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Iron Maiden: Burning Ambition

With unprecedented access to the official archives and intimate recollections from the band, both current and past, Iron Maiden: Burning Ambition invites fans to experience one of the most iconic journeys in music history. Spanning five decades, this electrifying documentary charts the band’s rise from the pubs of East London to the world’s biggest stadiums. Featuring exclusive interviews with band members and contributors such as Javier Bardem, Lars Ulrich and Chuck D, as well as all-new animated sequences of the band's legendary mascot, Eddie, the film offers a rare and intimate look at Iron Maiden’s uncompromising vision and unwavering connection with their truly global army of fans.

Iron Maiden: Burning Ambition

8.5 2026
Wild London

After a life spent travelling the globe, the world’s most famous naturalist turns his attention closer to home to explore the wildlife of England’s iconic capital. Having lived in London for 75 years, Sir David has an intimate knowledge of the city’s natural history, and there's no better guide to introduce us to its most spectacular wildlife secrets. Captured over his centennial year, this personal and poignant film is a timely insight into how cities can become homes for wildlife as well as ourselves.

Wild London

8.4 2026
For Sama

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

For Sama

8.3 2019
Roundhay Garden Scene

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

Roundhay Garden Scene

6.5 1888
Bring Me the Horizon: L.I.V.E. in São Paulo

BRIT-winning and Grammy-nominated band Bring Me The Horizon's biggest headline show to date. Shot at São Paulo’s Allianz Parque Stadium, performed in front of a sold-out crowd of 50,000, the film expands the visual universe of POST HUMAN by blending cinematic visuals, fan-submitted videos and showcasing characters such as E.V.E, Selene & M8. It delivers an immersive experience that rivals that electric night in Brazil. The performance spans the full evolution of BMTH’s discography, from Sempiternal and That’s the Spirit to amo and the POST HUMAN albums. L.I.V.E. in São Paulo brings the viewer in, and never lets them go.

Bring Me the Horizon: L.I.V.E. in São Paulo

8.8 2026
Algeria's Bloody Years

Documentary series in two parts: 1. A people without a voice (80'), 2. A land in mourning (78'). Part 1: A people without a voice: October 88, the Algerian Republic is faltering, the film goes back to the sources of this tragedy and explains how the face to face between the Islamists and those in power began. The interruption of the legislative elections of December 91, followed shortly after the assassination of President Boudiaf in June 92, plunged Algeria into chaos. Part 2: A land in mourning: the cycle of violence that leads to massacres and the economic and geopolitical underside of the war. More than 100,000 deaths, an incredible degree of barbarity, massacres, apparently incomprehensible... Behind the official window of power and its artificial political scene, hides a shadow power.

Algeria's Bloody Years

8.5 2002