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In 39 interviews with actors and actresses, writers, producers and staff members, interspersed with film excerpts and stills, Shindō recounts the life and career of his friend and mentor Mizoguchi.

Australian stuntman Grant Page travels to Hong Kong to find Bruce Lee's successor and looks at the cultural phenomenon that Asian martial arts has become in the West. He talks to actors such as Angela Mao, Stuart Whitman and George Lazenby - who were all making movies in Hong Kong at the time - and fights Carter Wong twice.

This documentary tells the story of Bruce Lee and his unsuccessful efforts to start a acting career in the U.S., he returned to Hong Kong where he became an international star, and his death at age 32.

By going to the Philippines, Imamura comes to meet people living in an extreme poverty. He discovers very quickly that some communities are under the control of cruel & armed pirates. Imamura will come to meet those men in order to understand their position.

UFOs and aliens from beyond the stars are common themes in media, entertainment, and other forms of science fiction; however, many individuals have sworn they have seen UFOs and have been abducted in real life! Sit back and watch as the makers of Mazinger take you on a journey through the history of UFO lore. Could it be that UFOs are real and that aliens watch us from afar? In the end, only you can be the judge. This was used for promotion of the then upcoming animated film, "Battlefield of the Space Saucers".

A look at Shaw Brothers Studios in their prime. Includes: interviews with David Chiang; exploring the Shaw Brothers sets; a look at the craftsmen, foley artists and stuntmen of Shaw Bros.; a profile on Run Run Shaw; Italian-meets-Chinese kung-fu films; and a visit from Peter Cushing.

The first episode of Patrick Tam’s anthology series “Seven Women” (1976)

Director Koreyoshi Kurahara chronicles a year in the lives of Flep and Leila, two foxes living in Hokkaido, Japan's northernmost island, where the freezing winters are long and the mild summers short. After Flep defeats another male fox to become Leila's lifelong partner, they mate and raise a litter of five kits. With their family complete, the group must contend with human interference in their habitat, such as chicken farms and snowmobiles, and struggle against the debilitating cold of winter. The animals experience both triumph and tragedy, as the law of this harsh land proves – only the strong survive.

Betty Ting Pei provides in-depth insight into her relationship with Bruce Lee and the circumstances surrounding his mysterious death.

AKA Serial Killer documents the social upheaval and political oppression that roiled Japan in the 1960s, profiling a nineteen-year-old serial killer Norio Nagayama. An indictment of media sensationalism, the film humanizes the young man by situating his crimes in the larger context of his environment.

KINGS OF THE SQUARE RING captures some of the most amazing battles ever seen in the field of mixed martial arts, an extreme sport that combines elements of boxing, wrestling, karate, muay thai, jujitsu, and tae kwon do into a no-holds-barred style of fighting. The collection presents archival footage of fighting greats like Masutatsu Oyama, Benny "The Jet" Urquidez, Rikidozan, Antonio Inoki, and Muhammad Ali.

A short experimental documentary directed by Chang Chao-Tang (張照堂) during his tenure at the China Television Company (中國電視公司) for the program News Highlights (新聞集錦). Using an abstract visual approach, Chang captures the printmaker Liao Shiou-Ping (廖修平) in his thirties, at the height of his creative vigor. The film is entirely without narration and is accompanied by composer Chou Wen-Chung’s (周文中) modernist piece "Cursive" (草書).

Akira Kurosawa’s only television work—a lyrical documentary that follows a thoroughbred from birth and training to the Japan Derby—framed by a grandfather’s narration to his grandson about the fading bond between people and horses.

1970s Japan saw the rise of biker gangs, known as Bōsōzoku, which drew the interest of the media. God Speed You! Black Emperor follows a member of the bike gang and his interaction with his parents, after he gets in trouble with the police.

When his wife, the outspoken feminist Miyuki Takeda, announced that she was leaving him in order to find herself, Kazuo Hara began this raw, intensely personal documentary as a way to both maintain a connection to the woman he still cared for and to make sense of their complex relationship. Granted at times shockingly intimate access to Miyuki’s personal life, Hara follows her wayward journey toward liberation as she explores her sexuality with both men and women, becomes pregnant and raises a family as a single mother, and grows increasingly disenchanted with the constraints of traditional social structures.

Revolutionary film from Shanghai about the Gang of Four. Stopped in the middle of production

Documentary about Maria Yi recalling her film work in the 1970s, particularly with Bruce Lee.

“In Search of Unreturned Soldiers was about former soldiers of the Japanese army who chose not to return to Japan after the war. I found several of them who had remained in Thailand. Two years later, I invited one of them to make his first return visit to Japan and documented it in Outlaw-Matsu Returns Home. During the filming, my subject Fujita asked me to buy him a cleaver so that he could kill his ‘vicious brother.’ I was shocked, and asked him to wait a day so that I could plan how to film the scene. By the next morning, to my relief, Fujita had calmed down and changed his mind about killing his brother. But I couldn’t have had a sharper insight into the ethical questions provoked by this kind of documentary filmmaking.” —Shôhei Imamura

Fight! Our Heroes Gather was a televised celebration of tokusatsu heroes in 1975.

Famed filmmaker tracks down former Japanese soldiers in Malaysia.

Documentary on the expansion of Kyokushin Karate following the first world championship.

Postwar Japan as it is described by Etsuko, the manager of a bar catering to foreigners in Yokosuka. The way of life of a woman brimming with vitality, who skipped the countryside right after the war and, with her womanhood as a weapon, lived through atomic bombings, black markets, prostitution aimed at American soldiers and the Korean War. Inserting newsreels, Shohei Imamura depicts the history of twenty-five years in the Japanese postwar by way of the female body. (doclisboa)

A documentary about the 1972 Winter Olympic Games in Sapporo, Japan.

After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London

A plan of a house that is reminiscent of a miniature garden used as a psychological treatment to assist in self-confirmation at a middle-class housewive’s tea party.

The fourth episode of Patrick Tam’s anthology series “Seven Women” (1976), which adapted from Swedish play “Miss Julie”

A Documentary on the Japanese baseball player Sadaharu Oh

A documentary about the other side of yakuza society from Noboru Ando, the former leader of the group. Directed by Noboru Ando and Akira Shiizuka.

An intimate two-person portrait of painter Hsieh Hsiao-te (謝孝德) and his illiterate, self-taught sculptor father Hsieh Chin-shou (謝金壽), exploring urban-rural tensions, generational differences, and divergences in their choice of media. A short documentary from Chang Chao-tang’s (張照堂) tenure on the China Television Company’s News Highlights (新聞集錦) program.

Made for German TV documentary about the early craze of Hong Kong Martial Arts Cinema. While critical on the subject and not too well informed, it nevertheless offers some interesting insights into the Hong Kong film industry of that days.

A look at sex in Japan, that covers underground gay life, transvestites, sex change operations, tattoos, and S&M. What does it mean to live an individualistic life in the modern age? By capturing the seemingly bizarre customs of men in drag and women in men's clothing seen on the streets, and examining the world of sexual perversion in an attempt to unravel the mysteries of our homogenized modern society, we explore whether it represents the pinnacle of pleasure, or a world of endless hell.

Promotional film on the making of 'Enter the Dragon.'

On their way back from the Cannes Film Festival in 1971, filmmakers Wakamatsu Koji and Adachi Masao visited Lebanon to meet Japan's Red Army faction and the Popular Front for the Liberation of Palestine to shoot a newsreel film promoting the Palestinian resistance. Conceived as a ‘declaration of world war’ that implicates us all, the directors capture the everyday banality of military training and preparation exercises for imminent battle.

The third episode of Patrick Tam’s anthology series “Seven Women” (1976), with three short stories combined.

Viewers are transported back in time to 1974 to see the annual Taoist celebration of the Dajia Mazu Pilgrimage. Thousands of participants accompany a statue of the goddess Mazu, who protects seafarers, on a 9-day, 8-night procession, stopping at several prominent temples along the way. The religious pilgrimage is a round-way journey from the Zhenlan Temple in Dajia, Taichung City to Fengtian Temple in Xingang of Chiayi County on the Western plains of Taiwan. The mesmerising festival takes place every year during the third lunar month and still attracts large masses to this day. The audio track of the film was once banned under the Kuomintang (KMT) due to the film’s inclusion of spoken Hokkien (Taiwanese), giving viewers at the time an altered and suppressed understanding of the event and its cultural significance in Taiwan. Viewers now can revel in the beauty of the Taiwanese language and see the film for the true spirit that it captures.

In Thailand, three Japanese soldiers, left in the jungle more than a quarter of a century after their country's defeat, come together to discuss what their life was like during and after the war. Part two of Imamura's quest for Japanese soldiers who stayed behind after the war.

Karayuki-san, the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. It is a documentary on one of the Japanese "karayuki-san," who were women that were taken from their homes in Japan and used as prostitutes in the post-war period. Many of these women were told that they were doing this to support their families because of the extreme poverty that the war left much of Japan to live in. Imamura focuses on a particular such woman who was sent to Malaysia and never returned to Japan. Joan Mellen, in The Waves at Genji's Door, called this film, "Perhaps the most brilliant and feeling of Imamura's fine documentaries."

A short film that originally played before showings of "Heroes Two" - in which Fu Sheng, Chen Kuan Tai and Chi Kuan-Chun demonstrate different techniques of Hung boxing.

The sixth episode of Patrick Tam’s anthology series “Seven Women” (1976), which adapted from Pat Flower’s “The Tape Recorder”

In this landmark 1977 documentary, narrator Ronald Eyre journeys to Taiwan to explore the vibrant and complex world of Chinese folk religion. Facilitated by the pioneering team behind ECHO Magazine—Linda Wu (吳美雲), Huang Yong-song (黃永松), and Yao Meng-chia (姚孟嘉) —the film captures a rare and precious glimpse of 1970s Taiwan, a time when ancient spiritual traditions remained deeply woven into the fabric of daily life. From the thunderous temple festivals and the mystical trances of spirit mediums to the quiet ancestral rites in family halls, "A Question of Balance" examines how the pursuit of the "Way" (the Tao) provides a sense of cosmic harmony amidst a modernizing society. It stands as a definitive visual record of a vanishing era, showcasing the enduring power of Taoist belief and its diverse pantheon of deities.

Mariko Miyagi's documentary about everyday life at the school she founded, Silktree (Nemunoki).

Kazuo Hara follows the lives and activities of Yokota Hiroshi and Yokozuka Koichi, members of an activist group made up of people with cerebral palsy.

According to the information written in the credit roll of "Seoul 7000," the film was filmed in Seoul in November 1976 with an 'Elmo 108' 8mm camera using Kodachrome 40 film. It was also stated that "it was filmed frame by frame, and the shooting speed was adjusted differently for each shot," and "the number 7000 in the title of this film represents the total number of frames in all parts except for the title."

The documentary covers notable Japanese martial arts from Okinawa Karate to Ninjutsu, Kendo, Shorinji Kenpo, sword fighting techniques, and even firearms. Various martial arts masters, from Shorinji Kenpo founder Doshin So to Japan Karate Association’s Masafumi Suzuki (who also frequently appeared in Toei’s karate films) and a supposedly 102 year old Okinawa Karate practitioner are brought in front of camera for interviews and martial arts demonstrations.

Fluxus artist and composer Takehisa Kosugi assembled a crew of young musicians and hit the road in a VW bus from Rotterdam to the Taj Mahal, playing a series of shows along the way in which the band used traditional instruments run through a series of electronic effects to create long sheets of drone both pulsing and timeless. Filmed by Takehisa Kosugi's mentor Matsu Ohno (perhaps best known in the States for his sound effects/score work on the television series Astro-Boy), the film moves at the same pace as the music itself, a pastoral road movie following a band far more likely to play temples than clubs.

Ippei was born at the cost of his mother's life. This fact haunts him, he felt a longing for Japan's ancient hot springs and embarked on a journey to find his ideal bath. The pinnacle of baths was the bathhouses with female bathers during the Keicho and Kan'ei eras. Men would drink sake with female bathers, push them down, and moan as they did so. Bathing also had an aspect of women's pursuit of beauty. Beautiful women try out various forms of bathing. Ippei's pilgrimage introduces various hot springs and engaging in sexual acts with the hot women he encounters. He experiences various bathing scenes, including Turkish baths and secretly filmed geishas bathing.

Experimental short made by Terry Tong in 1976. Taking the form of chess animation, the film is accompanied by a Chinese musical score of the same title. It expresses the confrontation and antagonism between two armies.

Documentary about the politician Sheikh Mujibur Rahman.

1974 documentary about Ali.

Educational film produced by Shanghai Film Studio during the cultural revolution. About the multiple successful operations performed by Chen Zhongwei of rejoining the severed limbs.

A little Japanese girl of six is transferred to a school in Sardinia where she slowly finds friends and a place before going off again.

Situated in the hills leading down to the coast, Ruifang used to pride itself on its coal mining industry. Every morning, miners from surrounding neighbourhoods gathered here to put on their gears and got into the minecarts, heading underground into pitch darkness. They worked non-stop in challenging conditions of high stress and high temperature, providing Taiwan with an indispensable source of energy. This documentary celebrates the miners’ contribution, but also stirred up controversy due to its inaccurate report of their wages.

"Sanrizuka: The Three-Day War" is a documentary by Shinsuke Ogawa chronicling the escalation of conflict surrounding the Japanese government’s plan to build a new international airport on farmland in Sanrizuka near Tokyo. As farmers resisted eviction and activists from across the country joined the struggle, clashes with police intensified, resulting in large-scale confrontations that marked a critical phase of the Sanrizuka movement.

A history of the Pacific War comprising of American combat footage with Japanese wartime newsreels

Portrait of Japanese youth. Produced for the Japan Foundation.

A short documentary directed by Chang Chao-Tang (張照堂) while working as a cameraman at China Television Company (中國電視公司), produced for the television program News Highlights (新聞集錦). The film documents the group exhibition “Womangraphy” (「女展」), organized by V-10 (Group Visual-10).