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Black Sun

A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”

Black Sun

7.3 1998
Enhanced – Die Dopingspiele: Zwischen Medizin, Moral und Milliarden

The controversial Enhanced Games challenge the foundations of modern sport by allowing athletes to use performance-enhancing drugs in pursuit of world records and prize money. As investors, athletes, scientists, and anti-doping officials clash over the project's ambitions, questions emerge about human enhancement, medical risks, commercial interests, and the future of elite competition. Between technological progress, ethical boundaries, and billion-dollar business opportunities, the debate raises a fundamental question: if doping becomes the norm, what remains of sport?

Enhanced – Die Dopingspiele: Zwischen Medizin, Moral und Milliarden

NR 2026
Duerers Heritage

Dammbeck, himself an alumnus of the Leipzig Academy for Graphic and Book Design, presents the origins of the new German realism developed by the so-called Leipzig School, which took place in the context of socialist-realist dogma in the GDR before the Wall was built in 1961. After the Wall came down in 1989, what happened to the major Leipzig School painters Werner Tübke and Bernhard Heisig, who had been called “Dürer’s red heirs” by West German journalists in the 1970s? In the film, Tübke, Heisig, and former GDR officials who were involved with the cultural scene in Leipzig at the time talk about modernism, conformism, political pressure, party discipline, personal claims, and fading memory. The documentary paints an insightful, often critical picture of early East German art history.

Duerers Heritage

8.0 1996
Sara Mardini - Gegen den Strom

The documentary begins when the fictionalized drama ends. Sara spent three years volunteering to save refugees on the same journey that made her so famous, and was suddenly arrested in Aug. 2018, accused by Greek authorities of running a criminal enterprise with charges including “international espionage and people smuggling.” If convicted, she faces up to 25 years in prison and the end of her humanitarian career. Shot over three years, the film follows Sara’s fight for justice and journey of self-discovery.

Sara Mardini - Gegen den Strom

10.0 2023
Am Kölnberg

The tower block area "Am Kölnberg" has a bad reputation. People who - for any number of reasons - ended up on the edge of society, live here alongside refugee families and immigrants from all over the world. Unemployment, drug abuse and prostitution are part of everyday life for many of them. The film accompanies 4 people over a period of two years and portrays their life at "Kölnberg" with ups and downs. One thing they all have in common: The dream of leading a fulfilled life, far away from "Kölnberg".

Am Kölnberg

7.3 2014
Mama Africa

Miriam Makeba was one of the first African musicians who won international stardom and whose music was always anchored in her traditional South African roots. Miriam Makeba was forced into exile in 1959. She sang for John F. Kennedy, performed with Harry Belafonte and Nina Simone, was married to Hugh Masekela and also Stokely Carmichael. Her life was tumultuous. She always stood for truth and justice. She fought for the oppressed most importantly for black Africans, as a campaigner against apartheid. She died November 2008 after a concert in Italy. Mika Kaurismäki's documentary, traces fifty years of her music and her performing life. Through rare archive footage of her performances and through interviews with her contemporaries we discover the remarkable journey of Miriam Makeba.

Mama Africa

5.6 2011
Easy Love

easy love is the experimental fiction debut of Tamer Jandali. His way of working shifted between documentary and fiction when he followed seven men and women from Cologne on their search for a balance between emotional security and sensual fulfillment. In four months of shooting those protagonists acted as braver versions of themselves. The camera opened the possibility to pursue their unlived dreams, fears and fantasies and ultimately experiencing them in reality. By shooting in a small team, always on the edge between documentary and fiction, Tamer Jandali created space for intimacy and a new form of cinematic authenticity.

Easy Love

5.0 2019
Killing for Love

Derek and Nancy Haysom were brutally murdered in their house in Lynchburg, Virginia, on March 30, 1985. Suspicion fell on their daughter Elizabeth and her boyfriend Jens Söring. They flee to Europe, but are caught and extradited to the U.S. Elizabeth is sentenced to 90 years in jail for incitement to murder, Jens Söring to two life sentences. Karin Steinberger, Marcus Vetter and their team spent over three years researching this case, which achieved world-wide notoriety. They uncovered new evidence, including the fact none of the blood samples found at the scene of the crime belonged to Jens Söring.

Killing for Love

6.1 2016
No Mercy

From the starting point of her admiration for the pioneering Ukrainian filmmaker Kira Muratova (1934-2018), the director poses a question: is cinema made by women really tougher, more violent? Seeking answers, she talks to great contemporary filmmakers like Catherine Breillat, Virginie Despentes, Alice Diop, Céline Sciamma, Ana Lily Amirpour, and Monika Treut, among others. It becomes obvious that the cinema screen is a space for the projection of real social problems and power relations.

No Mercy

NR 2026