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An investigation in the city prompted by the assault of a young person by a bus driver. All over the street, the collective goes out to meet people and question the processes of violence in their neighborhood.

Making-off from The Big Blue movie

Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. Dividing Holocaust witnesses into three categories – survivors, bystanders, and perpetrators – Lanzmann presents testimonies from survivors of the Chelmno concentration camp, an Auschwitz escapee, and witnesses of the Warsaw Ghetto Uprising, as well as a chilling report of gas chambers from an SS officer at Treblinka.

A tribute to F1 pilot Patrick Depailler.

Zora has no complaints about her husband, except that he gave her 20 children in 20 years! Kheira, who was married at 13, recounts her story through tears: the young grandmother remembers the years she spent fighting to get back the son her first husband took away from her. These touching portraits of Algerian women were filmed in Marseille.

Made in memory of Kalbinder Kaur Hayre, a young British-Indian woman murdered in 1985 in a racist attack in England, Sari Red examines the effect of the ever-present threat of violence upon the lives of Asian women in both private and public spheres. In this moving visual poem, the title refers to red, the color of blood spilt and the red of the sari, symbolizing sensuality and intimacy between Asian women.

1986 FIFA World Cup Official Film. Mexico had just recovered from a devastating earthquake, but the nation put on a great tournament and Argentina, inspired by Maradona, justified "favourite" status. Eighty-six minutes of football magic from numerous world stars, including Diego Maradona, Gary Lineker, Michel Platini, Socrates, Rummenigge, Sanchez, Laudrup and many others. Michael Caine narrates this, the official FIFA coverage.

A Mondo documentary that juxtaposes footage of death, carnage, and unpleasantness with scenes of inspiring and beautiful imagery.

After Lee Strasberg’s death in 1982, the most prestigious talents from the Actors Studio assumed the leadership of this exceptional organization. For the first time ever, filmmakers have been allowed to film their work.

In 1988, Figaro magazine asked a few famous directors to direct a series of short movies to celebrate the 10 years of the revue. The movies have been released for the French revolution bicentenary. Includes: Werner Herzog's Les Gaulois, David Lynch's The Cowboy and the Frenchman, Andrzej Wajda's Proust contre la déchéance, Luigi Comencini's Pèlerinage à Agen, Jean-Luc Godard's Le dernier mot.

The co-founder of the Gamma press agency, Raymond Depardon, created this documentary of press photographers in Paris and their subjects by following the photographers around for one month, in October, 1980. In-between long hours waiting for a celebrity to emerge from a restaurant or a hotel, boredom immediately switches to fast action as the cameras click and roll when the person appears. The reaction to the gaggle of photographers is as varied as the people they often literally chase all around town. While some of the celebrities, such as Jacques Chirac who was mayor of Paris at the time, are perceived as comical caricatures, others are shown simply going about ordinary pursuits - including Catherine Deneuve, Gene Kelly, and Jean-Luc Godard.

A retrospective of the films of Britain's Hammer Studios, renowned for making stylish horror films in the 1950s, '60s and '70s. Included are clips from Hammer productions and interviews with actors, actresses, directors and producers who worked on these films.

"Le Défilé" is a short film of Regine Chopinot & Jean-Paul Gaultier's collaborations, from a retrospective exhibit by the same name.

Rude Boy is a semi-documentary, part character study, part 'rockumentary', featuring a British punk band, The Clash. The script includes the story of a fictional fan juxtposed with actual public events of the day, including political demonstrations and Clash concerts.

In 1984 Ron Fawcett, is one of the most athletic climbers, he takes pleasure in taking up the challenge of climbing "free" without artificial aids, the equipment and rope being used only for safety, a revolution at the time. The documentary is part of "Pushing The Limits", a 10-episode series by Leo Dickinson documenting sporting adventures that push the limits of human endurance. Each episode focused on an extreme sport, ranging from rock climbing to hot air ballooning.

Two segments make up this short film. The first portion called “The French” has two men taste testing some delicious wine, and the other, titled “The Gauls”, is of men playing rugby. This short by Werner Herzog is part of the “The French as Seen By…” series. It was initiated and sponsored by the newspaper Le Figaro, as part of the 1988 celebration of the tenth anniversary of its magazine section.

Retrospective on the career of enigmatic screen diva Marlene Dietrich.

Completed a year after his death in 1983, this program presents the definitive biography of Spain’s renowned Surrealist film maker and iconoclast, Luis Buñuel. Using photographs, film excerpts, and numerous interviews with Bunuel, the video chronicles his early friendships with Salvador Dalí and Federico García Lorca, the stormy reactions to many of his groundbreaking films, and the influence he has had on international cinema. Among those interviewed are directors Federico Fellini, John Huston, and Jose L. Saenz De Heredia; Buñuel’s wife, Jeanne Rucar, and son Juan; actor Francisco Rabal; and Octavio Paz.

Documentary profile of musician and producer Quincy Jones

The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, the making of Mean Streets and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.

Vertical Opera is a documentary film directed by Jean-Paul Janssen, with climbers Patrick Edlinger and Jean-Paul Lemercier in the Gorges du Verdon. The film opens with a training sequence of Patrick Edlinger then he links the routes with Jean-Paul Lemercier "L'Ange en décongelation" (7a), in which he falls voluntarily to demonstrate the usefulness of the rope, then "Le Septième Saut" (7b+). Finally, the final scene, an anthology, consists of a close-up of Edlinger who climbs free solo and barefoot the route "Débiloff", still in the Verdon, above hundreds of meters of void, all to lyrical music. It is "Wie Furchtsam Wankten Meine Schritte", the aria for alto voice from Johann Sebastian Bach's cantata BWV 33, music not unrelated to the subject of the documentary: "How faltering and fearful my steps were".

March 12, 1987. The young French mountaineer Eric Escoffier prepares his equipment, very reduced in material and food. He leaves the next day and intends to chain three north faces in the Alps: Eiger, Matterhorn and Grandes Jorasses. The ascent of the first summit, the Eiger is slow, difficult and full of pitfalls. It takes 17 hours to reach it. Without recognizing the terrain -he prefers to improvise- the mountaineer continues through the Matterhorn. When night falls, anxiety is felt on Zermatt's side. Help is organized to pick him up. Despite his refusal to return, Escoffier is finally hoisted. Christophe Profit, a few hours earlier, managed the chain of three summits.

The story of the persecution of homosexuals and intellectuals in Cuba under Fidel Castro's dictatorship, from the beginning of the Cuban Revolution (1953-59) until the early 1980s. Interviews with relevant personalities of Cuban culture who suffered persecution demonstrate that concentration camps for gays existed in Cuba.

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, 'I think cinema, when it's not boring, is the art of letting ghosts come back.' He also says that 'memory is the past that has never had the form of the present.'

A feminist view of how small businesses in London's Soho exploit working women.

Documentary examination of the role of Hamlet, in which ten prominent actors who have played the part discuss Hamlet's personality, Shakespeare's play, and the enduring popular fascination it has inspired. The actors interviewed are Laurence Olivier, John Gielgud, Richard Burton, Nicol Williamson, Ben Kingsley, Jean Louis Barrault, Vittorio Gassman, Maximilian Schell, Innocenti Smoktunovsky, and Mandy Patinkin. Includes excerpts from various film and television versions of Hamlet, featuring these actors and others.

A portrait of pianist Alfred Brendel performing and analysing Franz Schubert's final three sonatas.

Julie is an English student assigned to write a paper about "nudity in the 80s". A bit overwhelmed at first she takes on the project by visiting a nudist camping with her boyfriend. But while she learns about nudity and nudism, her boyfriend struggles to keep up.

The biography of former Beatle, John Lennon—narrated by Lennon himself—with extensive material from Yoko Ono's personal collection, previously unseen footage from Lennon's private archives, and interviews with David Bowie, his first wife Cynthia, second wife Yoko Ono and sons Julian and Sean.

Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody Allen on the cultural radiation, the ubiquity and significance of Television, and how Television compares with cinema as a medium and form of expression.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

The film shows Catherine Destivelle's trip to Dogon Country, in Mali, where she will make spectacular free solo rock climbing ascents in the sun-warmed cliffs of Bandiagara. Destivelle is accompanied on this trip by a friend climber, Lucien Abbet. A film by Pierre-Antoine Hiroz produced in 1987 by Paradoxe and also featuring Tidjani Koné, Ibrahim Dolo, and the Dogon inhabitants of the Bandiagara Escarpment. The film won the Genziana D'argento for best free climbing film at the Trento Film Festival in 1987.

Couple is a cinematic series of portrait films, which show two persons, who free to do what they wish, in a fixed camera shot of 3:20 minutes.

Téléphone is a great success story in French rock: 300,000 albums sold in 1979. The group was born on December 16, 1976, at a surprise concert at the American Center in Paris. Four instrumentalists, four self-taught, four musicians untroubled by the successive waves of fashions from across the Atlantic and the Channel: Jean-Louis Aubert, singer and songwriter; Louis Bertignac, guitarist; Richard Kolinka, drummer; Corinne Marienneau, bassist. From titles: “Métro c'est trop”, “La bombe humaine”, “Crache ton venin”... Portraits and interviews, trances and crowd-pleasers at the Palais des Sports and the Fete de l'Humanité, a look behind the scenes. Jean-Marie Périer, with seven cameras in hand, now captures the phenomenon in a feature-length film. Camera movements, editing on a giant triple screen and Dolby Stereo sound all serve to highlight the quartet's harmony and vitality.

Belgian director Chantal Akerman struggles to overcome her laziness in the name of making a film about the subject.

Franz West (1909-85) remembers his youth in Vienna: the variety of the Jewish population of the so called Matzah-Island, his commitment to the worker’s movement of the Red Vienna and the rise of Austro-fascism and National Socialism. West’s masterly narration combined with impressing archive footage illustrate and elucidate the complex Austrian history between WW1 and WW2.

BBC documentary. Witness John Williams composing the legendary score for The Empire Strikes Back and conducting the London Symphony Orchestra.

Focusing on key Arab films produced in the last 20 years. Férid Boughedir traces the development of the film-makers' concern to produce more socially aware cinema. Themes include the issue of Palestinian homeland rights and the nature of Arab identity. The film-makers also share a desire to develop a strong poetic tradition.

A humorous documentary on the making of Alex Cox's punk biopic SID AND NANCY. Features exclusive behind the scenes production and commentaries from Alex Cox, Gary Oldman, Chloe Webb, David Hayman, Eric Fellner and more...

William's government blended elements of the English and Norman systems into a new one that laid the foundations of the later medieval English kingdom. How abrupt and far-reaching the changes were is still a matter of debate among historians, with some such as Richard Southern claiming that the Conquest was the single most radical change in European history between the Fall of Rome and the 20th century. Written by jeff davis, III

“Cantons Aztecas” are provocative and mystical poems written by an Aztec prince more than 900 years ago. Set to music composed and conducted by Lalo Schifrin, it features Placido Domingo as principal soloist, a 100-piece orchestra, a 120-piece choir and four soloist. Recorded live at the Pyramid of the Moon of Teotihuacan and sung in the original languages of the Aztecs nahuatl, Cantos Aztecas is a thrilling experience. Personnel includes: Placido Domingo (vocals); Lalo Schifrin (conductor); Marsha Felix, Conchita Julian, Nikita Storojev (vocals); Mexico Philharmonic Orchestra & Chorus.

Just two years away from turning 30, participants in Michael Apted's documentary series are facing serious questions of identity and purpose, wondering whether they've found their place in the world.

New York, summer 1983. Jeanne Moreau goes to meet Lillian Gish to film a portrait of her. The star of American silent films invites her to her apartment and discusses her career from its beginnings on film in 1912. She remembers the conditions on stage when she was a child, the first Hollywood blockbuster, D. W. Griffith's Birth of a Nation (1915), and her passion for cinema guided by an inexhaustible curiosity.

Roland-Garros, 1981: For the very first time, a documentary team is allowed to shoot sequences in the backstage of the French Open of tennis of Roland-Garros. William Klein's camera takes us on the heels of the greatest players of the time: Björn Borg, Jimmy Connors, Ivan Lendl, Chris Evert-Lloyd, John McEnroe, Martina Navratilova, Yannick Noah, Guillermo Vilas... Miles of film. Historical pictures, a thousand and one details, a thousand and one unusual scenes. A declaration of love from a tennis lover.

Produced in almost marginal conditions, Los Totos is a portrait of life in impoverished neighbourhoods

It is 1 p.m. on June 30, 1982, when Christophe Profit, 24, shows up at the foot of Les Drus with his pof bag, his climbing shoes and nothing else. He will try the west face of Les Drus in "solo", in the Mont Blanc massif by "Directe Américaine", 1100 meters of vertical and smooth rock. Christophe will achieve the feat of climbing the wall in free solo, without using a rope or any belaying technique. At 4:10 p.m., barely more than three hours after the start of his ascent, the new climbing star can embrace the Virgin of the Drus at the same time as the career of a high-level mountaineer. Three years later, on July 25, 1985, he climbed the north faces of the Matterhorn, the Eiger and the Jorasses in the same day. Awarded at many mountain film festivals, this great documentary is a magnificent testimony to one man's passion for climbing, the mountains and adventure.

The two directors meander through rural Mississippi in search of the spirit of local music and society. Highlights the heritage of William Faulkner, the role of Black churches, and gospel and blues music.

Behind the scenes documentary on the making of the big budget fantasy/adventure opus Krull (1983).

At the roots of reggae, in Jamaica, close-up on the group Third World. Portraits of the musicians in their daily lives and the cultural context from which they draw their artistic inspiration.

A handheld video camera explores image-surfaces as a visual collective unconscious: a TV screen, Polaroids, photos. A conceptually and formally compelling film about the idea of change, the loss of a revolution, the defying memory of the 70s decade.

French making of documentary / set visit on Mad Max Beyond Thunderdome.

A look back at the first 21 years of Britain's most successful film series.

This Oscar nominated documentary serves not only as a remembrance but a lesson and a warning for the future. It follows the plight of Europe's Jews during the terrifying period from 1933 until the final defeat of the Third Reich in 1945. Never before had the world seen such contempt for human life on such a grand scale, the murder of an estimated 6 million Jews, with countless others persecuted. During the 1930s a wave of national fervor swept through a tumultuous Germany; people looked for answers, and the politicians were all too willing to point the finger of blame towards the Jewish population. Few, if any, could have foreseen how the views of one man would unfold…that man was Adolf Hitler.

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

Climber Patrick Edlinger visits various climbing areas in the American West, including Joshua Tree (routes and bouldering), Yosemite (bouldering), Hueco Tanks (bouldering), and Smith Rock (routes). He is seen climbing alongside Russ Clune, Ron Kauk, Jean-Paul Lemercier, and Todd Skinner in numerous sequences accompanied by Native American-inspired music composed by Benoît Fromanger. Less well-known than his two previous films, "La Vie au bout des doigts" and "Opéra Vertical," it remains a benchmark for all climbing enthusiasts and admirers of Edlinger, the world's most famous climber. His familiar voice provides narration throughout many sequences with iconic phrases that encapsulate the man, such as: "Climbing, this useless thing to which I dedicate my life."

Celebrate Christmas with Disney and discover its European influences.

Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.

A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.

In this heartwarming docudrama, Chilean immigrant Marilú Mallet strives to make a film about her experience of deep isolation. Her English-speaking husband, a prominent film director, criticizes her subjective approach to filmmaking; her young son, raised in Quebec, speaks only French. Interviews with Isabel Allende and other Chilean exiles reveal a deep bond in this powerful and resonant film about language and genre, exile and immigration.