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The Melbourne Rendezvous

Rendez-Vous a Melbourne is the official filmed record of the 1956 Olympic Games in Australia. At the time of its release, there was much controversy in the documentary-filmmaking world over the fact that the Aussies signed over exclusive distribution rights to a French firm, resulting in a boycott from other movie companies. None of this matters when the film is seen today: though not in the same league as Leni Reifenstahl's Olympiad, this 110-minute extravaganza is consistently entertaining. Fifteen cameras were utilized to lens every aspect of the event; it was then up to editors Jean Dudrumet and Monique Lacombe to burrow through miles and miles of film to cull the highlights seen herein. Portions of Rendez-Vous a Melbourne have since resurfaced in practically every Olympics documentary -- not to mention the many TV specials attending the now-biannual event.

The Melbourne Rendezvous

5.7 1957
Corrida Interdite

Denys Colomb de Daunant (1922 - 2006) is a writer, poet, photographer and filmmaker known for being the author and co-writer of the film Crin-Blanc (1952) directed by Albert Lamorisse. Highly symbolic character of the Camargue, aristocrat and dandy, he was also a manager and hotelier. He would lead the immemorial life of an animal herder if he did not have another passion: images. The photographic apparatus and the camera are like sensitive antennas that he spreads over his world and which seek the truth beyond appearances. Since Crin Blanc his photographs have appeared in illustrated books on five continents. Among his many films, Corrida Interdite (in competition at the 1959 Cannes Film Festival) and Le Rêve des Chevaux Sauvages (Golden Bear at the Berlin Film Festival) are global short film successes. The animals, the images... a single passion: that of a free life in one of the rare countries where you can still live freely: the Camargue.

Corrida Interdite

7.7 1959
Stars at Noon

Les Etoiles de Midi is an engaging docudrama about some of the more spectacular exploits of French mountain climbers over the last several decades. In one re-enacted story, there is a wartime escape through the mountains, and in another, a daring rescue of a pair of climbers who had been missing. The actors themselves are adept at the sport of climbing, and they give the scenes an immediacy and real daring that brings the stories alive. A combination of their acrobatics and skill and the outstanding episodes in the history of French climbing creates a winning 78 minutes.

Stars at Noon

7.0 1959
Les héritiers

Gilles Groulx's first film shot in 1955 with a camera borrowed from his brother and edited during his spare time when he worked as an editor at the Radio-Canada news service a few years before he joined the NFB. Silent film, presented as its author left it, where the soil and the dialectic of Groulx's work are already there: documentary realism, the social space to be explored, daily life, the relationship between individual and society, social disparities, the consumer society, seduction and happiness.

Les héritiers

NR 1955
Chères vieilles choses

Georges Delerue (composer). Commentary written by Boris Vian (under his pseudonym Michel Arras) and spoken by Jacques Mauclair. Jacques Rivette: …Chères vieilles choses, de Raymond Vogel, film imparfait, zigzagant, inégal, mais qui, dans les marges d'un essai sans imprévu sur le monde des collectionneurs, sait esquisser en mineur une sorte de phénoménologie amusante du décor et de la possession. (Arts n° 646) (auto-translation:) Jacques Rivette: ...Chères vieilles choses, by Raymond Vogel, an imperfect, zigzagging, uneven film, which, in the margins of an unexpected essay on the world of collectors, sketches out a kind of amusing phenomenology of decoration and possession. (Arts n° 646)

Chères vieilles choses

NR 1957
Des Hommes Et Des Montagnes

History, advice and demonstrations of mountaineering in the Mont Blanc massif by the renowned guides of the National School of Ski and Mountaineering from Chamonix. The film starts with an historical summary illustrating the aspirations and methods that lead man to conquer the mountains. Armand Charlet teaches mountaineering techniques and takes his students to the field for glacier or rock exercises. Gaston Rebuffat makes demonstrations of particularly dangerous climbs. At altitude, people move in solitude, cold and silence, like circus acrobats without spectators, but nothing stops the modern mountaineer.

Des Hommes Et Des Montagnes

10.0 1953
Glamador

Fafai, a young boy, lives with his grandfather on the island of Glamador in the Camargue. To help the old man who can no longer work, Fafai finds a job as a caretaker. He must tame wild horses. But during a storm, they escape and swim to the island of Glamador. Fafai leaves for the island to bring back the herd... Glamador is none other than the island on which Folco and Crin-Blanc end up arriving after their escape, told in Crin-Blanc. This film is the sequel to “Crin Blanc”.

Glamador

10.0 1958
Hoggar

A 1959 documentary about climbing in the Hoggar Mountains of Algeria. For the first time, a mountain expedition was organized for 60 young aspiring climbers, accompanied by renowned mountaineers such as Lionel Terray, Lucien Bérardini, Maurice Herzog, and Jean-Paul Gardinier. In two weeks, dozens of new routes, often extremely difficult, were established. Jacques Ertaud's camera followed the climbers through all the challenging sections of the first ascent of the south spur of Assekrem.

Hoggar

10.0 1959