Discover Movies

"Urumqi Middle Road" depicts the 2022 White Paper Protests in China, where people took to the streets in Shanghai and across the country to protest the draconian Zero-Covid and lockdown policies.

An in-depth look at the past four decades of work by legendary martial artist, Jackie Chan.

Venturing into the wilds of China, "Born in China" captures intimate moments with a panda bear and her growing cub, a young golden monkey who feels displaced by his baby sister, and a mother snow leopard struggling to raise her two cubs.

As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.

Revolutionary film from Shanghai about the Gang of Four. Stopped in the middle of production

A detailed look at the gradual decline of Shenyang’s industrial Tiexi district, an area that was once a vibrant example of China’s socialist economy. But industry is changing, and the factories of Tiexi are closing. Director Wang Bing introduces us to some of the workers affected by the closures, and to their families.

The 2008 Summer Olympics opening ceremony was held at the Beijing National Stadium, also known as the Bird's Nest. It began at 8:00 p.m. China Standard Time (UTC+8) on August 8, 2008, as 8 is considered to be a lucky number in Chinese culture. Featuring more than 15,000 performers, the ceremony lasted over four hours and cost over $100 million USD to produce.

More preoccupied with "history" than Wu's other works, My Time in the Red Guards is a record of his fascination with the missed moment, Mao's Cultural Revolution. In 1966, the Red Guards ironically represented the official avant-garde, a movement carried forward by youth determined to become heroes of the Revolution. Wu interviews people who had joined the Red Guards as high schoolers, most now successful professionals, some Party members. The miscalculations and cruelties of this extreme cultural campaign are spread out before us, detailed by personal recollection and further illustrated by old agit-prop newsreels. Misgivings and fond remembrance vie for position as the interviewees seem to confuse the nostalgia of youthful action with the excesses of historical fact.

Three attempts at reconnecting with often traumatic pasts, all leading to flights from home and the need for personal reinvention. A documentary triptych of many layers and emotions, whose parts connect with each other in unexpected ways.

A surprising look at the past of movie star Jackie Chan and the difficulties of Chinese families during the Culture Revolution.

Twenty years after the modern world's most notorious child murder, the legacy of the crime and its impact are explored.

From the ambitious young filmmaker behind Boundless, The Weaving of a Dream is a short documentary that details the making of Johnnie To's film Three.

Focuses on the people, their stories and architecture spanning from the mid-1800s, when Shanghai was opened as a trading port, to the present day.

Un germà explores the emotional and physical distance between two brothers, through archival footage and present-day material, the film blends past and present to show the difficulties they face in reconnecting.

Eleven Tibetans prostrate themselves every few steps during a 1,200-mile pilgrimage that lasts for seven months.

Documentary about the making of Zhang Yimou's fiction movie Shadow.

Documentary on the ups and downs of the female writer Xiao Hong's life experience, her works, her love and the golden era she lived in.

This is not a documentary describing the filming process of "The Grandmaster", but a record of Wong Kar-wai and Chen Xunqi's personal visits to martial artists all over the mainland to collect valuable martial arts information. It is divided into two episodes.

The Great War: Director's Cut (2013)

Revisit 100 years of Chinese cinema through the RTHK TV program A Century of Light and Shadow. Aired in 2005, this interesting and informative documentary traces the development of the Chinese film industry from the pioneering years to contemporary times. From the volley between Mandarin and Cantonese films to the rise of the New Wave, this program touches on all the major trends and developments that have helped define Chinese cinema and explores different genres and representative figures and films. From actors to directors, over 200 film industry names, including Jackie Chan, John Woo, Sammo Hung, Connie Chan, Andrew Lau, Peter Chan, and Lau Ching Wan, appear in the program, bringing their intimate knowledge of the industry and providing insight about what lies ahead for Chinese cinema.

Once the thriving capital of Imperial China, the city of Datong now lies in near ruins. Not only is it the most polluted city in the country, it is also crippled by decrepit infrastructure and even shakier economic prospects. But Mayor Geng Yanbo plans to change all that, announcing a bold, new plan to return Datong to its former glory, the cultural haven it was some 1,600 years ago. Such declarations, however, come at a devastatingly high cost. Thousands of homes are to be bulldozed, and a half-million of its residents (30 percent of Datong’s total population) will be relocated under his watch. Whether he succeeds depends entirely on his ability to calm swarms of furious workers and an increasingly perturbed ruling elite. The Chinese Mayor captures, with remarkable access, a man and, by extension, a country leaping frantically into an increasingly unstable future.

After seven years of living and studying in Poland, Mo returns to her parents in China. She quickly finds herself back in the family's perpetual patterns, but she feels out of place. Her parents' usual care, though well-intentioned, often triggers conflicts with her, while relatives chime in with questions about when she'll take the next step in life. Meanwhile, her relationship with her boyfriend is far from smooth, and then there's the matter of the mole below her eye. According to traditional Chinese face reading, its tear-like appearance will bring misfortune. What will happen if she simply leaves it as it is?

Starting from the children’s party where Zhang Shengjia celebrated his ninth birthday at a KFC fast food restaurant in 2006, the Chinese artist and filmmaker’s essayistic archive film unfolds a cheerful cultural history of the birthday cake from a Chinese perspective. The convention reached China from Western Europe and North America in the early 20th century and merged with local birthday traditions. The constantly growing influence of Western consumer culture since Deng Xiaoping’s economic reforms of the 1980s was exemplified in 1990 when almost 13,000 customers were registered on the opening day of the country’s very first McDonald’s restaurant in Shenzhen.

Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.

This landmark documentary reveals the tragic life of a gifted young woman who was executed for speaking out during the height of Chairman Mao’s rule.

Heading south from the 38th parallel, the Shipindao team turned their attention to South Korea. They spent over three hours telling a story of Korea and its history, one that differed from the legends.

Filmmaker Jia Zhangke chronicles his local literature festival in Shanxi, China which includes a multi-generational roster of the country's most esteemed writers.

Abbot Hai Teng of Shaolin is a documentary starring Jet Li

In Sichuan's Liangshan mountains, Yi children grow up between tradition and change. When a father returns from prison seeking redemption, he finds that his daughter dreams of basketball but is torn over her schooling, and his son longs to earn money. As summer ends and walnuts ripen, their separate journeys begin.

Feature length making-of documentary of The Wild Goose Lake.

On February 20, 2022, the closing ceremony of the 24th Winter Olympic Games was held at the Beijing National Stadium.

Filmmaker Fang Li and his crew explore exhaustive historical investigation, as far as possible to find the core of the British, American, Japanese and Chinese parties and descendants, trying to infinitely close to the truth of the World War II "Death Ship" — "Lisbon Maru", which is 30 meters under the sea off the East Polar Island in Zhoushan, China.

Quentin Lee returns to Hong Kong, where he was born and raised. As he explores his desire to move back there from Los Angeles, he interviews local artists, filmmakers, friends, and family about why they are in Hong Kong and why they choose to be there.

Baobao is a member of the floating population of Jinan city, he works diligently, from managing a small restaurant to running a tea house and bar. This film documents Baobao is part of the gay community of Jinan city.

The documentary reveals the behind-the-scenes production process of the film “Ne Zha 2”, telling the story of director Jiaozi and more than 4,000 animators across the country striving to push the boundaries of creativity. Through moments of work and lighthearted interactions among the production team, the film showcases the relentless spirit, optimism, and boundless imagination of Chinese animation filmmakers as they continuously break through creative limits and personal barriers, embodying the philosophy that “life has no limits.”

Filmed over a three-year period, the film journeys across the planet seeking those on the frontline fighting to protect the world’s most precious resource from running out. It seeks to awaken and inspire audiences to change how they think about the planet’s most vital resource: water, and act, by revealing the rapidly building water crisis at both a global and human scale. The documentary includes exclusive interviews from some of the world’s top scientists and experts, travelling across continents to explore some of the most shocking and alarming water shortage issues facing our planet today. From the Cape Town water crisis and the violent impact of deforestation in the Amazon to the catastrophic results of intensive farming in the American Mid-West.

Brash and opinionated, Christine Choy is a documentarian, cinematographer, professor, and quintessential New Yorker whose films and teaching have influenced a generation of artists. In 1989 she started to film the leaders of the Tiananmen Square pro-democracy protests who escaped to political exile following the June 4 massacre. Though Choy never finished that project, she now travels with the old footage to Taiwan, Maryland, and Paris in order to share it with the dissidents who have never been able to return home.

Gao Ertai (1931) is an artist, teacher, philosopher who, in the 1950s, was imprisoned in the Jiabiangou Labour Camp. The film works as a diptych with Fengming, the confessional story of another victim of reprisals, and closes a vast film series on those who disappeared.

A three-part film by Cao Fei. Part one, 'Imagination of Product', shows workers and machines at the OSRAM lightbulb factory in China's Pearl River Delta. In the second part, 'Factory Fairytale', dancers and musicians appear in the factory, as work continues around them. Finally, 'My Future is Not a Dream' consists of portraits of the factory workers facing Fei's camera.

The film uses a documentary approach to tell the stories of 12 Chinese pioneers, chosen from the fields of business and the arts. The protagonists reflect upon their life journeys against the backdrop of modern China.

Teacher Wang works as a 'mistress dispeller' in China, hired to break up affairs by any means necessary. Through one of her cases, we explore the ways class, capital, and culture collide to shape romantic relationships in contemporary China.

A family embarks on an annual tormenting journey along with 130 million other peasant workers to reunite with their distant family, and to revive their love and dignity as China soars as the world's next super power.

With the theme of "One Heart to the Future", the grand ceremony reviewed the online audio-visual masterpieces of the past year in a condensed audio-visual language. In the five chapters of "Same Dream · Live up to Shaohua", "Same Hope · Long Source", "Tong Creation · Building Dream Future", "Tongxing · Oriental Spring Tide" and "Tongxin · Hexing World", Mango TV selected six atmospheres of "Mountain and River Map", "Super Time and Space Reunion", "Happy Friends", "Blue and White Porcelain", "Soundless" and "Run to Tomorrow" The magnificent program showing the youthful style will also officially meet the audience. In multiple forms such as national style singing and dancing, musicals, sitcoms, operas, intangible cultural heritage clothing shows, etc., this grand ceremony will show the spirit of the young people and the great prospects for the vigorous development of the online audio-visual industry.

This film was shot between 2014 and 2019 in the town of Zhili, a district of Huzhou City in Zhejiang province, China. Zhili is home to over 18,000 privately-run workshops producing children's clothes, mostly for the domestic market, but some also for export. The workshops employ around 300,000 migrant workers, chiefly from the rural provinces of Yunnan, Guizhou, Anhui, Jiangxi, Henan and Jiangsu.

Born in Beijing tells the story of 'petitioners': citizens who feel themselves wrongfully treated by the local authorities and seek settlement in the capital. There are thought to be more than 100,000 petitioners in Beijing. These people, harassed by 'interceptors', brave terrible conditions in their battle against injustice and corruption.

Zhao Liang’s film portrays AIDS sufferers of both genders; they are all people with very different biographies. As if it wasn’t bad enough being infected by HIV, their suffering is compounded by the fact that in the People’s Republic of China the disease is hushed up and people living with AIDS are ostracised. In China, the public at large knows very little about the disease and most people associate the virus with promiscuity. This fear of discrimination forces most patients to hide the fact that they are positive. The AIDS sufferers in Zhao Liang’s film were willing to share their experiences with him. The filmmaker was able to make contact with them via internet support groups; he also visited children with Aids at a ‘red ribbon’ school; but above all, he talked to AIDS sufferers during the making of Gu Changwei’s film. It is their presence which lends Changwei’s film its particular authenticity.