Discover Movies

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

Hosted by Pop and Latin singing sensations Gloria Estefan and Marc Anthony, this all-star tribute honors the undisputed Queen of Salsa, Celia Cruz, an artist of immeasurable standing whose career has spanned more than five decades. Her music and incomparable charisma have touched the hearts and souls of millions of people from every race, nationality, and culture throughout the world. The Queen of Salsa has carried her title with class and distinction; her powerful voice and electrifying rhythm have garnered more than 60 worldwide recognitions, multiple gold and platinum records, and a star on Hollywood's Walk of Fame. Her boundless enthusiasm, genuine warmth, and deep-seated humanitarianism have made Celia Cruz the music industry's most accomplished and revered performer and the world's most notable ambassador of Hispanic culture.

A retrospective analysis of the causes and consequences of the catastrophic accident at the Chernobyl nuclear power plant in Ukraine on April 26, 1986.

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

Live In Rio is the third DVD by Mexican pop group RBD. The show was recorded on October 8, 2006 before an audience of 50,000 people at the Maracanã Stadium in Rio de Janeiro, Brazil on the group's "Tour Brasil 2006".

The painter Alfredo Romero locks himself in his studio-apartment in the Estación de Francia neighborhood in Mollet del Vallès (Barcelona) to create the final painting of his series Paisajes interiores (Inner Landscapes). The director of this film does the same, but to create his own work about the painter's creative process. Premiered at Documenta Madrid in 2009.

How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Documentary film about visual effects master Emilio Ruiz del Rio. From his early works on films at 1942, to his last contribution at 2007, Emilio Ruiz talks on his film experiences and traditional trickery, using foreground miniatures, glass shots, and painted cut out miniatures. It shows interviews with some of the professionals he has worked with, like, Rafaela de Laurentiis, Ray Harryhausen, Guillermo del Toro, or Enzo Castellari

A leftist revolutionary or a reformist democrat? A committed Marxist or a constitutionalist politician? An ethical and moral man or, as Richard Nixon called him, a "son of a bitch"? In SALVADOR ALLENDE, acclaimed Chilean filmmaker Patricio Guzmán (The Battle of Chile and Chile, Obstinate Memory) returns to his native country thirty years after the 1973 military coup that overthrew Chile's Popular Unity government to examine the life of its leader, Salvador Allende, both as a politician and a man.

The true story of the rise of a Japanese businessman from Los Angeles named Eishy Hayata from an Airline engineer into the legend of the Emerald world -- the Emerald Cowboy

Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.

In the summer of 1994, a team of public television reporters filmed and interviewed seven Cubans a few days before their risky venture of setting out to sea in homemade rafts to reach the coast of the United States. Six made it far enough to be picked up at sea by the U.S. Coast Guard. When these balseros (rafters) were finally allowed to go to the United States, the film crew went with them to a string of several cities. Seven years later, the film crew visits them again, to discover that their destiny has been in the United States. Theirs is a true story about some of the authentic survivors of our times, the human adventure of people who are shipwrecked between two worlds.

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

Through images and testimonies of Sahrawi women, this film introduces us to the situation and the living conditions the Sahrawi people have been subjected to since, in 1975, Western Sahara was occupied by Morocco and thousands of men, women and children were forced to flee and look for refuge in Algerian territory, in the inhumane "hamada" (rocky desert) of Tindouf. Sahrawi women, exiled to the refugee camps of Tindouf since 1975, have been the driving force behind a genuine revolution in all areas of Sahara society. They have carried out the miracle of reviving the spirit of a devastated community in the middle of a hostile, rocky desert.

Three of Spain's most renowned actors discuss the acting profession and share experiences and feelings from their different shootings. The ego, the characters, the fears, the preparation and the way each one approaches this profession.

The Spanish Civil War (1936-1939) caused a great impression on the lives of most of the American artists of that era, so many movies were made in Hollywood about it. The final defeat of the Spanish Republic left an open wound in the hearts of those who sympathized with its cause. The eventful life of screenwriter Alvah Bessie (1904-1985), one of the Hollywood Ten, serves to analyze this sadness, the tragedy of Spain and its consequences.

The life and work of one of the great masters of Italian cinema, Sergio Leone (1929-89); a rich and fascinating portrait through unpublished testimonies of collaborators, actors, directors and critics who reconstruct every aspect of his creative activity.

Biography of the award-winning Argentinian leftist filmmaker Raymundo Gleyzer, who was kidnapped by the CIA-backed military junta in 1976 at the age of 35. Features extensive clips from his movies as well as interviews with the people who knew him.

Armed based on photography, period films, archival materials and testimonies of survivors, family members and historians, the documentary accurately and exquisitely reconstructs the course of the “expropriating anarchists” in the Río de la Plata and specifically in Montevideo del First third of the 20th century.

Jose Maria and his sister Mercedes are archaeologists who have been given a grant to study the story of Our Lady of Guadalupe, whom Juan Diego, an ordinary man living near the hill of Tepeyac, witnessed in December 1531.

Tribute to Luis Buñuel's passion for drinking cocktails.

A documentary on Argentinean soccer star Diego Maradona, regarded by many as the world's greatest modern player.

An experimental documentary short about the terrorism in Peru in 1986. Using archive footage, the director deconstructs the massacre in a successive historical actions choreography and an atmospheric sound mix alternating the imminence of both the massacre and the oblivion.

As the third installment in an ongoing series of muckraking documentaries by Argentine filmmaker Fernando Solanas that investigate various sociological aspects of South America's second-largest nation (following 2004's Memoria del saqueo and 2005's La Dignidad de los nadies), Latent Argentina springboards from a truth little-known to most of the titular country's residents: Argentina owns more wealth and more innate natural resources than almost any nation on its continent. The possessor of a bountiful shoreline, endless acres of tillable farmland, the fourth largest metal reserves on the planet and a remarkable space program (the fourth in the world to send a human being into space), Argentina nevertheless remains a prisoner of backward and disadvantageous economical, political and social systems.

No Place in Anywhere can deal with many issues. It is a personal journey through image and time. It is the portrait of the "La Matriz" neighborhood in Valparaíso. It is the encounter between reality and fiction. It is the constant search to find a truth within the documentary. It is a musical rehearsal. It is the constant preparation of a documentary. It is a documentary of questions more than answers. A silent face, an empty road, a winter landscape, the wind moving the leaves of a tree, a wall, the sea, the street of a neighborhood, all of them intend to "create through the record" a unique truth for each viewer.

A charming and meditative ode to the city of Madrid, where Guzmán studied directing and filmmaking during the 1960s, and escaped to from Chile after the military coup. Traveling through the streets of contemporary Madrid, Guzmán’s essayistic film freely draws inspiration from the landmarks, the music, the people, and the culture to evoke experiences, reflections, and insights in order to relate the nature of his historical and personal connection to the city.

A documentary on the revolutionary life and career of director Juan Antonio Bardem, including interviews with many of his colleagues, including Luis Garcia Berlanga.

In 1939, just finished the Spanish Civil War, Spanish republican photographer Francesc Boix escapes from Spain; but is captured by the Nazis in 1940 and imprisoned in the Mauthausen concentration camp, in Austria, a year later. There, he works as a prisoner in the SS Photographic Service, hiding, between 1943 and 1945, around 20,000 negatives that later will be presented as evidence during several trials conducted against Nazi war criminals after World War II.

The observation of the work process carried out by different artists, different in terms of age as well as creative discipline, puts us face to face with the problems and decisions they are obliged to make in their artistic endeavour.

An author spends a year and a half filming what happens as a new apartment building is built in a neighborhood of Barcelona.

A poetic journey about the life and work of Puerto Rican poet Julia de Burgos.

The abject crimes of the terrorist gang ETA have marked the lives of many Spaniards; men, women and children who were silenced, harassed, persecuted, finally murdered. Thirteen stories, thirteen tragedies, just thirteen among thousands.

Five story strands -- some real, some fictionalized -- comprise this officially sanctioned film of Real Madrid, the second richest soccer club in the world.

Close to Greenaway takes us behind the scenes of the first part of the trilogy The Tulse Luper's Suitcases in Barcelona and Almeria. In this film, for the first time we get close to the unique vision of the controversial Welsh director Peter Greenaway. The intense rehearsals with the actors, his meticulous method of shooting and his thirst for the new audiovisual and technologies are revealed in this documentary.

A documentary chronicle of the prisoners’ takeover of the Garcia Moreno Penitentiary in Quito, Ecuador. The prisoners find they suddenly have a voice after they take 360 people hostage, and a pattern of abuse and corruption by the guards toward the prisoners becomes clear after lengthy negotiations.

How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)

The film reconstructs the modest process of filming a Super 8 action short by three 12-year-old friends in Buenos Aires during the spring of 1973. From there, a broader reconstruction unfolds, beginning, argumentatively, on the night of March 24, 1999.

Another kind of biography, one that unravels the mysteries of Dalí, the conflicts with himself and with the characters with whom he had greater emotional involvement: his father, his sister Ana María, Gala and Lorca. They lead us to a Dalí from different eras.

Documentary about Lupe's vacation in Argentina after emigrating to Spain four years earlier. She shares her trip with her mother and friends. The idea of ​​returning begins to sink in deeper and deeper, which puts her at odds with her husband and loved ones.

Documentary about the marginal neighborhood 'Las tres mil viviendas', in Seville.

An epic journey through Don Quixote's troubled mind, from which five paths to the unknown are opened: to reason, to freedom, to love, to friendship, to adventure; although only three destinations await at the end of an imaginary and audacious existence: the narrative of the adventurous life of Cervantes; the survival of a legendary novel in these heathen times, when the one-armed gentleman is nothing but dust and bones; the memory of the living, writers and scholars, where both the tormented captive and the insane hero, are immortals beings and will be forever.

Various objects are observed using a high-resolution electron microscope: some paint pigments from a supposed 19th-century painting, a dollar bill, and a piece of old film celluloid in the process of decomposition. Microscopic observation will reveal the mysteries hidden on the surface of these materials: the infinite number of paintings that can be found in a tiny fragment of paint, the other possible invisible motion pictures that are hidden in each little piece of film.