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Armageddon

Armageddon explores centuries of predictions that seem to converge on a single message—the end of human history may be near. From Saint Malachy’s 12th-century vision foretelling every Pope, to Nostradamus’s chilling prophecies of war and the rise of three Antichrists, to Edgar Cayce’s uncanny insights into modern events, the film weaves together history’s most haunting forecasts. Alongside the miracles of Fatima and Garabandal and the biblical prophecies of both Old and New Testaments, these revelations form a powerful warning about the times we may now be entering.

Armageddon

NR 1982
88.9 Radio Redfern

An observational documentary which looks at Sydney’s first community Aboriginal radio station, 88.9 Radio Redfern. Set against a backdrop of contemporary Aboriginal music, 88.9 Radio Redfern offers a special and rare exploration of the people, attitudes and philosophies behind the lead up to a different type of celebration of Australia’s Bicentennial Year. Throughout 1988, 88.9 Radio Redfern became an important focal point for communication and solidarity within the Aboriginal community. The film reveals how urban blacks are adapting social structures such as the mass media to serve their needs.

88.9 Radio Redfern

5.0 1989
Kiribati? Here We Are

On 12 July 1979 the Gilbert Islands in the central Pacific became independent from British rule. The country then became known as Kiribati. This film shows the lifestyle of the people of these 33 islands, their history and culture, the natural resources and the effects of colonialism, World War Two, nuclear testing and foreign industry. It also records the celebrations that took place at this important moment in the country's history and looks to the nation's future.

Kiribati? Here We Are

NR 1980
Couldn't Be Fairer

Reveals how Australia's first people are still suffering from social oppression, with many living on reservations where alcoholism is rampant and unemployment the major occupation. Aboriginal land rights are a central theme: Miller clearly demonstrates the contrast between the attitudes of European Australians, who see the land only as a resource to be mined, farmed, grazed and built upon, and Aboriginal Australians, who regard the land as sacred. Archival footage compares the original lifestyle of Aboriginal Australians to their current pitiful condition, and shows how European settlers attempted to "civilise" mixed blood children by taking them away from their parents and enrolling them in boarding schools.

Couldn't Be Fairer

NR 1984
The Second Journey (To Uluru)

As the camera moves gently from afar into the very heart of the monolith, the magic of the holiest site of the Aborigines unfolds in shimmering nuances of light. Shot at different times of day, the close-up and panorama shots of this more than 500-million-year-old stone formation combine silence and acoustically altered birdsong to convey a feeling of timelessness into which a sense of loss is also inscribed. The somnambulistic moonrise in the great sky seems almost like an abstract painting and yet it is real. The areas of discolouration in the film material caused by problems in the developing process were deliberately left in the film as a metaphor for the looming threat to this natural environment through bushfires and tourism.

The Second Journey (To Uluru)

7.5 1981
The Nights Belong to the Novelist

This documentary explores the imaginative world of Australian novelist Elizabeth Jolley. It combines readings, dramatised segments, and witty and playful interviews in which Jolley talks about the craft and practical problems of writing, and her fictional treatment of old age, women's relationships, exile and displacement. Dramatic sequences bring to life Jolley's unforgettable characters. We see the funny, sad and bizarre worlds created in 'Woman in lampshade', 'Milk and Honey', 'Miss Peabody's Inheritance', 'Mr Scobies' Riddle' and 'Palamino'.

The Nights Belong to the Novelist

10.0 1987
Hard to Handle: Bob Dylan in Concert

Admired as one of the best lyricists of pop rock, Bob Dylan has his name recorded in music history. During his four decades career, he has been through many facets: from acoustic to electric guitar; from politicized to religious lyrics; from minimalist to very highly sophisticated arrangements. And his characteristic voice, for some, hoarse and full of style, for others a little out of tune, still influences many musicians. In this presentation filmed at the Sydney Entertainment Centre in Australia over February 24-25 1986, Dylan is accompanied by Tom Petty and the band The Heartbreakers, as well as a very fine selection of new compositions. To close the spectacle, Bob Dylan and Tom Petty perform a vocal duet in "Knockin' on heaven's door", one of the most famous songs of this compositor.

Hard to Handle: Bob Dylan in Concert

9.5 1986
Film-Work

During the height of the Cold War, the Waterside Workers' Federation Film Unit produced eleven (11) films for several trade unions on political and industrial issues. Independent film-makers worked with them to develop critical dialogue from one generation of concerned film-makers onto another. FILM-WORK looks at sequences from 4 of these films and interviews some of their makers, raising a diversity of issues pertinent to current debates in film, history and politics. The 4 films that are looked at are PENSIONS FOR VETERANS (1953, NSW Branch, WWF), THE HUNGRY MILES (1954, WWF), NOVEMBER VICTORY (1955, WWF), and HEWERS OF COAL (1953, Miners Federation). PENSIONS FOR VETERANS covers the issue of the need for pensions to be given to workers who have worked on the waterfront all their life. THE HUNGRY MILES shows the strength of the workers, the union and its democracy. HEWERS OF COAL is about the coal miners and their struggle to get better working conditions and pensions.

Film-Work

NR 1981
Black Magic

Although about top Aboriginal sportsmen, BLACK MAGIC is more than a film about sport. It is an account of the creative use of sport made by the Noongar people of Western Australia's south-west to advance their people's standing. Denied access to other areas of social life like most Aboriginal communities at the time, the Noongars, from as early as 1920, channelled the natural talent of their young people into the arena of competitive sport, notably running, boxing and football. Competitive sport, as filmmaker Paul Roberts notes, is 'an open gate, a universal rite of passage, an opportunity to achieve recognition and acceptance.'

Black Magic

10.0 1988
Public Enemy Number One

Australian journalist Wilfred Burchett reported the Vietnam War from the perspective of the North Vietnamese. For this he was reviled as a traitor and a communist in the Australian media. He had been the first journalist into Hiroshima after the atom bomb, and he covered wars in Vietnam, Laos and Cambodia. Filmmaker David Bradbury interviews Burchett in his later years and intercuts the interview with archival footage and still photographs. Burchett is seen in newsreel coverage and in footage taken by the North Vietnamese. Archival footage of the Vietnam War and newsreel footage of Hiroshima after the atom bomb enrich the documentary.

Public Enemy Number One

NR 1981