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Jackie Chan and Arthur Huang are on a mission to test the Trashpresso, the world's first fully mobile plastics recycling machine, in the harshest environment of the Tibetan Plateau.

Part-fiction documentary into the New Silk Road. AAA Cargo traces the anticipation of infrastructure and trade on a planetary scale, following its distribution networks which are expanding across vast regions between China and Europe. Here, government efforts to speed up the movement of trade collide with more-than-human choreographies of sand, people and goods.

Documentary about the making of Zhang Yimou's fiction movie Shadow.

Welcome to Lanzhou, a city in northwest China that's famous for its beef noodle soup. In this short documentary, we meet some of the students who flock there to learn the secrets of hand-pulling Lanzhou lamian. Some want to open their own shops, while some just want a better job-and all soon discover that not everyone has a knack for noodles.

Originally as a behind the scene documentary of Ye Jing’s film Songs of the Youth 1969. Director Ye Jing isolates 13 young people in a disused firearms factory, then dresses them in Cultural Revolution-era clothing and has them listen to Cultural Revolution-era music day in and day out as a kind of anthropological experiment.

Gao Ertai (1931) is an artist, teacher, philosopher who, in the 1950s, was imprisoned in the Jiabiangou Labour Camp. The film works as a diptych with Fengming, the confessional story of another victim of reprisals, and closes a vast film series on those who disappeared.

Years ago, artist Shen Jianhua moved from Shanghai to a remote mountain village. His drawing lessons have a profound effect on the lives of the people who take them. The master painter’s home is an open house for his painting guests. One of Shen’s pupils is impressed by his modern lifestyle and wonders if he and his new wife should move to the city.

Mr. Kuo and his wife Mrs. Lin cook for the city's sleepless. They work all night and sleep during the day, like many others in buzzing Taipei. Until one morning, riding back from the market, Mr. Kuo takes a different exit on the highway.

In Gansu Province, northwest China, lie the remains of countless prisoners abandoned in the Gobi Desert sixty years ago. Designated as ultra-rightists in the Communist Party’s Anti-Rightist campaign of 1957, they starved to death in the reeducation camps. The film invites us to meet the survivors of the camps to find out firsthand who these persons were, the hardships they were forced to endure and what became their destiny.

A documentary that follows two men. One resigned from factory work to study composition because of his love for music. He has more than 100 original songs and once had a music career in Beijing. Eventually he returned to his hometown, Xuzhou, to make a living performing by the roadside because he could no longer afford to eat. The other was born in Taiwan before moving to Xuzhou to stay with his father's family in Xuzhou when he was 15 years old. Soon after his father died he taught himself the piano, music composition, MIDI music production. He had many students, including idols and stars, even as he still lives in a low-rent house, gets by selling e-waste, and educates people who love music for free. They are misfortune, ordinary, dressed in ragged clothes, and sing the most beautiful songs.

In a quiet village in southern China, Fang Xiuying is sixty-seven years old. Having suffered from Alzheimer's for several years, with advanced symptoms and ineffective treatment, she was sent back home. Now, bedridden, she is surrounded by her relatives and neighbors, as they witness and accompany her through her last days.

Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.

A Long Way Home takes us on a fascinating journey into both the grim days of recent Chinese history and the dazzling cultural scene in present-day China. The film centers around five of the most significant representatives of contemporary Chinese counterculture: the visual artists the Gao Brothers, the choreographer and dancer Wen Hui, the animation artist Pi San and the poet Ye Fu. With bravery and subversive wit, they each shed light on the social problems in their country. In doing so, the film poses universal questions that ultimately concern us all: which values determine our cultural identity and in what kind of world do we want to live.

A young Chinese folk singer left his hometown to the big city, only to return to his musical traditions. On this journey, his humor, anger and powerful folk songs all comes from the rural life of past. That's the real taste of soil and dust.

This film is the second segment of my “Autobiography Series.” From the moment when my mother disclosed a long kept secret, my birth was accompanied by many struggles for my mother. Those “struggles” include: during pregnancy, “should this child be kept,” to the painful struggles in the delivery process. Struggles have also accompanied since I was born, becoming part of my life.

A story about ethnic Chinese Malaysians in the late 18th and early 19th centuries: as they traverse the lands in the South China Sea, they become like fireflies quivering upon the dark waters.

Documentary about “Red Hair Emperor” Gu Donglin, a man became famous by dancing in the live-streaming channel.

More than 30 years ago, when the nuclear disastee occurred in Chernobyl, Maria was over 50. Her village was within the 30 kilometres restricted area. She and her neighbors were sent far away. Missing her hometown, Maria and her several sisters returned to the village secretly and lived a self-sufficient life.

Hello Life is a documentary film about the real life of 15 people in 2017. Those people involved live in north and south of China, contains peddlers, the visual impaired, pub dancer, veteran, single mother, window cleaner, free-lancer, voluntary bike sharing maintainers, rickshaw puller, screw-seller, heart disease patient, forest ranger and so forth. Each of them makes great efforts to tough life while those efforts are exactly the light of life itself.

There are two large talent markets in a Shenzhen called Sanhe in Longhua District, Shenzhen. In the alleys around the market, there are small hotels, small supermarkets, and cheap Internet cafes. Many young people live here for a long time, and they may not have ID cards. Perhaps they are burdened with huge debts, and some of them cut off contact with their families and linger in Internet cafes all day long. They have become popular on the Internet with the survival method of "you can play three days a day, one day."

Wanderlust refers to the desire to wander, to explore the world, be free, and feel like a stranger in your surroundings. When the wanderlust takes over you, you know that the adventure has begun, but not where or when it ends. And how do you make a documentary without an end? This is one of the questions that directors Cristiana Pecci and Matteo Maggi ponder on his film The Fifth Sun.

In the Chinese countryside, an old woman tells the story of her deceased son, while a little girl paints her dreams on the walls of the house. A personal and attentive perspective on the territory, which articulates the memory of a disappearing generation and the hopes of the one to come.

Amazing China is a documentary film edited and produced based on the six-episode documentary series "Brilliant China" broadcasted on China Central Television (CCTV). The film is a joint production of China Central Television and China Film Co., Ltd. It premiered on March 2, 2018, in major cinemas across the People's Republic of China. The documentary highlights the achievements of the Communist Party of China (CPC) led by General Secretary Xi Jinping since the 18th National Congress of the CPC in 2012.

While China’s national strength has tremendously increased over the past decade, its human right situation and freedom have rapidly deteriorated. In 2012, human rights lawyers even figured first in the list of the “New Black Five Categories”. A series of government’s repressive actions, together with the 709 Crackdown in 2015, have severely damaged the rule of law in China, and inevitably changed the fate of human rights defenders. Being forced to live in exile, lawyers and their families have jointly borne the pain of repression no matter if they are inside or outside the country. Watch it here: https://www.youtube.com/watch?v=LLW_BaCM5RY

Despite the increasing number of people entering the field of documentary filmmaking, historical subjects are less popular due to limited materials and the difficulty in handling them. Hu Jie has chosen to stay in this field and work hard. "I know that shooting these historical subjects is very dangerous, so how can you ask others to do it? It can only be their choice after they have seen your work." Since 2014, due to health reasons, Hu Jie has not been actively making documentaries. This year, in response to an invitation from the Lung Ying-tai Cultural Foundation, he still provided the film "A Sidelight of the 1968 Up to the Mountains and Down to the Countryside Movement." Over the past three years, he has primarily engaged in printmaking, producing about 70 to 80 pieces, in addition to many small print bookplates.

In August 2017, Shankin Liu, Frab D and DJ Breez3 took their music to six cities, with the director participating and filming the process, which was enjoyable for the most part.

The cat has disappeared in a night of torrential rain; they say if you point a pair of scissors to your doorstep and silently call the cat’s name, a mysterious force will lead your cat back. Half a world away, I silently call my cat’s name, and my memories take me across the waters of the underworld, as things I have lost in the past now stand before my eyes. As the scissors slice time open, can the cat find its way home?

Chinese lesbian couple Sesame and Bean had to travel thousands of miles away from home to get married and again to get pregnant as both are illegal for same-sex couples in their own country. Now they are determined to create a more rainbow-friendly society for their babies.

A personal film about my past 22 years, pieced together using all kinds of SD, HD, 4K, film materials.

Students near the Shaolin temple engaged in a simple yet rigorous exercise of rehearsal.

The movie tells an intimate story of one woman's journey that questions traditional notions of family and identity, revealing the wounds that tear at the heart of Chinese society in the aftermath of the one-child policy.

In order to pursue a life different from the past, two musicians with different backgrounds leave Taipei. One is Tz-Fan Hsu, the head of the band, The Last Wave, and the other is Thomas, the driving force behind Sheng-Xiang & Band. The two landed in Kaohsiung to start a new musical life.

In Quan Ma He village, deep in the mountains of Northern Myanmar, a young couple welcomes their newborn child. Should they follow the other villagers by travelling to southern China to make their fortune, or should they simply stay and inherit the family farm?

Ye Yun (or Da San) is the third son in his family, born in 1970 in Zhaowu Dameng in Inner Mongolia, where he works for a local copper company. For the last 10 years of his life, he feels little has changed. However, he has always had an idea: to go to Tibet and see Mount Everest. Those around him have often discouraged the idea because of the region's harsh environment. Yet, Da San is determined to do something different life in his ordinary life. He determines to satisfy his wish, so he persuaded his friends to embark on a roadtrip to Tibet.

The Great Unity of the new Generation of Chinese modern Artists since 21st Century. 50 new Chinese artists of new Generation came to Xinglong County, Hebei Province, where is 110 kilometers away from Beijing. Here, they have given their own answers to the same question: what is art? Through focusing on varied perspectives of emerging artists on creating, how the environment impacts them and challenges artist are experiencing and have experienced from art itself and society. Artists demonstrate the complex relationship between art, environment, art creating and individuals, and they are intended to deepen an eternal question –What is art?

An ice sculpture in a northern city, a marching band, and the bitter silence on the radio.

The documentary recorded the work overload of the entire JD.com logistics sectors before and after the Double Eleven Shopping Day in China (the equivalence of the Black Friday). From goods being sorted at JD.com's gigantic sorting centre in the outskirts of Beijing and the Double Eleven national command centre at JD.com's headquarter, to the numerous delivery points spread across Beijing’s entire commercial and traditional districts, the mission and individual existence of the couriers working at online shopping terminals. All of the above sketch out the landscape of a consumption driven by powerful Internet economy (JD alone achieved 120 million rmb total sales on that single day). How will this situation lead us into a future social ecosystem?

Every child has the right to education in China. But ten-year-old Anni is not allowed to go to school. Why? Her father is a dissident. Anni and her father moved to be closer to her older sister. The little girl was not in her new school long enough to get settled – the secret police took her away after three days. Her father was, as so many times before, being interrogated. The school preferred to not have anything to do with such a family, so they have refused to continue educating her. Independent Chinese director Zhu Rikun, camera in hand, follows the movement of activists who have joined forces through the Weibo social network to support Anni. Will peaceful protests in front of the school and a petition be enough to pressure the school to take her back?

LIU and WEN share a collaborative relationship in film, and also a close friendship despite their age difference. In this visit by WEN, we enter LIU’s life and reflect on her five-decade career in acting. Regardless of glamour or monotony, a steadfast mindset always prevails.

After being abandoned for nearly seven decades, the old tribal village is difficult to reach with almost no roads leading to it. The only guide on our journey in search of our roots is Wilang, who drags his octogenarian body up the mountain. As we follow Wilang’s footsteps, we travel a tunnel back in time...

In 2017, four bands from the Chinese mainland toured in Taiwan. It marks a historic moment in the cross-strait subcultural communication. The tour is the biggest underground rock event made by rock bands from the Chinese mainland in Taiwan. With the GT Bitches's tour as the main plot, the film is an interview of 10 punk bands, gig organizers,and music fans from the Chinese mainland and Taiwan. What is the punk cultural difference across the strait? The interview in the film might provide a partial answer…

The filming of the movie began in 2016, starting at the closing ceremony of "indiePlay China Indie Games Competition". The movie focuses on independent game developers, some of whom won the prize at the ceremony while others didn't, and their dissimilar life experiences afterwards: disbanded or reorganized, bankruptcy or fortune, achieved hilarious comeback or withdrew from public. They all once dedicated to make games they love, but their future varies on their thoughts.

The soul is like the wind, and the wind is in the mountains. Walk into the no-man 's land and say farewell to the regretful past...

In Foshan, a post 90s wage earner, Huang Zhongjian, is attempting to through Choy Lee Fut and lion dance to build justice in his hometown. Northern Xinjiang, a well-known old saddler, Ahet, is sparing no effort to pay his two sons` debts. These two men who disrelated is facing increasingly similar situation.

At the beginning of reform and opening up, the special geographical environment of the mountain city of Chongqing gave birth to a special industry-the mountain city sticks. Over the past 30 years of climbing uphill and carrying heavy loads, an army of hundreds of thousands of sticks has not only picked away the sweat-soaked years, but also picked away their own age. At the end of the year of Guisi, a few rickety figures are about to say goodbye to the fading industry. A retired lieutenant colonel picked up a stick and began his pursuit-glory and embarrassment, toughness and helplessness, their lives need no comment, their The story is worth remembering.

After the electricity went off, many eyes grew from the playground.

Some occurrences themselves are forgotten and being got rid of any copyrights. What’s more these occurrences were created and shared by people in a certain place. Although these occurrences are worthless, they are still meaningful for reservation. When the places that something occurred have changed gradually, will occurrences themselves die out soon? As an individual, I may record something.

Daqi Village is located in Shichao Township, Wuchuan Gelao and Miao Autonomous County, Zunyi City, Guizhou Province. The village has 985 households with 4119 people, including 435 households with 1803 persons. It is one of the 2,760 deeply impoverished villages in Guizhou Province.

Capturing life of a family with a disabled father and deaf mother in a Chinese village during the lunar New Year. Yao, a successful businessman in Beijing, left home young. Now middle-aged, he returns to face demons from the past and fulfill his parent's dying wish to settle down and complete the family.

This documentary, directed by Beijing-based writer and filmmaker Xu Xing, tells the love story of a married couple against the backdrop of political events in China since 1949. Xu Xing aims to use the couple's personal fate to reflect the history of a nation and to preserve a narrative that has been overlooked in the official version of Chinese history.