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Dead Parents Club

Dead Parents Club is a hybrid documentary blending observational footage, experimental performance, and cultural analysis to challenge the pervasive "orphan trope" in popular culture. While children's media like The Lion King, Frozen, and Finding Nemo frequently use parental loss as a narrative tool to spark a character's independence, the lived reality of grief is vastly more complex. The film follows real individuals who have lost parents as they collaborate on a unique theatre production. By stepping into the roles of iconic fictional orphans like Simba and Frodo, the cast members weave their personal stories of trauma into the scripted scenes. The resulting performance offers a poignant, absurd, and unexpectedly funny exploration of identity and healing. Moving between fantasy and lived experience, this documentary examines how we navigate profound loss, build deep connections, and ultimately learn to parent ourselves.

Dead Parents Club

NR 2026
Live It Up: The Mental As Anything Story

Live It Up is a feature documentary celebrating Mental as Anything, the art-school band whose irreverent humour, visual art and clever pop songs made them one of Australia's most distinctive cultural forces. Following the release of Nips Are Getting Bigger in 1979, the Mentals rose quickly from inner-city Sydney pubs to national fame, becoming masters at capturing Australian suburban life with warmth, wit and playfulness. While success came fast, they never treated it with reverence. Funny, warm and unexpectedly moving, Live It Up explores how Mental as Anything navigated fame, longevity and the pressures of the music industry while holding fast to their humour and creative spirit - revealing why their music continues to resonate today.

Live It Up: The Mental As Anything Story

NR 2026
Through the Lens

Nestled along the Great Eastern Highway in regional Western Australia stands The Big Camera — a museum housed inside a building shaped like a giant camera. What many mistake for a novelty roadside attraction is, in fact, one of the most significant private photography collections in the Southern Hemisphere. This short documentary explores the life and legacy of The Big Camera Museum of Photography and its founder, Charles “Chic” Wadley, whose lifelong passion for capturing and preserving photographic history has created a one-of-a-kind cultural landmark. Through personal interviews, archival imagery, cinematic visuals, and historical context, the film uncovers how this extraordinary museum came to exist, why it remains vital to regional heritage, and what it tells us about photography’s power to document human experience.

Through the Lens

NR 2026
Under a Bamboo Sky

A tale of human connection, hope and resilience in the face of great tragedy, Under a Bamboo Sky uses new technology to bring to life an untold story of Australian soldiers held prisoner by the Japanese in WWII. Using their own words, their own voices, the film weaves the recollections of more than 60 former POWs with newly colourised archival material and new location footage to deliver a moving and revelatory first-hand account of their experience. Captured during the Japanese offensive and imprisoned in Singapore’s Changi Barracks, the film follows the years long journey of these soldiers through four countries. After bearing witness to some of WWII’s most history-defining events, they tell of returning home to families, wives and sweethearts, and of the price they paid for the trauma they endured. Shining through the horrors of war is the spirit of these men and an inspiring human capacity to find beauty in their surroundings and hold onto hope in the worst of circumstances.

Under a Bamboo Sky

NR 2026
The Man Who Saw Them Arrive

In January 1968, the quiet life of Melbourne resident Colin Cameron was shattered following a mysterious encounter on Kew Boulevard. Obsessed with uncovering the truth, Colin documented strange phenomena and shared his experiences with those closest to him as the events grew increasingly intense and dangerous. Told through the eyes of those honouring a promise to share his story, THE MAN WHO SAW THEM ARRIVE recounts Colin’s journey, presents first-hand accounts of Australia’s most famous UFO sightings—including Westall 1966—and provides insights from leading UFO researchers. A haunting exploration of mystery, memory, and unanswered questions hidden in Melbourne’s backstreets.

The Man Who Saw Them Arrive

NR 2026
Prompt: Make a Documentary

Prompt: Make a Documentary investigates the growing influence of artificial intelligence on the film industry. The documentary places the rise of AI within the broader historical context of cinema’s evolution, drawing parallels with earlier technological shifts such as the introduction of sound, colour, and digital visual effects. By revisiting landmark moments in film history, the film demonstrates that disruption has always been part of cinema’s DNA, while questioning whether AI represents a fundamentally different kind of change. Featuring insights from directors, academics, and practitioners, Prompt: Make a Documentary explores the tension between innovation and integrity, the democratisation of creative tools, and the ethical implications of automation in the arts. The film ultimately asks whether artificial intelligence will empower the next generation of storytellers or redefine creativity itself.

Prompt: Make a Documentary

NR 2026
Sammy Petersen: Why the Long Face?

After years of mining his facial palsy for laughs and landing a book deal for Why The Long Face, Petersen’s cardiac incident forced a total reset. The show traces Petersen’s comedy evolution from being perpetually ghosted by his mentees, trying to fix people he knew he couldn’t and subsequently earning the industry title ‘the Addict’s Addict. Behind his struggle with enabling was a deeper pattern stretching back to age 18 and his first brush with addiction through his violent brother. But this isn’t just another sob story about hitting rock bottom.

Sammy Petersen: Why the Long Face?

10.0 2026
Queen's Land

Queen’s Land tells the oft forgotten history of drag, repression and resistance in Queensland’s queer scene during the Joh Bjelke-Petersen dictatorship. With glitter and glamour Destiny Rogers describes the ups and downs of life under Australia’s most conservative police state through the 60s to 80s. Petrified jelly, bribery, and gay bikies. Despite living in “pig city” a community was able to persist. To complement, Sel Dowd provides a history of the activist struggles of the era which inform our ongoing struggles today.

Queen's Land

NR 2026
Born to Fly

Born To Fly, directed and produced by Ali Khajeian, tells the story of dedication and perseverance through the eyes of Hong Kong born, Indian national, Melbourne-based Ultra Runner, Rahul Sharma, from running his first marathon to setting a world record all in the same year. Between 24th – 30th December 2025, Rahul became the first person ever to run the length of Sri Lanka, setting a new world record for the fastest time to cover the 566km journey (completing the run in 6 days, 13hours and 22 minutes). The intricacies and procedures of this great feat, planned by the team of students that surround him are captured in this documentary and Born To Fly follows the story of Rahul and his team in making this dream a reality.

Born to Fly

NR 2026
In the Making: An Australian-Taiwan Indigenous Art Exchange

"In the Making: An Australia–Taiwan Indigenous Art Exchange" is a 43-minute bilingual documentary co-produced by Australia and Taiwan. It explores a five-year exchange program between Indigenous artists from both regions. Filmed mainly in Taiwan in late 2024, the artists' first in-person meeting reveals the depth and transformative potential of cross-cultural collaboration through interviews, shared creative processes, and the creation of new collaborative artworks.

In the Making: An Australian-Taiwan Indigenous Art Exchange

NR 2026
WHO DO YOU THINK YOU ARE?

In 1997, the feminist punk poet and experimental writer Kathy Acker interviewed the Spice Girls for the Guardian (not, as has passed into legend, US Vogue). The Spice Girls were at the height of their fame, flicking peace signs at us from every teenage girl’s bedroom wall on posters ripped from magazines. Acker on the other hand was an unapologetic weirdo in the same vein as William S Burroughs, writing books so filled with sex, incest and violence that West Germany banned Blood and Guts in High School for being too pornographic. SEE THIS NEVER SEEN BEFORE EVA BERRY EXCLUSIVE NOW! NOW! NOW!

WHO DO YOU THINK YOU ARE?

10.0 2026
MARKS/MARKS

MARKS/MARKS examines the relationship between the mark making of optical lens technologies (writing with light) and the mark making of painting within the context of digital technology and mass data. The film maps the movement of painter Dr Harrison Waed See in the studio painting to generate the tempo and trigger audio and visual effects. Similarly digital image sonification and digital data sonifcation of still and moving images of Dr See were used to generate further noise and visual effects. Alongside this, the soundtrack also includes amplifcations of the sound of his movements and paint brush.

MARKS/MARKS

NR 2026
occupation studies: ngayanhurra bayarral Birrarung

In this work, the artists assert the fatal link between genocide and ecocide, exposing the colonial logic of 'taming', inherent in European intervention. Video footage and field recordings of the Birrarung are layered with shredded snippets of a score composed in the 1800s, inspired by the river. By contrast, the soundscape features the voice of Jasper Cohen-Hunter, who recounts the Creation Story of the Birrarung as told by Beruk (William Barak, 1823-1903), the Ngurungaeta (leader) of the Wurundjeri-balluk.

occupation studies: ngayanhurra bayarral Birrarung

NR 2026