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ViennaFilm 1896-1976

This film is a kind of anthology about Vienna, from the invention of film to the present day. The aim is to break down the usual clichéd "image of Vienna" such as that found in the traditional "Vienna Film" by juxtaposing documentary footage, newly shot material and subjective sequences created by various artists. Individual, self-contained sections of the film gain new meaning within the context of historical material. Familiar sites appear estranged when edited together with historical scenes. Other scenes appear like a persiflage or satirical. The film does not incorporate any commentary whatsoever. It is a collage of diverse materials aimed at conveying a distanced image of Vienna to the viewer

ViennaFilm 1896-1976

7.0 1977
The Silent Revolution

The Silent Revolution is a 1972 German documentary film about molecular biology. The film posits that biologically, man will still be programmed as a hunter and food collector even when there will be nothing to hunt and collect. Evolution is too slow to cope with the rapid changes in our environment, and the countdown of man's survival has already begun. Yet. there may be a chance to influence the steering mechanism of life. It was nominated for an Academy Award for Best Documentary Feature.

The Silent Revolution

7.0 1971
Klassenphoto

In this two-part documentary, Eberhard Fechner reconstructs the story of a class of pupils who passed their A-levels at Berlin's Lessing-Gymnasium in 1937. The starting point for the research is the class photo that gives the film its title. The conversations with the men, which revolve around their lives, bring back memories. However, it becomes clear how many of them have repressed the events of the Nazi era. Apologies, excuses and trivialization of the violence and crimes come out of many mouths.

Klassenphoto

9.0 1971
Auf der Oder

Documentary reports on the annual icing of the Oder in the 160-kilometer border area between the GDR and the People's Republic of Poland. Icebreakers from both countries with experienced skippers join forces to make the international waterway between Frankfurt and Szczecin navigable again. Everyone works hard as a team and even a broken-down ship cannot stop them from achieving their goal. A look back at the winter of 1947 with its flooding shows what the freezing of the river and the subsequent thaw can do if the ice floes are not drained into the Baltic Sea via Lake Dammsch in good time. The skippers from both countries have known each other for years and trust each other; the camaraderie that has developed on the Oder unites the people, they control the river in winter for the common benefit of all.

Auf der Oder

10.0 1970
Reparaturbrigade Zementwerk

A documentary crew follows the December 1978 “big repair” at the Bernburg (Saale) cement works, normally shut only for maintenance, where management has cut the planned 16-day turnaround to 14, with a 15 000 M bonus (rising to 20 000 M if finished a day early). As cameras roll through cement dust, crew and workers discuss the twice-yearly overhaul, familiar crews, and gritty camaraderie. They learn that chronic spare-parts shortages force constant improvisation, and that bureaucratic red tape weighs heavier than the hardest labor. Amid pride in their long-running plant, workers confess simple hopes for health, peace, and family. By film’s end, the crew realizes the true “core” of the factory lies not in its machinery, but in its people’s hands and minds.

Reparaturbrigade Zementwerk

NR 1979
Ekstase - Der Prozeß gegen die Satansmädchen

Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.

Ekstase - Der Prozeß gegen die Satansmädchen

5.0 1979