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A radio DJ in pursuit of an exclusive interview follows ABBA during their mega-successful tour of Australia.

The second of John Pilger’s three 1976 documentaries made in the United States. In Pyramid Lake Is Dying, he reports on the demise in the culture of native Americans and the stealing of their resources. Pyramid Lake, in Nevada, home to the Paiute peoples and once described as “one of the few remaining unspoiled natural wonders in the American West”, is drying up and its fisheries and wildlife disappearing due to changes to the local ecology made by white settlers. In addition to their natural resources, the Paiute peoples' culture and lifestyle are also under threat.

A shy young man is hired by an ad agency to conduct a survey on sex in Australia. The somewhat clueless young man investigates homosexuality, transvestites, prostitution, and strip clubs along with every other variant on the "norm". While doing his interviews he meets celebrities, self proclaimed sex experts, prostitutes, female impersonators, pop stars, actors, and legislators as well as self appointed morals guardians.

Australian stuntman Grant Page travels to Hong Kong to find Bruce Lee's successor and looks at the cultural phenomenon that Asian martial arts has become in the West. He talks to actors such as Angela Mao, Stuart Whitman and George Lazenby - who were all making movies in Hong Kong at the time - and fights Carter Wong twice.

A short observational account of one Saturday night in the mundane life of Stuart. He gets drunk, goes out to clubs,, searches for love and falls asleep unfulfilled on the floor of the club.

This short film documents Australian composer Richard Meale’s homage to the young French poet, Arthur Rimbaud. Meale composed a music piece for woodwind, percussion and strings which he titled “Incredible Floridas."

Avalanche is a film on the Moment of Birth. Although birth has been treated many ways on film it is imagined here from the point of view of the baby being born.

Annihilation of the Aborigines of Tasmania.

SUNSHINE CITY is Albie Thom’s sprawling, protoplasmic experimental portrait of his hometown of Sydney. The National Film and Sound Archive of Australia call it “a structured diary film which investigates the process of living in Sydney, which uses a repeating light modulation to intensify experiences of light, heat, colour”.

A contrast between two kinds of attitudes to gay liberation in Adelaide.

Green Valley was a housing commission estate in western Sydney, much maligned by the media of the day. The residents were hurt by the criticism but lacked access to the media to respond. Supplied with equipment by Film Australia, they used this film to present a different image of themselves and their daily lives. In so doing, they answered the question of "Whatever happened to Green Valley?" The core of this film is the work of half a dozen residents, co-ordinated by acclaimed filmmaker Peter Weir in one of his earliest film projects. Weir also acts as the moderator at a public forum that is included in the film.

In the early ‘70s, founding member of Australian surf magazine Tracks, Albert Falzon, began filming off the North Coast of New South Wales, Hawaii, and Indonesia. He set out to make a film “that was a reflection of the spirit of surfing at the time” and the end result, Morning of the Earth, proved its worth as a vital document of surf culture and a powerful nature film.

Long thought to be the first film ever made by an Indigenous filmmaker, Black Fire examines the situation of First Nations people in the early 1970s through politically charged discussions, comical vox pops, and interviews with luminaries of the time such as Pastor Doug Nicholls and Aboriginal Tent Embassy co-founder Bertie Williams.

Malcolm Douglas lives with the tribal elders of the Worora and Narinjin Tribes at their bush camp in the remote Kimberley. Daily he films activities of collecting food, hunting and ceremonial life. An important film showing a culture rapidly changing.

The film is a unique dual-screen documentary of the Aquarius Arts Festival of 1971, an 8-day "happening" at the Australian National University, which featured arts, music and dance, capturing the vibe of flower-powered chaos through the organizers, the participants and the protests.

Lalai Dreamtime takes the viewer into pre-settled Australia to show a myth from the spiritual tradition of the people. It is the story of Namarali, as presented by Sam Woolagoodja to his son Stanley and his granddaughter Kerry. Namarali is the law-giving 'Wandjina' of the Worora people who, along with him, have many other such Wandjinas. The 'Wandjinas' are ancient creators whose presence is real in the painted imprints of cave walls and in the shape of specific land formations. The film shows the importance of the Dreamtime in the Aboriginal culture.

Flames in a fireplace and smoke in the bush outside evoke memories in us all. Noyce intended the film to be screened with a "smell track" of burning eucalyptus leaves.

Short documentary on the shunters in the Darling Island, Sydney, Australia railyard. Filmed in 1977.

A documentary exploring the fascinating subject of the film, its production history and success. The documentary, which was produced by Patricia Lovell, features interviews with different cast and crew members.

Australian-made film with Steven Spielberg, Stan Deyo, Stanton Friedman, Dr. Alan Hynek, Jacques Vallee, Ken Arnold, Betty Hill and Ray Palmer (publisher of the Shaver Mystery). This rare TV documentary gave birth to The Cosmic Conspiracy and contains clips of the first episode of Star Wars and Jaws.

This Australian educational documentary concerns venereal disease in the pre-AIDS era and reveals that it is a problem that should be taken seriously by everyone — whether young or old, gay or straight. Factual segments are interspersed with humorous skits depicting how people of varying degrees of innocence can contract awful but treatable diseases.

A short documentary on the work and craft of ceramist and teacher Peter Rushforth. The film presents his countless works and the skills used in his pottery creations and also dwells about the importance and the tradition involved with his creative works.

An examination of the prophecies and predictions of the 16th-century mystic Michel Nostradamus.

Produced for the Adults Learning series, this short film uses a conversation between a potential university dropout, a friend, and an observer to examine adult learning in the context of management–staff relations.

An anthropological documentary about the people of the Trobriand Islands and their unique innovations to the game of cricket.

Produced for the Adults Learning series, this short film presents a training session in which adults are introduced to punch card systems, exploring their apprehension and adjustment to emerging computer technology.

A journey by lugger along the north-west coast and by 4WD vehicle into the rugged Kimberley. A classic adventure showing pearling, fishing, tribal Aborigines and the rugged wilderness of the north-west coast.

A rapid montage of stills giving impressions of New Guinea before and during the Second World War.

This short documentary showcases three Australian music acts—Wendy Saddington and Teardrop, the Captain Matchbox Whoopee Band, and the Indelible Murtceps—each performing live as examples of distinct directions in the country’s early 1970s pop scene.

"An exploration of a specific area of space and time. The space: 360 degrees of action at a traffic intersection, and the time: the period of waiting before the lights change - the illusion that time is running slower than normally." - Cantrill's Film Notes 1971.

A light-hearted, but pointed examination of Australia's most eccentric soap-box orator John Webster. Webster draws the large crowds to the Sydney Domain (Australia) and to Hyde Park, London (Great Britain), where he speaks during his annual trip to the continent. He is so outrageous that even the Police laugh.

With a group of Kukadja men, Malcolm travels into the remote Great Sandy Desert of Western Australia. The desert tribesmen teach him their skills of survival, hunting and collecting. The amazing wildlife in the film includes rare footage of the tiny marsupial mole.

"The infamous Finks bikie gang caught off-guard as they shoot their latest 8mm movie epic: the story of a bikie and hillbilly showdown. " - Filmmakers Co-operatives Catalogue of Independent Film 1975/6

"The beautiful pulsating winter sun discovered by a single frame camera." - Filmmakers Co-operatives Catalogue of Independent Film.

An exotic world of eroticism, witchcraft, masochism and strange secret places.

Documents Independence Day of Papua New Guinea on September 16, 1975, comparing the pageantry of local celebrations with the official ceremony in the capital. Also provides historical background about the area's 19th-century colonization by Holland, Germany, and Great Britain.

The Stuntmen is a one-hour documentary for Australian TV written and directed by Brian Trenchard-Smith. It was through this movie that Trenchard-Smith met Grant Page, who he put under a five-year contract and featured in a number of movies. The film also acted as a "calling card" which enabled the director to get finance for The Man from Hong Kong (1975).

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

George Greenough chronicles ground zero of the shortboard revolution, as it evolved in 1968. Experience remote Australia and hidden California, as ridden by Bob McTavish, Ted Spencer, Baddy Treloar, Chris Brock, Gary Keys, Russell Hughes and a brigade of the underground's best. Check out Norther NSW in the golden era of the late 1960s, with empty perfection at Lennox Head.

In 1973, fresh from his performance in Walkabout, a film that brought outback landscapes to urban audiences, Gulpilil returned the favour by paying a visit to Melbourne with camera in hand, shooting a wry fly-on-the-wall documentary that compares the sights and sounds of the city to those of his home in Arnhem Land.

Generally regarded as Australia's finest railway film and winner of many awards the world over, A Steam Train Passes is a nostalgic, imaginative essay on one of the majestic C38 class steam locomotives, 3801. The locomotive has recently returned to service and is currently operating out of the NSW Rail Museum at Thirlmere, south of Sydney.

The first film in a Seven Up-like series examining the lives of three teenage girls in South Australia during the 1970s. It looks at issues such as boys and sex, abortion, marriage, pregnancy, career paths, and education.

Wings perform live in this 1975 concert taped at the iconic Sidney Myer Music Bowl in Melbourne, Australia.

After 96 years under British rule, in 1970 Fijian independence was restored. In the centre of celebratory events was HRH the Prince of Wales. This film provides a record of the official ceremony on 10 October that saw the handover of the constitutional instruments. It includes the reading of a message from Her Majesty the Queen by the Prince of Wales and the official speech by the Prime Minister Ratu Sir Kamises Mara in which he talks about the determination to build a strong, united Fiji, rich in its diversity. The film also depicts ceremonies and performances from the various cultural groups that comprise the people of Fiji. Finally, we follow Prince Charles to the places he tours which include the old capital, Levuka, as well as Taveuni, Savusavu, Nadi, Tavua, Labasa and Lautoka.

A 1979 documentary on Java and Bali, written and directed by Phillip Noyce. The end credits say this film was produced for QANTAS Airways, which suggests it was used as some sort of promotional piece for travel to these particular locations.

“Being a bricklayer, this was one of my most important films. It represents eight hours of work...you start your early morning, you look at the work which is in front of you—then you get stuck into it—you have a morning tea, then you have lunch—and in the afternoon, of course, you knock off. I wanted to construct the 22 minutes of film very much like how I laid bricks in the physical sense—with a trowel and mortar. So I worked out a rhythm for the film—I had 3 frames, 6 frames, 12 frames, and 24 frames, and virtually all of it was done single-frame. For the soundtrack I used myself laying bricks in real time—you lay the trowel, you scrape it, you take off the ‘mud’, etc, and that continues right through the film. Some people refer to this as a ‘structural’ film…rather this is a film by a bricklayer who knows the material very well.” (Paull Winkler)

Ningla A-Na documents the activism of the Black movement in south-east Australia in the 1970s and shows how the activists changed the direction of the movement both nationally and internationally.

Biographical documentary about Harry "The Breaker" Morant, an Australian drover and poet who was court-martialled and executed during the Boer War.

A loose biography of surfer and documentarist George Greenough, one of the most famous and unique members of the surfing subculture.

The story of the genocide of the Tasmanian aborigine population by British settlers. Specifically Truganini, the last living full-blood aborigine.

Documentary on the redevelopment on a dock area of Sydney. For 5 years, until 1977, Woolloomooloo was the site of a bitter struggle between property developers and the local community, which at times involved the National Trust, Building Unions and squatters’ organisations.

One of Curtis Levy’s finest documentaries, Sons of Namatjira, follows Keith and his wife, Isabel, and other relatives, in their interactions with the wider world including art galleries in town and bus-loads of middle-aged tourists from the big cities. The film highlights communication difficulties between black and white, and in Levy’s terms, becomes “a parable of black-white relations in Australia”.

In 1972 - post Woodstock but years before The Big Day Out, Sunbury was an event not to be missed. This film serves as a reminder of that first festival in 1972, and captures the spirit of Sunbury's ethos - "to have a good time". So join your host Molly Meldrum - dressed in the style of the times - and sit back, relax, crank up the volume, and stroll down memory lane to Sunbury.

"SENSATIONAL" - part of the Oxford Dictionary's explanation for the word suggests 'a stirring of the emotions of many people'. If the '70s didn't arouse and preserve the interest of people throughout our great country, then no decade has, for this chapter in the history of football was indeed sensational.

A single frame camera exploration of the home, inside and out, including its inhabitants and pets.

This playful mix of documentary and fiction provides a vibrant record of the Second University Arts Festival held at the University of Melbourne in May 1969, while also providing a fascinating time capsule of late 1960s Bohemian Carlton.

A camera calligraphy of the coastal bush -- celebrating growth, summer light, rock and plant textures.

A fragmented film, largely following street performer George Shevtsov at the 1970 Vietnam Moratorium, the Odyssey Pop Festival at Wallacia in 1971, and street theatre sneezing for lunchtime crowds. The film then takes a darker turn, contrasting audio from a court case with footage of police.

In the line-up of great Australian realist films of the '70s, this short student film, nominally a documentary, is the most in-your-face and "gritty" realist film you will see. It's powerful and unforgettable. "It's a ground-breaker, venturing into the dark, slovenly lives of a couple of outsiders", said Nigel Buesst.

Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.