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'78 Cup - The Power of Football

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

'78 Cup - The Power of Football

10.0 1979
! EXCLAMATION

This short film tells a story in the form of a poem that calls for equality for children who lack opportunities. It was created by Surapong Pinijkhar, who submitted it to the Bangkok Bank Documentary Film Festival in 1977. Despite exceeding the standards of traditional Thai documentary films, the judges were too afraid to give it the top prize, but they also couldn't deny its brilliance, so they awarded it a special prize. This documentary film is a creative masterpiece of the nation. This film has been registered as part of the National Film Heritage, first edition, in the year 2011 (B.E. 2554).

! EXCLAMATION

6.0 1976
Narita: The Peasants of the Second Fortress

"Narita: The Peasants of the Second Fortress" (1971) chronicles a decisive phase in the struggle against the construction of the Narita International Airport, as farmers in Sanrizuka adopted new defensive tactics, including the construction of fortified towers and underground shelters. As police forces moved to dismantle these structures, confrontations intensified. The film combines scenes of direct conflict with extended conversations between Ogawa and the farmers, documenting both the physical resistance and the sustained community organizing that defined this stage of the protest.

Narita: The Peasants of the Second Fortress

6.0 1971
The Unanswered Question V : The Twentieth Century Crisis

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

The Unanswered Question V : The Twentieth Century Crisis

7.7 1976
Think Bike - Jimmy Hill

Featuring well known sports presenter Jimmy Hill, ‘Think Bike’ encourages motorists to take extra care to look out for motorcyclists when pulling out from junctions. Using the slogan ‘think once, think twice, think bike’, the film features a graphic depiction of an accident to shock the audience. A very similar tactic is still in use today in the recently launched ‘Think – take longer to look for bikes’ campaign which also shows a motorcyclist crashing into the side of a car. A Department for Transport report from 2006 concluded that the most common cause of motorcycle crashes is a ‘right of way’ violation…the majority of these incidents occur at T-junctions and it is usually the motorist – rather than the biker – who is at fault.’ ‘In around 65% of these ‘right of way’ incidents, a driver somehow fails to see a motorcyclist who should be in clear view.’

Think Bike - Jimmy Hill

NR 1978
My Life

This work was started in 1967 as a documentation of Nakajima’s life. The footage was edited into a single piece for the first time in 1974, in time to show the work to the curator Barbara London, who was visiting Japan. Generations of his family were lost and gained that year, with Nakajima's mother passing away, and then his child was born. The piece is an installation with two monitors; the left presents his mother and himself, and the right, his child and himself. Nakajima continues to work on the sequels of "My Life" with his grandchild.

My Life

NR 1976
Like the Trees

This short film is told in the first person by Rose, a Métis woman from northern Alberta who has left a difficult life in the city to rediscover her roots by returning to her Woodland Cree community. Rose reveals the racism, isolation and health issues she faced when trying to make a life for herself outside her home community, and how she is able to help others now that she has reconnected to her culture. The film is part of a 1970s series of eleven films title Working Mothers by producer/director Kathleen Shannon, exposing inequality for women in accessing education, childcare, and equal pay. These films led to the creation of Studio D at the National Film Board, the world’s first feminist production studio.

Like the Trees

NR 1974