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Man on the Plain

Seventy-year-old Horacio is a great conversationalist with a prodigious memory. He lives poorly selling pigs with the only company of thirty dogs, two cats and a sheep in the heart of the Argentinian humid pampa. This year, his only neighbour and friend Hugo has made up his mind to move to the city as soon as the autumn arrives, after spending his whole life in the countryside. Horacio is deeply affected, and more sensitive than ever about his own solitude. That summer, memories from the past will come after him while he tries to persuade Hugo to stay.

Man on the Plain

NR 2018
Rodón: Retratos de lo humano

Using as a thread the transfer of the work Portrait of Luis Muñoz Marín from the Museum of Art of Puerto Rico to the National Portrait Gallery of the Smithsonian Institute, the documentary explores the work and the creative process of the artist Francisco Rodón and the series of portraits known as the Personajes de Rodón. The testimony of the artist is complemented by comments of history specialists and art critics Hiromi Shiba, Marimar Benítez, and Taína Caragol.

Rodón: Retratos de lo humano

NR 2015
Carnaval in Baltasar Brum

Baltasar Brum is a town of three thousand souls in the department of Artigas. In 1986 the train station was closed down and the community was in danger of disappearing altogether, but today it is still there and in fact it is growing. The local samba “schools”, which are similar to these organizations in Brazil except that they speak Spanish, tell the story of the town and its outstanding figures against a background of local and more universal events. The documentary shows how carnival is celebrated in this Uruguayan border town.

Carnaval in Baltasar Brum

NR 1997
Asylum

This documentary focuses on a little-known episode in the recent history of Uruguay: how hundreds of Uruguayan citizens took refuge in the Mexican embassy at the time of the military dictatorship. Between 1975 and 1976, Mexico was the only country whose embassy gave shelter to people persecuted by the regime, and this sparked off a difficult period in the relations between the two nations. We learn about conditions at the embassy at that time and how the fugitives lived. Sixteen of the men and women involved talk about what that period was like and the events that led up to this confrontation between the two countries. The documentary is also a homage to the Mexican ambassador, don Vicente Muñoz Arroyo.

Asylum

NR 2007
El día de Guipúzcoa

Panoramic images of La Concha Bay, Miramar Palace, the Prince's Theater, Santa María Church, and Alderdi Eder Park (where a parade of soldiers, authorities from all the Basque provinces, and the Miqueletes corps take place to commemorate Guipúzcoa Day, celebrated on March 16, 1924). In the stands, alongside the authorities, are the Bishop of Vitoria-Gasteiz, the Bishop of Pamplona, the military governor, and the entire delegation from the San Sebastián City Council, which finally gathers in full force in front of the Guipúzcoa Provincial Council building.

El día de Guipúzcoa

NR 1924
SADR, justice without war?

This documentary shows the torments and comrade disappearance ocurrences in the Moroccan Occupied Western Sahara through the eyes of Yahia, a young Sahrawi person living in Barcelona. It tells of the the precarious living conditions in the Algerian refugee camps and the situation of immigrant Sahrawis in Spain, the old colonizing power in Western Sahara. Similar to the majority of young Sahrawis, Yahia has come to the conclusion that after so many years of supporting the pacifist route, war is the only option for the Sahrawi community to regain their territory.

SADR, justice without war?

NR 2009
Tempus Fugit

The film delves into the universe of thoughts and memories of Camilo, a teenager with a muscular disorder, as he transitions into adulthood. The film's dialectic, crystallized in an extensive 16-year film record, navigates between the writing of philosophical texts and conversations he has with his friend Luis, with a critical eye toward social systems, his own relationships, and himself. His way of feeling propels the temporal leaps in one direction or another, with their drifts and reveries, similar to the ways in which memory operates. Time becomes both theme and vehicle.

Tempus Fugit

NR 2024