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An outstanding factor in the efficiency of the CANDU reactor employed in Canadian nuclear power stations is that its construction allows for refuelling while the plant remains in operation, with no necessity for periodic shut-downs. Filmed at the Pickering, Ontario, station, this film clearly illustrates the processes and the advantages of this Canadian feature. Cutaway models and animated drawings are used in the demonstration.

An imaginative history of editorial cartooning in Canada. The documentary provides a witty take on Canada's history through the eyes of political cartoonists like Duncan Macpherson, Robert LaPalme, and Aislin (Terry Mosher). Over 50 artists' notable cartoons and their impact are explored, capturing reactions from their subjects. One cartoonist sums it up: "A picture is worth a thousand words, but a well-crafted cartoon is worth a thousand pictures." An absolute must for cartoon buffs.

A performing arts film by Alanis Obomsawin, it documents efforts to raise funds for the James Bay Cree and was made at a time when Cree territory was threatened by hydro-electric projects. Amisk represents early work by Obomsawin, a trailblazer in Canadian Aboriginal film.

The rock music scene of the early 1970s--the Rolling Stones, the Stampeders, Whiskey Howl, Alice Cooper--they're all here! Along with classic footage from concerts and recording sessions, Rock-A-Bye looks behind the scenes at record companies and radio studios. The stars also have their say. Ronnie Hawkins chats from the back seat of a Rolls, and Zal Yanovsky of The Lovin' Spoonful tells hilarious anecdotes of his rise to fame, which lasted only 18 months. The camera also goes into a small New York club where Muddy Waters sings and plays guitar, the bluesman who inspired so many great rock musicians. The film ends with Alice Cooper, the first shock rocker, singing "Dead Babies" with a doll and a hatchet. This classic, entertaining rockumentary captures an era!

The brutes and the belles. The gadflies and the good ol' boys. The taboos and the profound truths. They're all part of a tennessee state of mind -- a realm of places, personalities and ideas. Williams is front and center for this exploration, reading from his works, placing them in the context of his life, and serving as guide in visits to his career-shaping refuge in New Orleans and his later-day writing quarters in Key West. Also, dramatizations by distinguished actors -- including Jessica Tandy, Broadway's original Blanche DuBois, in a recreation of her A Streetcar Named Desire triumph -- give flesh-and-bone immediacy to some of the writer's famed works. In his own words. In his own places. The resilient character and memorable characters of one of our greatest writers reside in Tennessee Williams' South.

This documentary is a portrait of Point St. Charles, one of Montreal’s notoriously bleak neighbourhoods. Many of the residents are English-speaking and of Irish origin; many of them are also on welfare. Considered to be one of the toughest districts in all of Canada, Point St. Charles is poor in terms of community facilities, but still full of rich contrasts and high spirits – that is, most of the time.

Actor John Huston examines his adopted city of Dublin.

Ski Peru is the story of two skiers’ dream of descending the untamed slopes of Huascaran, although maybe 'Ski Peru and die' would be a more appropriate title given the tragic climax to Peter Chrzanowski’s Peruvian odyssey. Filmed long before today’s adrenaline charged ski videos on heavy 16mm movie cameras there is no heavy rock soundtrack, no helicopters, no roboskiers mainlining powder at Mach 5.0. It is a slow moving film that explores man’s relationship with the mountain and what it is to ski into the unknown.

Bill Mason imparts his affection for the big northern timber wolves and the pure-white Arctic wolves. Filmed over three years in the Northwest Territories, British Columbia, the High Arctic and his home near the Gatineau Hills in Quebec, Mason sets out to dispel the myth of the bloodthirsty wolf. Going beyond the wolf's natural habitat, Mason relocated three young wolves to his own property and was able to film tribal customs, mating and birth - moments in wildlife never before seen on film.

This short documentary pays tribute to the craftsmen everywhere whose work adds color and richness to life. Filmed in the Canadian Arctic, Finland, India, Nigeria, Japan, Mexico, and Poland, it shows the special skills of artisans working at their crafts - stone sculpture, pottery, ceramics, weaving, dyeing, puppet making, embroidery. Each indigenous skill is a reflection of the culture of the country.

One of several 1970s documentaries on the subject of unidentified flying objects (UFO), supporting the view that Earth is visited regularly by extra-terrestrial engines and aliens.

This documentary short introduces us to the Caravan Stage Company, the world's only horse-drawn open-air theater. Every summer it tours British Columbia and Alberta, bringing live entertainment to communities where television is often the main diversion. In a montage of short sketches, the film shows the troupe on the road and in performance. Hard work and laughter are basic ingredients of this unconventional lifestyle.

Grand Opera marks a stock-taking of Benning's work and his life, presenting a personal and artistic autobiography woven together with a series of events dealing with the historical development of the number pi, Benning's travels, and homages to Michael Snow, Hollis Frampton, George Landow (Owen Land), and Yvonne Rainer.

Arthur and Ernest are two bachelor fishermen who occupy the proverbial end-of-the-road on Morris Island, an Acadian community in southern Nova Scotia. Sober or not, they carry on with and for the filmmaker who is attempting to find out about their lives. The resulting encounters owe a smuch to Harold Pinter or Samuel beckett is they do to the documentary genre of film-making.

Students seeking greater control over the hiring of faculty occupy the offices of the Political Science Department at McGill University. The film crew lives with the students and follows their action through confusion, argument, dissent, and negotiations with faculty. The result is an intimate view of a student political action.

This short-length documentary takes us to Agadir, a city in Morocco that was struck by an earthquake in 1960. The film, made by an expatriate Moroccan who lost family and friends in the disaster, is a memorial to that tragedy and to the past he left behind when he came to North America. Partly allegorical, it employs varying techniques to offset reality from fantasy sequences.

A short documentary produced for Canadian public television.

This documentary is a must have for "old school" wrestling fans! It's loosely focused on the career of 23 year old Vivian Vachon during her first professional tour, and the wrestling legends she shares the ring with. Through interviews with wrestling superstars, the promoters, the fans, and the critics, Wrestling Queen will give you a snapshot of a rarely seen part of 70’s culture, along with a healthy dose of wrestling nostalgia!

"This documentary depicts a canoe being built in the traditional manner. Cesar Newashish, a 67-year-old Attikamek of the Manawan Reserve North of Montréal, uses only birchbark, cedar splints, spruce roots, and gum. With a sure hand he works methodically to fashion a craft unsurpassed in function or beauty of design. Building a canoe solely from the materials that the forest provides may become a lost art, even among the Native Peoples whose traditional craft it is. The film is free of spoken commentary but text appears on the screen in Cree, French, and English." - Anthology Film Archives

In 1755, ten thousand French Canadian settlers were thrown off their land, loaded on ships, and exiled. Island Memories explores the past in a small Acadian community in Nova Scotia where the last survivor of this great deportation is reputedly buried. A lively film full of adventure, people, and history.

This short film was created by a group of Indigenous filmmakers at the NFB in 1972 and is essentially a song by Willie Dunn sung by Bob Charlie and illustrated by John Fadden: "Who were the ones who bid you welcome and took you by the hand, inviting you here by our campfires, as brothers we might stand?" The song expresses bitter memories of the past, of trust repaid by treachery, and of friendship debased by exploitation upon the arrival of European colonists.

This nature film closely observes wolves through late winter into early spring. Wolf Pack shows this creature’s character, behaviour and life cycle. What emerges is a portrait of the wolf as a disciplined hunter, respected leader and committed parent.

With no commentary other than the music and words of the performers themselves, this fast-moving film presents the grandest Canadian concert of them all. Here, the performers include both the great and the unknown from across the country, the musical styles span the centuries, and the artists are involved in all stages of musicianship: learning, teaching, conducting, recording, performing. Among the film's many stars are Edith Butler, Beau Dommage, Maureen Forrester, Glenn Gould, Paul Horn, the Huggett Family, and Gilles Vigneault.

Lesson of October 13, 1978 (course #11). Films discussed: Dracula (Tod Browning, 1931), Germany Year Zero (Roberto Rossellini, 1948), The Birds (Alfred Hitchcock, 1963), Weekend (Jean-Luc Godard, 1967). In the vaults of Concordia University's Visual Collections Repository department slept some 30 ½-inch black-and-white video open reels. They contained Jean-Luc Godard's 14 lessons, spread out from April 14, 1978 to October 21, 1978. The sessions consisted of long and brilliant series of digressions (often uninterrupted), initiated by questions from the audience or from Serge Losique. There are dazzling reflections on editing, economics, actors and actresses, war, political commitment, the media, and we witness the setting in motion of a unique thought.

The film documents Bill Reid's own trip home to visit his parents in Sarnia, Ontario, and the family's conversations about the communication difficulties and generational differences in values that have complicated their familial relationship.

This short, impressionistic film takes us to Nigeria, Japan, Mexico and India, where craftsmen work clay to produce ritual vessels and everyday objects.

This short documentary examines an innovative educational program developed by John and Gerti Murdoch to teach Cree children their language via Cree folklore, photographs, artifacts, and books that were written and printed in the community. Made as part of the NFB’s groundbreaking Challenge for Change series, Cree Way shows that local control of the education curriculum has a place in Indigenous communities.

A short documentary produced for Canadian public television.

Exeter Cathedral in Devonshire, England, is considered to be the finest example of architecture of the Decorated period, 1250-1350. This film rolls back the centuries, unfolding the cathedral's history, showing the refinement of the sculpture that went into its building, from the airy vista of the nave--the longest unbroken stretch of Gothic vaulting in the world--to the vibrant colours of its windows. But more than architecture survives: Exeter is still a living church for the people of today.

Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.

This documentary explores a variety of projects undertaken by scientists at Environment Canada's Freshwater Institute in Winnipeg to study the processes that pollute or disrupt clean and balanced freshwater environments.

Part 2 of this 3-part documentary series about Pierre Elliott Trudeau and René Lévesque covers the years between 1967 and 1977, a colourful decade that saw Trudeau win three federal elections, the 1970 October Crisis and the sweeping rise to power of the Parti Québécois.

Author and activist Jane Jacobs talks about the problems and virtues of North American cities.

Mai Zetterling explores Swedish cultural canon in a Canadian TV-production called “Cities”. Zetterling herself play all the prominent roles.

Tribute to the Druze Kamal Jumblatt, Minister of Economy and Agriculture (1946) and founder of the Progressive Socialist Party (PSP) in 1949. He was one of the architects of the departure of President Bechara el-Khoury (1952), before playing a major role in the events of 1958. From 1960 to 1964, Kamal Jumblatt assumed, under the presidency of Fouad Chehab, various ministerial functions . . After the conflict of June 1967, he gradually approached the Palestinian organizations. In 1969 he became Minister of the Interior; in August 1970, he supported the election of Soleiman Frangié as President of the Republic. Following the Lebanese-Palestinian clashes of May 1973, he took sides against the head of state, established himself as the leader of the National Movement in 1975 and engaged in a revolutionary armed struggle against the Lebanese Front. Hostile to Syria's intervention in Lebanon, he broke with it (March 1976). He was assassinated near a Syrian checkpoint in 1977.

Since the first film was made explaining the power of the atom, nuclear technology has made great advances. This film is an up-to-date account of the many areas of nuclear research and recent developments in Canada. It was filmed at the long-functioning atomic reactors at Chalk River and Rolphton, and at the latest and largest atomic power station at Pickering, as well as at laboratories across the land where experimentation is carried out in both pure and applied nuclear science. Produced for the NFB by Crawley Films Ltd. for Atomic Energy of Canada Limited.

This Oscar-nominated documentary short tracks the shift in the relationship of an individual to his work between the 19th century and today. Focusing on how nails are made, we first see a blacksmith laboring at his forge, shaping nails from single strands of steel rods. The scene then shifts from this peaceful setting to the roar of a 20th century nail mill, where banks of machines draw, cut, and pound the steel rods faster than the eye can follow.

This film joins a hunting-party of inhabitants of the Frobisher Bay Correctional Centre. The stalking, killing and skinning of seal and caribou are featured prominently, with explanations as to the importance of these animals to the Inuit way of life.

A narrated account of Atomic Energy of Canada's plan to construct permanent nuclear waste storage facilities in the geological formations of the Canadian Shield. Commissioned to Westminster Films Limited by the National Film Board for Atomic Energy of Canada Limited, Whiteshell Nuclear Research Establishment.

What happens to two dying coal towns in British Columbia when an American corporation provides a contract for millions of tons of coking coal? The film follows the consequences for the towns of Natal and Michel, suggesting that industrial growth has its price, especially with regard to the environment.

This short film is an ode to the women who settled the Prairies, from the days of early immigration to 1916 - when Manitobans became the first women in Canada to receive the provincial vote - and beyond. Recollections of women are complemented by a series of quotations drawn from letters, diaries, and newspapers of the day, which are spoken over re-enacted scenes and archival photographs.

The second of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 2: Eskimo Winter is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Pelly Bay region of the Canadian Arctic. Together, the two films provide insight and understanding of a culture now almost vanished, as they show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 2: Eskimo Winter shows how Inuit families gather in communities on the sea ice to harpoon seal as they come up through breating holes in the ice. Also seen is the mid-winter season, a time of intense socializing in the communal igloo, with games, contests and ceremonial activities.

Structured as a cinematic essay, "Un pays sans bon sens!" explores the emotional and political foundations of belonging to a nation. Moving between Quebec, France, and Western Canada, Pierre Perrault interrogates questions of cultural maturity, autonomy, and territory at a moment when French Canadians were reexamining their collective identity.

Focuses on the state of the Quebec health system in the early 1970s. This film reveals the harsh reality of emergency rooms. There, medical teams, facing a serious shortage of staff, are facing a real invasion of patients. The technical means, often insufficient, make the task even more difficult.

Five boys and five girls ages 13 to 19 live on a farm for ten weeks, to be filmed, and to see what might emerge for each of them personally.

A group of factory workers in post-independence Mozambique perform a ritual of song describing their work in South African gold mines and decrying the evils of apartheid.

A nature documentary, the film depicts the wildlife of Africa and efforts to protect it through the creation and maintenance of game reserves.

In the city of Saskatoon, Saskatchewan, an effective government policy of controlling land investment prevents speculation, keeps land prices down, and provides a good balance between commercial, residential and public areas.

The film tells the cultural story of Berlin during the Weimar Republic through interviews with a number of persons who were involved in literature, film, art, and music during the period. It includes interviews with Christopher Isherwood, Louise Brooks, Lotte Eisner, Elisabeth Bergner, Francis Lederer, Carl Zuckmayer, Gregor Piatigorsky, Claudio Arrau, Rudolf Kolisch, Mischa Spoliansky, Herbert Bayer, Mrs. Walter Gropius, and Arthur Koestler.

Lesson of April 14, 1978 (class #1) Films discussed: Fallen Angel (Otto Preminger, 1945), Breathless (Jean-Luc Godard, 1958). In the vaults of Concordia University's Visual Collections Repository department slept some 30 ½-inch black-and-white video open reels. They contained Jean-Luc Godard's 14 lessons, spread out from April 14, 1978 to October 21, 1978. The sessions consisted of long and brilliant series of digressions (often uninterrupted), initiated by questions from the audience or from Serge Losique. There are dazzling reflections on editing, economics, actors and actresses, war, political commitment, the media, and we witness the setting in motion of a unique thought.

In Penticton, BC, most students graduating from the only high school in town know that job opportunities and higher education lie elsewhere, most likely in Vancouver. So, for one memorable week, they go through a whirlwind of formal ceremonies, wild celebrations, hi-jinks and farewells that involve the whole population of this Okanagan Valley community.

Pinscreen animation makes use of a screen filled with movable pins, which can be moved in or out by pressing an object onto the screen. The screen is lit from the side so that the pins cast shadows.

A portrait of the filmmaker’s brother-in-law Steve Jackson with psychedelic photograph animation synchronized to music performed by Chuck Aliamo.

Images and sounds are spliced together in this journey to the heart of the political, economic and cultural oppression of the Quebec people. A reflection on neo-colonial exploitation and the cancer of alienation. To the very Canadian multiculturalism of Trudeau and the métissage of the multinationals, celebrated by the high priests of the dominant ideology, is contrasted the idea of acculturation, even deculturation. A way of resisting as good as any other.

This short film from the Canada Vignettes series features tenor Roger Doucet singing the Canadian national anthem, O Canada, before a hockey game in the Montreal Forum.

When nine-year-old Nadia is allowed to attend a regular school, she knows the kids will tease her but she'll "find a way to deal with it." Nadia has spina bifida, a congenital condition that has caused a lack of sensation from the knees down. She uses crutches in order to walk. Nadia, in her own candid way, makes it clear that she is not looking for sympathy. She can do many things that children do, only she has a different way of doing them. Oscar® winner!

A surrealistic look at life through the eyes of a man returning to life from the edge of death, after surviving an airplane crash. He discusses his feelings and what it's like to come back to life.