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A documentary about the most famous Brazilian jockey of all times, who remembers his glorious past in Rio's Jockey Club.

Reconstruction of the life of Wilsinho, who was a dangerous criminal by the time he was 14. After getting arrested multiple times, he finally was killed by the police at the home of his girlfriend Geni.

In this "fake documentary", a doctor returns to Brazil after his studies in Paris. Setting out to practice Medicine, he becomes an indigenous messiah and, in time, a cannibal.

Mulher 80 emerged as a result of the success of 'Malu Mulher' (1979), a miniseries starring Regina Duarte, which addressed the female situation in Brazilian society at that time. The main focus of the special was the female presence in music, honouring the singers and songwriters of MPB with musical numbers and testimonials.

Brazilian documentary film directed by Salvyano Cavalcanti de Paiva that showcases the evolution of Brazilian artists in the American film industry between the late 1920s and 1950s. Using archive footage, it highlights the contributions of figures like Carmen Miranda.

Documentary on one of Brazil's most controversial personalities: Getúlio Vargas, an ex-president.

Short documentary film about the afrobrazilian religion Candomblé.

A documentary about the history of the anarchist-led workers' movement in Brazil. It shows the transformation of immigrants into the first urban workers and chronicles the most important strikes, the successes and defeats of the movement, from the end of the 19th century until 1922.

Short by Jomard Muniz de Britto

São Paulo, May 1978. Three slates compete for the leadership of the Metalworkers' Union of São Paulo, the largest in Latin America, with 300,000 associate workers, and presided over by a platoon since the military coup of 1964. In the midst of the Union electoral campaign, the first workers' strikes that would change the country began. Braços Cruzados, Máquinas Paradas reveals, in an engaging narrative, the Brazilian trade union structure of fascist inspiration.

August 29, 1979, Talavera Bruce Penal Institute, Bangu, Rio de Janeiro. After serving eight years in prison, Inês Etienne Romeu, the only survivor of the "House of Death" in Petrópolis and the first political prisoner sentenced to life in prison in Brazil, left prison benefiting from Amnesty. Norma Bengell filmed this moment: from the prison door to her home with her family, Inês was welcomed by family, friends and members of the Brazilian Amnesty Committee, in what marked the first act of the historic denunciation that Inês would carry out against her tormentors and the Military Regime.

Based on the life of the player Afonsinho, who was banned from playing football for growing his beard and hair and refusing to cut them. Fighting for his rights, the player managed to become the owner of his own transfer rights, that is, he obtained a "free transfer". From this incident, the film examines labor relations in Brazilian football.

Documentary about race car driver Emerson Fittipaldi

A documentary about the 1979 workers strike.

A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.

An experimental film on Brazilian avant-garde artist Hélio Oiticica and his works, especially the Parangolés.

A documentary on the life of Raoni Metuktire. The film portrays issues surrounding the survival of the indigenous Indian tribes of north central Brazil.

"Before I Forget" is a short film by Jairo Ferreira. It was filmed in 1977, during the release of the book of the same name of Roberto Bicelli. The poet is part, along with Cláudio Willer and Roberto Piva, of the surrealist group of São Paulo. Also participating in the short Jorge Mautner and Nelson Jacobina.

In the late 1970s, young filmmaker Sérgio Santos from Rio de Janeiro lived in Santa Teresa and was a neighbor and friend of singer Raimundo Fagner from Ceará, who was beginning to reap the first fruits of a solid and long career that he would build over the following decades. Sérgio then decided to make a short film to record moments of the rising star.

Documentary about popular art manifestations in Northeast Brazil: the "cordel" literature (popular literature, small stories sold in markets); "repente", kind of musical challenge between two singers, who have to improvise the verses, in strict rhyme; and the interaction between these and local popular song.

Documentary about Brazilian soccer player Tostão.

One of the first Brazilian movies to conjecture about contraculture and its reflexes on the behaviour of a generation. A tribute to the late poet and friend Orlando Parolini.

Report of a crawler, who helped the steering wheels to find traces of the cangaceiros in the caatinga and their knowledge to survive in this environment.

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.

The first Brazilians who engaged in aviation, from Bartolomeu Lourenço de Gusmão with his hot air balloon to Alberto Santos Dumont, giving Brazil a prominent place in aviation. The creation of the Military Air Mail (CAM) and the Brazilian aviation industry. Commemoration of the centenary of the birth of Santos Dumont. The house where Santos Dumont was born; Bartolomeu Gusmão (Santos - SP); small hot air balloon Júlio César Ribeiro de Souza; 1881: his Victory balloon flies in Paris; Augusto Ribeiro; Santos Dumont: the balloon in the Torre Eifel, the 14 bis, the 'Demoiselle': real scenes of the time. Edu Chaves flies the Rio-Buenos Aires route in the 1920s. Current era: manufacture of the Bandeirante (assembly line). President Médici flies in the first Bandeirante; Xavante and Ipanema, Universal, rego elo and other models manufactured by Embraer in São José dos Campos.

Yesterday, the inhabitants of the Nordeste had to abandon their land for lack of water. Today, floods are driving them out... Deprived of their roots, the people continue to remain faithful to their traditions and beliefs, while progress is imposed by the power of money.

Portrait of various figures in Brazilian pop music.

O Aleijadinho, a study of the work of Antonio Francisco Lisboa, the architect whose cathedral de Andrade had assisted in the restoration of more than 20 years earlier. de Andrade dedicated the film to his father, who had sent him on the expedition.

Documentary--with reconstituted scenes and interviews--about some of the more than 50 women who were in Cangaço, a phenomenon of social banditry from the Northeastern region of Brazil in the early 20th century.

A film that records the rehearsals of a Brazilian theatre troupe directed by Victor Garcia, and then the conflicts that break out as they tour Iran and France with a performance of Calderon's autos sacramentales. A problem with a scenery prop sparks a crisis in the group and the film chronicles this disaster.

The documentary discusses the importance of artistic teaching in the elementary school curriculum, showing the role of the arts - be it music, painting, sculpture, theater or cinema - in the training of students.

The artistic career and daily life of actress Maria Gladys.

Brazilian documentary about the pioneers Ary Severo (director, screenwriter, actor and screenwriter) and Almery Steves, his wife (actress of famous Recife Cycle films)

A portrait of Santos Port, its geography, workers and the life that surrounds it, including the poor, prostitutes and the night life inhabitants.

A look at Brás, one of São Paulo's main Italian districts from its start until the 70s.

As filmmaker Jairo Ferreira shoots his life and friends in Super 8mm he also becomes the vampire of the Cinemateca Brasileira in São Paulo. In O VAMPIRO DA CINEMATECA Ferreira develops a poetic representation of his idea of “inventive cinema” without a plot in the classical sense. Ferreira mixes situations of everyday life in the streets of São Paulo with scenes from classics of film history, which he filmed from television or from a projection with his Super 8 camera. The author as a vampire sucks from various sources – not only in cinema, but also in poetry and music – and creates a portrait of his time.

This controversial film from director Glauber Rocha records the funeral of his friend, major Brazilian painter Emiliano Di Cavalcanti.