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Supersurface: An Alternative Model for Life on Earth

Produced for the 1972 Museum of Modern Art exhibition, Italy: The New Domestic Lanscape, Supersurface was the first of five films planned by Superstudio as a "critical reappraisal of the possibility of life without objects." Superstudio envisioned a "network of energy and information extending to every properly inhabitable area". According to the artists, this network would bring about the destruction of objects as status symbols, the elimination of the city as an accumulation of formal structures of power, and the end of specialized and repetitive work as an alienating activity. "The logical consequence," they write, "will be a new, revolutionary society in which everyone should find the full development of his possibilities".

Supersurface: An Alternative Model for Life on Earth

8.0 1972
Pyramid Lake Is Dying

The second of John Pilger’s three 1976 documentaries made in the United States. In Pyramid Lake Is Dying, he reports on the demise in the culture of native Americans and the stealing of their resources. Pyramid Lake, in Nevada, home to the Paiute peoples and once described as “one of the few remaining unspoiled natural wonders in the American West”, is drying up and its fisheries and wildlife disappearing due to changes to the local ecology made by white settlers. In addition to their natural resources, the Paiute peoples' culture and lifestyle are also under threat.

Pyramid Lake Is Dying

NR 1976
ViennaFilm 1896-1976

This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists. Individual, self-contained sections of the film gain new meaning within the context of historical material. Familiar sites appear estranged when edited together with historical scenes. Other scenes appear like a persiflage or satirical. The film does not incorporate any commentary whatsoever. It is a collage of diverse materials aimed at conveying a distanced image of Vienna to the viewer

ViennaFilm 1896-1976

7.0 1977
The Olive Tree

Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.

The Olive Tree

10.0 1976
The Porno King

This is a documentary on the 70's French porn industry. There are generally two kinds of porn documentaries--those that actually take an insightful look behind the scenes, and those that are just an excuse to show a lot of nudity and XXX porn footage. This is actually somewhere in between. It's generously seasoned with porn footage, but there are also a lot of (fully-clothed) interviews, and they even talk to the owners of porn theaters, some typical porn customers (including some pre-adolescent boys who are walking by the the theater--I wonder what their parents thought of that?), as well as a guy who makes promotional billboards for porn movies although he claims never to have seen one!

The Porno King

5.2 1976
Umbracle

This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.

Umbracle

6.0 1972
Fear and Loathing on the Road to Hollywood

Fear and Loathing on the Road to Hollywood, also known as Fear and Loathing in Gonzovision, is a documentary film produced by BBC in 1978 on the subject of Hunter S. Thompson, directed by Nigel Finch. The road trip/film pairs Thompson with Finch's fellow Briton the illustrator Ralph Steadman. The party travel to Hollywood via Death Valley and Barstow from Las Vegas, scene of the pair's 1971 collaboration. It contains interviews with Thompson and Steadman, as well as some short excerpts from some of his work.

Fear and Loathing on the Road to Hollywood

7.1 1978