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Award-winning French writer Christine Angot goes on a business trip to Strasbourg where her father lived before dying several years ago. It is the city where she met him for the first time at the age of 13, and where he sexually abused her over the following years. His wife and children still live there. Angot takes a camera and knocks on the doors of her family to push them to clarify their attitudes to her father’s crime that stretched over so many years. A cinematographic journey that challenges social norms and family perspectives in dealing with incest.

The life of Bambi, a male roe deer, from his birth through childhood, the loss of his mother, the finding of a mate, the lessons he learns from his father, and the experience he gains about the dangers posed by human hunters in the forest.

Félix, a young, melancholic and secretive shepherd, leads a surprisingly timeless life. He lives alone and works along his father to raise the family herd. From autumn to spring, he looks after his animals, feeds them and keeps them in the dense forests of holm oaks of French Pre-Alps. In the summer, he travels on foot for more than two hundred kilometres, leaving his father to lead the herd to the mountains pastures, in the High Alps Ubaye valley. There, he lives far from everything for many long months, in a mineral and inaccessible world where an invisible being prowls: the wolf. Against the tide of his time, Félix has chosen a profession that isolates him and keeps him out of the world.

A visually stunning narrative documentary, NAKED GARDENS immerses audiences in the complex, unseen world of a family nudist resort in the Florida Everglades. Filmed over one season at this lush tropical campsite, the film follows the stories of individuals drawn to an unusual community, which promises both non-conformist values and, more importantly for some, a cheap place to live. As aging owner Morley and his residents prepare for the largest gathering of nudists in the US, the Mid-Winter Naturist Festival, they are faced with challenges both as a community and as individuals.

How can a team go from last place to European qualification in just six months? Take a deep look behind the scenes of Olympique Lyonnais' 2023-2024 season, with behind-the-scenes sequences, match footage and interviews with key players.

Belfast's own Móglaí Bap, Mo Chara and DJ Próvai perform their politically relevant tracks off their latest album "Fine Art" as they are fresh off their first feature biopic film which is Ireland's official submission for the 2025 OSCARS and as the first Irish language band to be on Jimmy Fallon. Filmed on April 16, 2024 at Yoyo, Paris.

My Way is more than a song, it's a major score that has crossed the boundaries of eras and generations. An anthem that has become a part of ourselves and of music history. My Way is one of the most covered songs in the world, from Sid Vicious to Tom Jones, from Nina Simone to Pavarotti. Yet many people are unaware that it was conceived in France, by the pool of Claude François' private hotel, in the summer of 1967, and that a succession of chance encounters and sleepless nights guided it across the Atlantic to the man who was to make it a legend. Like a biopic, this documentary recounts the birth of a myth and how a song entered the pantheon of pop culture.

In 1933, Merian C. Cooper and Ernest B. Schoedsack, two audacious and visionary directors, dared to create a motion picture that eclipsed everything seen until then: when King Kong was released, it was celebrated as an artistic and technical revolution and became the first myth created by the young cinematic art.

Award-winning filmmaker Anne Aghion brings us on her decades-long, global odyssey to overcome loss. Through a series of tender, honest and visually stunning cinematic letters to the mother she lost at the age of ten and barely remembers, she grapples with the long-ignored effect of this death, the suppressed memories of her father’s life during the Holocaust, and a career as a filmmaker spent avoiding her own grief by giving voice to people who’ve survived extreme poverty and genocide. With a collage of home movies, outtakes from her previous films and original animated artwork embedded in grandiose footage of vast landscapes that take us to India, France, Rwanda, Antarctica and New York, Anne Aghion asks a question we all face: How do we live past the heartbreaks, sorrows and traumas we endure and come out whole?

"TDS, derrière l'écran des travailleuses du sexe" is a deep dive into the lives of Betty, Anaïs, Noochka, Manon, and Barty. They have all ventured into the world of selling sexual content online. What pushes someone to take the step of signing up on these platforms? What are their motivations? What are the consequences on their personal lives? Why do some choose to stick with it for years, while others decide to stop for good?

The exemplary adventure of Somankidi Coura, an agricultural cooperative founded in Mali in 1977 by West African immigrant workers living in workers' accommodation in France, sheds light on the violence of colonial agriculture and the ecological challenges in Africa today.

Handheld skate video meets hardcore social realism in a sensational film with the energy of a three-chord punk song and an unruly group of street kids in front of the camera, shot over 10 wild years of their young lives.

In French, "scénario" is cinema's name for how it tells stories. This is the title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. The two segments of this film open with a series of identical sequences. The second segment then diverges and ends on a self-portrait of Jean-Luc Godard -his last images- sitting on his bed, bare-chested, he hides none of the wear on his body in the manner of Pigalle's sculpted portrait of Voltaire. "Scénarios" ends as it began, with a repetition, the figure of eternal return, the moment where time, which has been the great -if not unique- question of cinema, will have ceased to flow.

The story of a pioneer, Germaine Le Goff (1891-1986). After World War I, the Breton teacher left Douarnenez for adventure, with a journey that led her to Senegal. In 1938, she founded and directed a teacher training college in Rufisque, near Dakar, the first for primary school teachers in Africa.

Montage film by Aymeric Caron, broadcast at the French National Assembly on May 29, 2024. “Is it a dream or a reality? » demands a little girl stunned by her injuries. It is a nightmare, without a doubt, and nothing can justify it, neither the crimes of October 7 nor the detention of Israeli hostages by Hamas. Condemning all the crimes of October 7, before and after, condemning anti-Semitism and all forms of racism is common sense. However, it seems that this needs to be clarified. Everyone present normally wishes that the surviving hostages can one day be reunited with their families and that the massacre in Gaza stops immediately. But to follow through with the process is to see things face to face, to see what has been happening in Gaza since October 7, what the Israeli army is doing, what the television channels are not showing.

Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.

In the summer of 1961, a group of young Italian anthropologists made a clandestine journey through Spain, in order to record popular songs that supported anti-Franco resistance. As a result of their work, they were prosecuted and their recordings were censored. Sixty years later, and guided by Emilio Jona, aged 92, the last living member of that group of travellers, we recover the unpublished recordings and reconstruct the journey, today, across an emotional and political landscape, regaining historical memories through these songs, as relevant today as they were then.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

After the coup d'état on 1 February 2021, which brought the ten-year transition to democracy in Myanmar to an abrupt end, thousands of young urbanites, both men and women, gave up their lives to join the resistance against the junta.

« Emmanuelle » was released 50 years ago. Its main character, played by the young Sylvia Kristel, delve freely into her sexuality, without taboo. This bold movie became one of the great success of french cinema in the 70s, and Emmanuelle became the face of sexual liberation. Through the gaze of a woman, the character is back on the screen in 2024. This new Emmanuelle, written by Audrey Diwan, go in quest of a lost pleasure.

In her early twenties, Hiam Abbass left her native Palestinian village to follow her dream of becoming an actress in Europe, leaving behind her mother, grandmother, and seven sisters. Thirty years later, her filmmaker daughter Lina returns with her to the village and questions for the first time her mother’s bold choices, her chosen exile and the way the women in their family influenced both their lives.

A French documentary on Superman actor Christopher Reeve as told by his French voice dubbing actor, Pierre Arditi.

Two children are directed by a cinemaker.

Martin Scorsese is the unchallenged master of the cinematic quest for Italian-American identity. He has etched the cinematic image of the Sicilian mafiosi and the reality of America with incredible actors like DiCaprio and De Niro.

On the eve of the 1990 World Cup final, Plácido Domingo, José Carreras, and Luciano Pavarotti sang together for the first time. A look behind the scenes at a musical event whose phenomenal success lasted for more than a decade.

In the heart of the Peruvian Amazon, Saor, a young androgynous Indian, carries a coffin. He is taking Valentina, his lover, back to her native village to bury her. When Valentina left this village years ago, before becoming a transgender singer in a faraway city, people here knew her as Pol. Valentina's past and death remain an enigma. Yet bit by bit, through his encounters with the people of the village, Saor begins to perceive what connected them to Pol. Sensitive to the world around him, Saor, like a Shaman, enters their memories. Saor starts to understand that, like all homosexuals persecuted by Shining Path terrorists, Pol lived in terror. In the village cemetery, between rage and bitterness, Saor attends the burial of Valentina's body. A ceremony that is both a burial and an exhumation.

Following a heated debate on a French news television channel, Left wing MP François Ruffin defies a TV columnist and attorney, Sarah Saldmann, to work and live one month on the minimum-wage. This humanistic and humoristic documentary highlights the daily struggles and joys of the working-class compared to the fantasy the bourgeoisie has built up in the media. It also raises a thorny question : can the rich be socially reintegrated ?

Receiving a César is a defining moment in an actress’s or actor’s career. Eleven actresses and actors take part in a mirror exercise and, years later, revisit the footage of the ceremony where they were honored. They rediscover the emotion, the laughter, and sometimes the regrets of that unforgettable moment.

Despite constant disrespect, Olivier Giroud always delivered. Hear from France's all-time leading goalscorer and more legends of the game as they discuss the striker's incredible career.

On June 9, 2024, in a shocking move, the French President dissolved the National Assembly following the RN’s historic success in the European elections, triggering four weeks of an unprecedented and chaotic campaign. From right-wing alliances to the left’s union and the final makeup of Parliament, this documentary unpacks the twists and turns of a political earthquake with expert analysis.

Director Judith Godrèche received 6000 testimonies from victims. In "Moi aussi", she invites a thousand of them to occupy an avenue in Paris, in full public view. A young woman brings together this human forest to help them speak out.

More than 60,000 of Ernest Cole’s 35mm film negatives were inexplicably discovered in a bank vault in Stockholm, Sweden. Most considered these forever lost, especially the thousands of pictures he shot in the U.S. Told through Cole’s own writings, the stories of those closest to him, and the lens of his uncompromising work, the film is a reintroduction of a pivotal Black artist to a new generation and will unravel the mystery of his missing negatives.

Russia, China and Iran: three former empires are determined to take their revenge and reassert their power after centuries of humiliation. Since the start of the war in Ukraine, they have never been so aligned on the international stage. Their common goal: to put an end to Western hegemony, restore their zone of influence and propose a new model of society. To achieve this, they are waging a hybrid war against the democracies: military, technological, economic, informational and ideological. Are they on the verge of joining forces to create a new world order?

At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.

In February 1944, in a courtyard at Fresnes Prison, the Germans staged a spectacle to stigmatize a group of communist resistance fighters—all foreigners and mostly Jewish—who had been arrested a few weeks earlier. The propaganda aimed to discredit these fighters, portraying them as terrorists and criminals, even though they had managed to carry out numerous attacks against the occupiers in Paris. The red poster, plastered in thousands of copies across the country, would immortalize them in legend. They were subsequently executed at Mont-Valérien, near Paris. Missak Manouchian, the Armenian who led these fighters, now embodies this group in the collective memory as he is enshrined in the Panthéon, on behalf of all his comrades, 80 years after their execution.

They come from all walks of life and have lived for almost a century. They have lived through the upheavals of history. They are funny, moving and rebellious. They surprise and amaze us. Yet we rarely hear their voices. This film is an invitation to travel across France and meet them: the Old People.

Four days of joy and friendship in a village in the Pyrenees. The festivities intensify life together, and cinema glorifies it.

Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.

How do you craft the portrait of Jean-Luc Godard, or better yet a portrait of his methodology, his universe, his way of constructing or deconstructing cinema, that is equal to his own cinematic audacity and genius? How could it be anything other than by taking risks, and trying out equally radical methods, never straying from to his example. The two filmmakers immerse us into the storage warehouse where, in 2010, all the archives kept by Godard in Switzerland were transferred, and they create a doppelganger (or a duplicate) of the director, who takes up the role of our guide into his world. Excerpts from his writings, his images, his perspective in cinema give us a glimpse into his mythology, his techniques, his singular gaze, and therefore also in his worldview.

Jane Birkin was scheduled to perform at the Olympia in Paris on February 3, 2024. After she passed away on July 16, 2023, her daughters and her friends performed along with her musicians in a tribute concert entitled "Jane Birkin by Friends" for an exceptional performance of "Oh! Pardon tu dormais...", the singer's last concert, on the day that would have been Birkin's concert at the Olympia. Among the performers were Charlotte Gainsbourg, Marion Cotillard, Lou Doillon, Vanessa Paradis and many others. All profits from the concert were donated to French charity Restaurants du Cœur. The concert was later broadcast by Canal+.

Zina left Algeria to fulfill her childhood dream of driving trucks. At every turn, her cabin becomes a space of freedom and the highway a battlefield.

For a long time, in France, comedy was the preserve of men. Female roles were mostly secondary and corresponded to stereotypes such as the pretty doll, the funny but unattractive woman, or the troublesome, even cantankerous wife

Iulia lives alone in Monaco since her father left, who returned to Russia due to sanctions against their country. She no longer attends school. She feels increasingly lonely and threatened.