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A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.

Ever had a good experience with doorstep salespeople? Maybe you were lucky, but the doorstep has never seemed the best place for a sensible sales decision – which is exactly why companies use it.

A sex education film dedicated to all forms of human sexuality.

The family enjoys a sunny but windy day on the pier in Clacton-On-Sea.

A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, including an insect banquet and a memorable look at a practicing South Pacific cargo cult.

A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.

Hello London is a 1958 documentary film starring Sonja Henie and Michael Wilding.

Bournemouth offers a variety of sports, pastimes, steamer trips, and fine dining for holidaymakers, competing with cheaper foreign holidays and offering a variety of transportation options.

And the image created the myth... Bardot as a brunette, blonde or redhead. Bardot in thigh-high boots, mini-dress or swimsuit, Bardot in London, at La Madrague or on a Harley... In all her states, BB sings with Gainsbourg and Sacha Distel: "Bonnie and Clyde", "Comic strip", "Mister Sun"... Reichenbach's camera sublimates the icon.

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

After the quashing of his jail sentence for being in possession of drugs, the rock star Mick Jagger gives a press conference and joins a discussion with four leaders of the establishment, in which he talks about his attitude towards society.

A film considered almost lost even by Garrel, who recently found his negatives. Shot during the events of the May 68, it was made collectively; the film is a merge of Garrel’s and his partners’ points of view, all of them students and filmmakers that participated in the revolt.

In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.

An interview with film director Roman Polanski, recorded for BBC TV in 1967.

Orson Welles talks fantasy and magic in this short Vienna travelogue.

Director Jean-Pierre Melville and actor Lino Ventura are interviewed about their 1966 film.

A short, impressionistic documentary about the extremely precise process behind the creation of an autoclave (a reaction container) for a nuclear power plant. Otherworldly electroacoustic soundtrack by Oskar Sala.

Italian documentary film shot in several European towns (Berlin, Hamburg, London, Paris, Venice) as well as in Rome's De Paolis Studios. The movie features a series of strip-tease numbers intermixed with real-life scenes and interviews.

[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual.

‘Kunst & Revolution is a documentation on the famous action known as the “filthy uni mess”, which led to a jury court trial. I only had a few metres of film with me and they were quickly spent, but still the film gives one a rough impression of the events. As a whole mythology quickly arose around the event, I altered the material to counteract this effect (through repetition, and adding other material, for instance from a film about keeping dogs, and my own leftover footage from the Muehl action number 54 ‘Im Freudenauer Wasser’).’ In film 16 of his anthology Ernst Schmidt Jr. documented the actions of Günter Brus, Otto Muehl, Peter Weibel and Oswald Wiener.

At the end of the 1950s, French documentarian François Reichenbach spent eighteen months traveling the United States, documenting its diverse regions, their inhabitants, and their pastimes. The result is a journey through a multitude of different Americas, filtered through a French sensibility.

In the year that Cannes Film Festival handed out awards to Federico Fellini for La Dolce Vita, L'Avventura by Michelangelo Antonioni, and Kagi by Kon Ichikawa -- 'Le Sourire' won the Palme d'Or for Best Short Film in 1960. This quiet and intelligent film is a remarkable interpretation of a young monks perspective into a world of meditation, sacred geometry, and coming of age. A tribute to Buddhism, introspection and the wonders of nature...a short but lasting work of art.

This film shows the duties of a young British sailor, Lieutenant Ellison, as his submarine H.M. Artemis sails the pack ice north of Iceland to gather data to complete a scientific survey for the Hydrographic Department.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

While The Rolling Stones rehearse "Sympathy for the Devil" in the studio, an alternating narrative reflects on 1968 society, politics and culture through five different vignettes.

While in San Francisco for the promotion of her last film in October 1967, Agnès Varda, tipped by her friend Tom Luddy, gets to know a relative she had never heard of before, Jean Varda, nicknamed "Yanco". This hitherto unknown uncle lives on a boat in Sausalito, is a painter, has adopted a hippie lifestyle and loves life. The meeting is a very happy one.

Excerpts and fragments from different interviews with Orson Welles making a statement to journalists in fluent French about his career and his conception of life.

This colorful documentary chronicles the events of the 1968 Winter Olympics in France. The events made international celebrities of skater Peggy Fleming and skier Jean-Claude Killy for their gold-medal performances. The camera accurately catches the speed of bobsleds and downhill racers and ski jumpers as they race for the gold. President Charles DeGaulle is shown observing the action over 13 days, which saw France earn the best performance to date in the winter games.

Stéphane Mallarmé is one of the many educational documentaries that Éric Rohmer did for the television during the 1960’s. At the beginning of the film, Rohmer states that he has placed in Mallarmé’s mouth words taken from an interview with the writer by Jules Heuret published in 1891.

Avantgarde short by Brass.

Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.

A study of Antoni Gaudí's architecture (especially the Church of the Holy Trinity in Barcelona), his sources of inspiration and his influence on Picasso. (BFI)

Palermo, pearl of the Mediterranean, is one of the most popular holiday resorts for European and American tourists. What they do not see, however, are the narrow lanes in the city centre, where thousands upon thousands crowd together in damp and dark holes. The fate of the children is especially moving. Only half of the children in Palermo go to school. Their life is nothing but work and misery. But when they grow up, unemployment awaits them.

The French director is interviewed in this documentary showing the newly celebrated filmmaker discussing his influences and beginnings along with "Les Mistons" and "The 400 Blows".

The underworld (imaginary and real) of Paris, depicted through several sketches. Kaleidoscope of the immoral and nauseating aspects of the capital.

Moneypenny and Q discuss the rumors that James Bond is getting married. Promotional clip show to coincide with the release of the James Bond movie You Only Live Twice (1967) featuring clips from the earlier 007 movies.

Eric Rohmer leads a conversation with Jean Renoir and Henri Langlois on the art of filmmaker Louis Lumière.

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.

This German Television Special captured not only the Beatles (performing at the Circus-Krone-Bau) but a few songs from opening acts Cliff Bennett and the Rebel Rousers, the Rattles and Peter and Gordon.

Always On Sunday is a bio-pic on Le (Henri) Douanier Rousseau, a French naive painter.

A King's Story is a 1965 British documentary film directed by Harry Booth about the life of King Edward VIII, from his birth until abdication in 1936. It was nominated for an Academy Award for Best Documentary Feature.

Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.

French director Frederic Rossif presents this historical documentary that coincided with the 50th anniversary of the Russian Revolution. Stock footage from both World Wars are included with 30 minutes of new scenes filmed especially for the project. The historical timeline is traced from the time Czar Nicholas II is crowned. The emergence of Lenin, his death in 1924, and the later contributions of Trotsky and Stalin give the viewer a sense of death, betrayal, and ideological devotion to the communist agenda. Rossif effectively uses scenes from the landmark 1929 film The Man With A Movie Camera by celebrated director Dziga Vertov. Rossif researched the film archives from several countries in his meticulous gathering of materials for this timely historical feature.

A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film frame are highlighted in this intimate sexual episode with Tina Fraser. Artist Stephen Dwoskin presents a powerful, personal moment while maintaining a distance and resisting the viewer being subsumed into the action on screen.

An astonishing documentary of the life of classical composer Sir Edward Elgar. This partly dramatised account is remarkable for its sensitive portrayal of the rise of a young musician from an underprivileged background to international fame.

This is a continuation of the sex education films by Oswald Kolle. This time the sexual partnership is discussed.

Features gourmets chowing down on bats, voodoo practitioners, a chap who has a fetish for being covered in bees and a gal who has the Eiffel Tower tattooed on her behind so she can sell the skin at a later date. These choice cuts are interspersed with the usual parade of prostitutes, transvestites and strippers.

A satire on celebrity with a cacophony of gossip merchants, publicists, and “a host of stars.”

With his first film "Skifascination", Willy Bogner junior composed something unprecedented: a ski symphony of ski races, sketches and ski ballet. The world had never seen such an aesthetic combination of choreographed ski turns, brightly colored ski suits and emotional music in 1966! Shot in Ultrascope in the mountains around St. Moritz, the idea, script, production and camera shots were all the work of Willy Bogner. The spectacular images opened up completely new perspectives on skiing, which at the time was primarily seen as a high-speed sport. Willy added a romantic touch to skiing by combining it with beauty, harmony and fun. He didn't even need a continuous plot - snow, mountains and dancing on two boards were all he needed as the main characters!

Jaguar, a kind of road movie on foot, tells of the journey of three friends, Damouré, Lam and Illo, on their way to the Gold Coast where they hope to make a fortune in order to return to their village in a few months.

Dimanche was supposed to be a didactic film, ordered by the film department of the National Education, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film. Without resorting to any form of commentary, making use of extraordinary images sublimating common spaces (the boredom of Sundays, the changing of the guard, children playing, a runner in the woods, a football match, …), he constructs with a nifty montage an exceptional work dealing with the sense of void and the fossilisation of the world. (Boris Lehman)

From Trento to Chamonix, via Zermatt; from the Morgiou cove to the Eiger's north face; from Planica to the Lavaredo peaks, the Alps are depicted, illustrated, and magnified in all their unique and sublime beauty, through the sports practiced there and the most typical customs and traditions of their inhabitants. A helicopter rescue and a parachute jump from the Red Wall by Wolfgang Weizenbocks are experiences not to be missed.