermenting beneath the surface of polite society. The program uses period motion pictures, photographs, and sound recordings, as well as the arts and fashions of the period to supplement the spoken memories of the participating interviewees who actually lived... La Belle Epoque.

La Belle Epoque

NR 1983