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A detailed look at the gradual decline of Shenyang’s industrial Tiexi district, an area that was once a vibrant example of China’s socialist economy. But industry is changing, and the factories of Tiexi are closing. Director Wang Bing introduces us to some of the workers affected by the closures, and to their families.

A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.

Shows a market where puppies are bought and sold. Several puppies are placed in a cloth bag, and they struggle to break free. One bites through the bag, pokes his head, and is observed in his triumph and then confusion.

As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.

Segment of the feature Welcome to São Paulo (2004), produced by São Paulo International Film Festival.

For more then twenty years, tons and tons of metallic and electronic waste from all around the world has been transported to a Chinese town called Fengjang, in the south of Shanghai. Around 50,000 migrant workers have formed a real army to dismantle these metallic wastes. These "green soldiers" decompose, cut, split and recycle, with the most rudimentary means, almost 2 million tons of garbage every year. To remain and assume the minimum materials that is theirs, they work hard, bear an incredible precariousness and put in danger their own health due to the simply unacceptable working conditions. As the recognizable heaps of metal continue to pile up they provide a deeply moving image of a worldwide consumer society.

Revisit 100 years of Chinese cinema through the RTHK TV program A Century of Light and Shadow. Aired in 2005, this interesting and informative documentary traces the development of the Chinese film industry from the pioneering years to contemporary times. From the volley between Mandarin and Cantonese films to the rise of the New Wave, this program touches on all the major trends and developments that have helped define Chinese cinema and explores different genres and representative figures and films. From actors to directors, over 200 film industry names, including Jackie Chan, John Woo, Sammo Hung, Connie Chan, Andrew Lau, Peter Chan, and Lau Ching Wan, appear in the program, bringing their intimate knowledge of the industry and providing insight about what lies ahead for Chinese cinema.

The 2008 Summer Olympics opening ceremony was held at the Beijing National Stadium, also known as the Bird's Nest. It began at 8:00 p.m. China Standard Time (UTC+8) on August 8, 2008, as 8 is considered to be a lucky number in Chinese culture. Featuring more than 15,000 performers, the ceremony lasted over four hours and cost over $100 million USD to produce.

ZhouZhou was born with a mental handicap on April Fool's Day to a cellist family. He loves to follow his father to attend all his performances. One day, after on interval of a concert, Zhou Zhou takes the baton and starts to conduct the symphony that he has been listening to for years. The result surprises everybody and obviously reveals his inner musician!

A fragmentary landscape for a little train station in a suburban area and a bus stop in a mining town. A lonely soldier in his heavy coat, a tired old man, a bubbly young lady, a punk, a woman waiting in the street... From all those different people in these unfamiliar places, we can feel the exhaustion of every life.

A surprising look at the past of movie star Jackie Chan and the difficulties of Chinese families during the Culture Revolution.

Barbara Wong interviews HK women (of all ages (even 4 year olds), all walks of life, all sexual preferences, singles, wives, mistresses, prostitutes) with an all women crew and gets some wild and frank responses. The documentary is bold, honest, funny and touching. Highly recommended to any man who wants to understand women better and any woman who wants a fun girls' night out.

Jia Zhangke’s short for Modern Weekly’s special tenth anniversary issue.

Documentary about the history and development of Qiqihar city.

Documentary filmmaker Zhou Hao examines the complicated relationship between two drug addicts who become dealers over the course of three years. Shot in the city of Guangzhou, the film offers a rare look into China's unknown heroin subculture.

A documentary following Zhou Yuanquiang, a cultural worker in Jingdezhen, China who makes movies with untrained local actors.

This film is a record of the Tea-Horse Road, the caravans of the Nujiang River Valley, and the aboriginal peoples who live there -- Mm. Ding who has a family with 15 members speaking 6 languages, a pastor who was jailed for 15 years for his believing, a 104 years old lady who walks through 3 centuries, a village head whose wife run away, a caravan who shares one wife with his elder brother, a young lama in the Buddhist temple who feels lonely sometimes, a 82 years old caravan leader whose story is a legend of the Tibetan caravans¡­ Written by BDI Films Inc.

Perfect Life, the second feature by Emily Tang (Tang Xiaobai), at first revolves around Li Yueying, a young woman in the cold north-east of China. In a world where no one is waiting for an untrained, inexperienced woman, she knows that in order to fulfil her dreams she will have to resort to her own stubbornness and selfishness. Her father deserted her mother and the money saved by the family is destined for her younger brother's studies. When she stops working for a shop making artificial limbs in order to take a job as a chambermaid, she attracts the attention of a mysterious criminal, Mongol. Then in the editing, the documentary story of Jenny from Hong Kong starts to emerge. She thought she had her life perfectly worked out, but when her marriage breaks down, she also finds herself in financial problems and has to fight for the custody of her children.

In a small town near China's North Korea border, a state police station exerts itself as a solicitous caretaker of the locals. As it goes out to catch criminals and punish them too, professionalism fades into the background.

Looks at how attitudes to sex have changed in China over the years.

The dysfunctional Chinese justice system allows citizens with grievances against their local governments to petition the court to clear or correct their record. Yet in order to do so, the petitioners must travel to Beijing to file paperwork and wait an indefinite period to plead their case. Following the saga of a group of petitioners over the years of 1996 and 2008, Petition unfolds like a novel by Zola or Dickens. This was filmed surreptitiously from the point of view of the petitioners, and not the justice officials, the police, or those heavies sent by the municipalities.

Zhang Ming went back to his hometown Wushan to record the last images before it being changed forever by the upcoming Three Gorges Dam.

The little-known Hunan Suining County is an ordinary but full of magical places. As the theoretical point of the rocket wreckage launched by the Xichang Satellite Launch Center, it has greeted the rocket wreckage from the sky dozens of times in the past 20 years since 1990. This mysterious and dangerous “out-of-town visitor” broke the poor and peaceful life of the 160,000 locals in the jurisdiction. 2008 is China's "Olympic Year" and "Aerospace Year." The people of Suining, like the people of the whole country, are looking forward to the Olympics to pay attention to the Olympics and are proud of the growing strength of the comprehensive national strength including aerospace strength. They also have to bear the fate of falling from the sky.

Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.

Daxian is located deep in the Daba Mountains in the northeast of Sichuan province. Actually, Daxian is the city's former name. Its residents didn't like the name Daxian because "Xian" means town, and they wanted their home to be known as a city. So they changed its name many times, finally settling on Dachuan, which is what it is called today. This video is about a group of students studying in the railway school, which is near the train station. Their class is the best of the entire grade. Chen Tingting is the discipline commissioner of the class and also my lead actor. She is cute and outgoing. In Daxian, where surrounding villages are quickly becoming expanding city, the students' parents are preoccupied with life's distractions, and the teachers are unable to do as much for the students as they would like. So the children bounce and drift towards their futures.

This important, patient documentary follows a year in the life of the sidings dwellers who eke out a living, begging, foraging, stealing and sleeping rough near the Baoji railway station in Shaanxi.

On the loess plateau lies Yan’an, the “holy land of the Chinese Revolution.” Hai Xia, abandoned at birth by her Red Guard parents sent from Beijing during the Cultural Revolution, seeks answers to her origins. Her quest stirs painful memories among former Red Guards. Huang Yuling, who also faced a similar past, joins her search. Sentenced for “counter-revolutionary crimes,” he lost a child under similar circumstances. After 30 years, Hai Xia and Huang Yuling set out to uncover the truth.

Hoh XIl is the main habitat of the national first-class protected Tibetan antelope. Tibetan antelopes have been widely hunted by poachers because they can bring high profits. In just ten years, the total number of Tibetan antelopes decreased by two-thirds. On January 18, 1994, Sonan Dajie, deputy secretary of the Zhiduo County Party Committee of Qinghai, was shot to death during the arrest of 18 poachers. A year later, his brother-in-law and deputy secretary of the county party committee, Zaba Dorje, established the "Western Wild Yak Team," an armed, anti-poaching organization whose main purpose is to protect wild animals. Its effectiveness has been touted by environmental protection organizations at home and abroad, as well as relevant central ministries and commissions. However, just as Dhabal Dorje was preparing to "do a good job," in his own words, he was suddenly shot in the head at home and died.

Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.

A family embarks on an annual tormenting journey along with 130 million other peasant workers to reunite with their distant family, and to revive their love and dignity as China soars as the world's next super power.

The launch and development of the Great Proletarian Cultural Revolution not only has a series of CCP Central Committee documents that have promoted wave after wave of movements, but also has various propaganda methods. A large number of different types of literary and artistic products have been produced in a collective form and with the input of the State. As a weapon of revolutionary struggle, works of art are important representatives of this period. Art was a tool for the Cultural Revolution; it fully embodies its aesthetic characteristics, actively cooperating with the development of various movements and the popularization of ideas. It has cultivated the values ​​and visual experience of a generation of Chinese people — the paintings of the Cultural Revolution have been regarded as treasures by Chinese collectors. This film shows the characteristics of the Cultural Revolution paintings through a large number of paintings, as well as the bloody violence and despotism behind them.

In the late 1980s and early 1990s, in an attempt to stop the spread of AIDS, the Chinese government sought a “purer” blood supply from its rural population. Burdened by agricultural taxes and rising costs of education and health care, many peasants sold blood to state and private blood-collectors. Due to lack of sanitary control, a large number of blood-sellers were infected with HIV. Starting from the mid-1990s, AIDS villages multiplied.

Observations of three varied corners of China’s garment industry: workers in a large-scale production line factory; a designer who rallies against the mass-machine-production of clothes and has created the eponymous hand-made collection called ‘Useless’ (Wuyong) for Paris Fashion Week; and finally the simple life of increasingly out-of-work tailors in small town Fengdang.

Since the start of the 1990s, a period during which the Chinese government criticised the Western media for biased reporting, Chinese orphanages have strictly controlled access by the media. Because of the difficulty of gaining entrance, it is extremely difficult to know what the situation has been like there for many years. Accompanied by a mother living close to the Qingdao centre, it was thus nevertheless possible for me to film this delicate subject in privileged conditions. It was there that, in 1995, I discovered for the first time dozens of children abandoned by their parents. Over the following 10 years, I came back to visit them every year, and I became their friend. As I listened to them relating their dreams of glory, I filmed their evolution over a decade...

A documentary film showing the life of Niu Hongmiao, a 20-year-old country girl who is now a prostitute in Beijing. Around the time of wheat harvesting, she goes back home to Dingxing County, Hebei Province to visit her parents.

CCTV Production celebrating Deng's life, accomplishments, and paving the way to modern China

In the 1990s HIV/AIDS came to Wenlou through a blood purchasing program. To supplement their income many poor villagers sold their blood and 60% of those who sold blood contracted HIV/AIDS from unsanitary equipment. Many have died from the disease. In his documentary film, To Live is Better than to Die, Wiejun Chen tells of the impact AIDS has had in parts of rural China by showing how it has affected the Ma family. It is spring when the film takes up the family’s story.

Tayuan is the location of the first museum of the Cultural Revolution in China. However, this important Cultural Revolution museum was established with private funds. The reason for its construction here is that there is a tomb of the victims of the Cultural Revolution. This film documents the little-known massacre and the construction of the Cultural Revolution Museum in Shantou, Guangdong during the Cultural Revolution. However, a few years later, this museum was banned by the government.

Short-movie from Stories on Human Rights, 2008.

Fairytale chronicles the making of an installation-cum-performance of the same name. In 2007, Ai Weiwei invited 1001 Chinese citizens of varying ages and backgrounds to travel to Kassel, Germany, for one week each, all expenses paid. This film describes the many challenges facing the artist and his volunteers in coordinating the work.

Jia Zhangke travels with painter Liu Xiaodong from China to Thailand as they as they meet everyday workers in the throes of social turmoil. Liu Xiaodong is well-known for his monumental canvases, particularly those inspired by China's Three Gorges Dam project. Jia Zhangke visits Liu on the banks of Fengjie, a city about to be swallowed up by the Yangtze River. The area is in the process of being "de-constructed" by armies of shirtless male workers who form the subject of Liu's paintings. Liu and Jia next travel to Bangkok, where Liu paints Thai sex workers languishing in brothels. The two sets of paintings are united in their subjects' shared sense of malaise in the face of the dehumanizing labor afforded them.

An Sai, Shanbei, An isolated village on the Loess Plateau, Northern China. Two young outsiders are moving in, While two young locals are struggling to escape. Comes into view a donkey full of luggage, Comes also into view a young couple, He carries her on a bike...

This landmark documentary reveals the tragic life of a gifted young woman who was executed for speaking out during the height of Chairman Mao’s rule.

This documentary reviews and summarises the development of homosexuality as an issue in the past three decades in China. We interviewed thirty prominent figures in the gay community, who have experienced the changes of views and life-styles regarding homosexuality.

Before the Flood is a study of the final weeks of a dying city, as thousand-year-old Fengjie on the Yangtze River is reduced to rubble and its inhabitants uprooted to make way for the new Three Gorges Dam that will flood the entire valley.

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

Filmmaker Hu Jie uncovers the tragic story of a teacher beaten to death by her students during the Cultural Revoution. In 1966, the Cultural Revolution exploded throughout China, as Mao's Red Guards persecuted suspected Rightists. Bian Zhongyun, the vice principal of a prestigious school in Beijing, was beaten to death by her own students, becoming one of the first victims of the revolutionary violence that would engulf the entire nation.

Lai bravely went into the most dynamic red light district in Hong Kong on her own with her digital video camera to film the Whorehouse(23min) AKA Sex House. This is a brand new angle to go deep into every part of the whorehouse, and recorded a group of people who were forgotten by Hong Kong society. Everyone has their own story, with sex as human instinct, sex workers and whoremasters are also normal people. - http://www.hkindieff.hk/2010/local06.html

As Chinese Communist Party secretary, Guo Yongchang was the most powerful man in his county, located in the rural inland province of Henan. Guo invited acclaimed documentary filmmaker Zhou Hao to record his final months in office. Through Zhou’s lens, we see Guo work tirelessly to achieve his greatest desire: for Henan to match the affluence of booming coastal areas. Zhou also captures the sordid details of local-level politics in pursuit of growth: lavish parties with foreign investors, threats to local workers protesting unpaid wages, and offers of bribes and kickbacks. (dGenerate Films)

The film consists almost entirely of an interview with the elderly He Fengming, recounting her experiences in post-1949 China.

Crowned as the “godfather of China rock” and yet banned from large-scale performances in Beijing over the past thirteen years, Cui Jian has made his come back in 2005 and remained an icon of the artist versus the State in the hearts of millions. Although the rocker has been reluctant to be identified with any specific political movement, whenever a new democratic voice has emerged (in media forms from underground film to the Internet), it has always found a way to embrace him, thus reconfirming Cui’s “outlaw” status. This documentary reviews his life and career paths from his early days and documents his crew and fans to three very different cities in Wuhan, Inner Mongolia and Beijing. Broadcast on HK Cable TV in summer 2006, the purpose of the video is to review Cui Jian’s career at the point of his new album release after a 6 year gap. The album is titled “Give You Color”.