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Cinemalgie

Long before Woody Allen, the author sends his character onto the screen, where he ends up in the hands of mystical surgeons, revealing himself to be a movieman undergoing an intricate spiritualist montage. It is not the intestines that emerge from his abdominal cavity, but skeins of film. For cinephiles of new generations, this is a truly encyclopedic sketch about the technology of cinematic nature. Double exposure reprises; silhouettes in the negative (meaning not a bad mood, but a film original); editing with barbaric scissors – the character on the screen loses half of the body; there are gastric wastes in the form of a silent movie film with a silent hero.

Cinemalgie

NR 1964
The Forest and the Man

For a long time, the forest was more powerful than a human being. The forest was independent and autonomous. Things have changed. The filmmakers observe a forest warden doing his job in the forest with love and care. He answers the questions asked by Fred Jüssi, contemplates on the connections between man and environment and explains human responsibility for taking care of the forest. The forest warden considers himself as a part of the big chain called nature protection.

The Forest and the Man

NR 1966
Duminea: A Festival for the Water Spirits

The communal rituals of most villages of the Eastern Niger Delta focus on two great classes of spirits - the heroes and the water people. The heroes once lived with the men, founded their institutions and brought them their characteristic means of gaining a livelihood. Today, as spirits, they continue to maintain the established institutions and the skills with which people wrest a living from their environment. The water people, by contrast, have never lived with men: they are the creators and owners of the rivers and creeks, controlling the state of the waters and the abundance of fish. The little village of Soku, hidden in the heart of the eastern Delta, has a group of heroes headed by Fenibaso, and its creeks and rivers are controlled by the water-spirit Duminea. This film shows some highlights of the annual ritual for Duminea. As in most Kalabari festivals, spirit possession features prominently in the proceedings.

Duminea: A Festival for the Water Spirits

NR 1966
Wreck of the New York Subways (Newsreel #47)

During the winter of 1969, the New York Transit Authority increased the public transportation fee fare from 20 cents to 30 cents--a 50% increase. Infuriated riders scrambled under turnstiles and through exit doors, refusing to pay the fare. In THE WRECK OF THE NEW YORK SUBWAYS riders and subway workers denounce the terrible conditions and constant fare increases. The film analyzes the vicious cycle of bonding the Transit Authority, which profits the banks at the expense of the taxpayers.

Wreck of the New York Subways (Newsreel #47)

NR 1969
The City

An experimental silent film made in the early 1960s providing an intimate look at the citizens of Chicago. The film combines tongue-in-cheek footage of street advertisements, movie theatres, and other signifiers of city life, with scenes depicting the daily goings on of Chicagoans. The City borrows from traditional documentary film aesthetics, yet the narrative is complicated towards the end by fictional flourishes in what can be best described as a post-modernist take on the stressors and violence inherent to city life. Major thoroughfares and landmarks are heavily featured, such as Maxwell Street and Lincoln Park.

The City

NR 1966
Worth Waiting For

Highschoolers Joe and Julie just got engaged and nobody is happy about it. Julie is willing to drop out of school her senior year to get a job and raise a family. Joe is quitting the football team so he can work a crappy job at the bank, much to his little brother Gordy and the coach's chagrin. While this film explicitly addresses the pitfalls of young marriage, it implicitly addresses the bigger issue of horny high school kids eager to have sex and then, have to get married - "like Vivian and Rex had to".

Worth Waiting For

NR 1962
Making A Bark Canoe

An ethnographic documentary directed by Roger Sandall, recording the construction of a bark canoe by two Aboriginal men, Djurkuwidi and Wangamaru, on the north coast of Arnhem Land. Filmed in the coastal swamps of Buckingham Bay near the end of the wet season, the film follows the process from the selection and stripping of a stringybark gum tree through to the completed canoe in use for hunting magpie geese and collecting eggs. Sandall’s narration explains the techniques involved and notes changes from earlier practices.

Making A Bark Canoe

NR 1969
Die Grundordnungsversammlung der Universität Freiburg - Debatten

According to the Baden Württemberg Higher Education Act of 1968, the University of Freiburg forms a Basic Regulations Assembly: 22 full professors, 10 lecturers, assistants and academic councillors, 10 students. Three commissions draft paragraphs. The students are defeated in votes. Under threat of withdrawal, they force further negotiations to be made public. Professor Jeschek, Criminal Law, Councillor of the Higher Regional Court, criticizes the public nature of the negotiations. This is a people's assembly, not a consultation, which could serve as a model for self-government matters. A student named Berger replies.

Die Grundordnungsversammlung der Universität Freiburg - Debatten

NR 1969