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LGBTs no regime militar

In 1980, the first march of gays, lesbians and transvestites took place in Brazil in protest against the constant police operations that took place in São Paulo, which aimed to repress these groups. Based on Renan Quinalha's doctoral thesis, “Against morality and good customs: the sexual politics of the Brazilian dictatorship (1964-1988)”, carried out by the Institute of International Relations, a series of four 5 minute videos about the birth of the LGBT movement during the Military Regime.

LGBTs no regime militar

NR 2018
1968: A greve de Contagem

In 2018, the fiftieth anniversary of the first workers' strike during the military dictatorship (1964 - 1985) was completed. Through the testimonies of historians, researchers and workers who participated in that historic strike in the Industrial City of Contagem, in the metropolitan region of Belo Horizonte, the documentary reconstructs this episode that lasted that same year, in July, in the famous strike in Osasco, in São Paulo. Intensifying the confrontation with the bourgeoisie in the military period and sowing the seeds of the new unionism that would emerge a decade later.

1968: A greve de Contagem

NR 2018
Queen of Lapa

Larger-than-life actress, cabaret performer, activist, and proud sex professional since the age of eleven, Luana Muniz - arguably one of Brazil’s most recognizable transgender personalities, shapes a new reality for a new generation of transgender sex workers in her hostel by providing a safe working environment in the dangerous neighborhood of Lapa in Rio de Janeiro. Queen of Lapa explores the day-to-day lives, quests for love, housemate rivalries in a turbulent political climate under matriarch Muniz’s watchful and guiding eye.

Queen of Lapa

10.0 2019
'78 Cup - The Power of Football

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

'78 Cup - The Power of Football

10.0 1979
Bulíço Mulíebre

Childhood memories of the author's life using images of dance performances with music from a genre she discovered in her adolescence. Both marked her formative years in different ways. By replacing the original sound with the music she began listening to in her adolescence and which had a great influence on the construction of her personal identity, the author seeks to transform the memory of traumatic times of rivalry and body shaming between girls, which in some way affects her to this day.

Bulíço Mulíebre

NR 2023
Ferro's Bar

From the accounts of lesbian artists and militants, frequenters of Ferro's Bar, we are led to an episode central to the formation of the Brazilian lesbian movement in the early 1980s, the "uprising of Ferro's Bar". The film shows how lesbians are no longer a figure found only at night, inside apartments, and become a political subject that rises up against censorship of one of the lesbian periodicals with the largest circulation in the 1980s, "ChanacomChana". Ferro's Bar represents a space for the political-affective memory of its frequenters and a way of updating this collective and political history that is still pulsating.

Ferro's Bar

NR 2023
Building Bridges

Heloisa receives a gift: a collection of super-8 films with images of enormous cataracts that once comprised the Seven Falls (Sete Quedas), a natural paradise destroyed by the construction of the world's largest hydroelectric plant, in the early 1980s. The construction of the plant, at the height of the Brazilian military regime, awakens memories of a past immersed in a political authoritarianism. The film starts from the relationship between Heloisa, the filmmaker, and her father, Alvaro, an engineer who had his moment of glory during the Brazilian military dictatorship. They question the political trajectory of Brazil.Projections and maps become the first bridges to connect with the past. However, it is the inescapable present that really strikes Alvaro and Heloisa as they position themselves on opposite sides.

Building Bridges

2.8 2017
The Staple of News

Written in 1625 by the British playwright Ben Jonson, the play “The Staple of News” provides a historic root for this discussion about the role of the press in modern day Brazil. Journalists of several generations discuss the dilemmas of the selection and focus of their subjects, the resistance of the media in accepting itself as a political agent, the inevitability of interpretation as there are no hard facts in nature, and above all the search for an always complex balance between credibility and the public’s growing demand for news.

The Staple of News

8.5 2014