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A Century of Struggle

A Century of Struggle chronicles the hundred-year history of the NZ Seamen’s Union from its formation in 1879. Using original film and archive footage, it examines the working lives of seamen and the battles fought by their union from the sailing ships of colonial days to the modern turbine-powered container vessels. Because the Seamen’s Union was frequently at the forefront of working-class struggle in New Zealand, its story involves most of the crucial issues and events in the history of the union movement generally, including the great maritime strikes of 1890 and 1913 and the waterfront dispute of 1951.

A Century of Struggle

NR 1981
Mizutani Isao’s Wanderings through Ten Spiritual Worlds

This film documents painter Mizutani Isao’s creative process as he prepares for his solo exhibition “Between Ten Spiritual Worlds:Flies and the Dinner Table.” Mizutani’s method involves painting the surface of his canvases with water-soluble acrylics, then applying India ink and water and freezing them naturally. No sound was recorded for the film, which was projected silent with Mizutani himself narrating over the images.

Mizutani Isao’s Wanderings through Ten Spiritual Worlds

NR 1984
Na Wai E Ho'ōla I Nā Iwi - Who Will Save the Bones?

From an ancient burial site at Honokahua, Maui, to the streets of Honolulu, the issue of protecting ancestral remains from development is brought passionately to the public’s attention by Hawaiian descendants. A few days before Christmas, 1988, a 24-hour vigil is held at the state capitol to protest the excavation of almost 900 ancient burials from the sands of Maui’s Honokahua bay by archeologists contracted to clear the area for construction of a new Ritz Carlton resort. The effort to stop the desecration is met with overwhelming support from the community and soon an agreement is reached between the state government and the developer to move the hotel site and reinter the bones. This collective action eventually resulted in legislation to repatriate ancestral remains from universities and museums throughout the world and protect burial sites throughout Hawai‘i.

Na Wai E Ho'ōla I Nā Iwi - Who Will Save the Bones?

NR 1988
Hans, Life Before Death

Hans: Het Leven voor de dood (Hans, Life Before Death) is a documentary feature film about the life of the young composer Hans van Sweeden (1939-1963) and those who knew him intimately. The film is about the harrowing life of the musician, poet and actor Hans van Sweeden (1939-1963), who ended his life at the age of 24. Simultaneously, the film offers a poignant portrait of his contemporaries in the turbulent fifties and sixties and the children of the Nazis. It won the Golden Calf for Best Feature Film in 1983. Award of the Dutch film critics, 1983; the Belgian film critics Award, 1984; Best Dutch Documentary 1980-1990. (Wikipedia)

Hans, Life Before Death

6.8 1983
Buried Alive: The Story Of East Timor

Buried Alive exposes some of the ugly truths about the nature of Western Democracy, the world media and third world colonialism. But the story of East Timor also presents the potential for individuals to effect change. The history of East Timor from its time as a Portuguse colony, rise of Fretilin Party, declaration of independence, civil war, desertion by Portugal and the rest of the world and invasion by Indonesia. Shows the struggle of Jose Remos-Horta to draw attention and support at the United Nations for the plight of East Timor.

Buried Alive: The Story Of East Timor

NR 1989
88 Degrees East

The coastal "motorway" that links the Icelanders together is usually referred to less euphemistically by continental tourists who are used to asphalt or concrete. But to some Icelandic off-road enthusiasts it is much too smooth and unchallenging. Therefore they decided to cross the country through the uninhabited highlands from the est to the east. 800 kilometers of lava, strong rivers, mud and glaciers required specially adapted vehicles, but when winter suddenly fell with thick snow and serious accidents, the future of even the most carefully prepared expedition was thrown into jeopardy.

88 Degrees East

NR 1989
Black and Blue

A film by Hugh King and Lamar Williams - a powerful mix of archival material, news clips and documentary footage chronicles impassioned community response to decades of deadly force against people of color by members of the Philadelphia police force. Community leaders, politicians, police officers, survivors of police brutality and sympathizers unravel a pattern of biased violent police behavior from the tenure of Police Commissioner Frank Rizzo to the bombing of Osage Avenue. This documentary is a testimony to long-standing tensions between police and people of color in communities throughout the United States.

Black and Blue

NR 1987
Stones and Flies: Richard Long in the Sahara

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.

Stones and Flies: Richard Long in the Sahara

10.0 1988
Fort Du Conquet Destruction of the Vautier Archives

Resistance fighter under the occupation, committed to the FLN during the Algerian war, member of the Medvedkine group after May 1968 and defender of Breton autonomy, René Vautier was a committed filmmaker, author of an anti-colonialist work in which he denounces the repression, torture and racism. In 1983, René Vautier discovered, by the light of a flashlight, his films cut up and scattered at Fort du Conquet. Police also came to check the damage.

Fort Du Conquet Destruction of the Vautier Archives

10.0 1983
The Private Life of the Ford Cortina

A ski run in Italy, a supermarket manager in Luton, a sandwich bar in London EC2, Arena opens the bonnet of the Ford Cortina, Britain's most popular, most stolen, and most misunderstood car. 'Dagenham dustbin'? 'Poor man's Rolls-Royce'? In the year that may well see the end of a legend, some of the motoring public, including Sir John Betjeman, Tom Robinson, Alexei Sayle, Sir Terence Beckett and Magnus Magnusson take apart the Ford Cortina: Life and Works 1962-1982.

The Private Life of the Ford Cortina

NR 1982
Grenada: The Future Coming Towards Us

Examines the aims and accomplishments of the New Jewel Movement and the reasons for the Fall 1983 U.S. military invasion. The film puts these events in perspective by tracing Grenada's early history, from the annihilation of the indigenous Carib Indians by the European colonial powers which vied for control of the region and then imported African slaves to grow cash crops for European export, to the evolution of modern Grenadian society, including the oppressive regime of Eric Gairy (1974-79).

Grenada: The Future Coming Towards Us

NR 1983
Last Resort

This feature length documentary by Jacques Godbout tackles a topic all too rarely explored in the media: terrorism in Canadian society. From Montreal to Vancouver, and Quebec City to Toronto, exasperated individuals find a new calling as self-style saviours of humanity and decide to mete out their own justice. Part reportage, part essay and part critical analysis of the phenomenon, this film includes first-hand accounts by Serge Daoust, Franco Piperno, François Schirm, Pierre Vallières and young militants from the journal Révoltes.

Last Resort

9.0 1987
I Like to See the Wheels Turn

To anyone outside the Atlantic provinces, K. C. Irving is virtually unknown. Yet he is reputed to be the richest man in Canada, patriarch of a New Brunswick-based industrial empire involving oil, transportation, newspapers, lumber and much more. This one-hour documentary marks the first time a filmmaker has gained access to the legendary Irving, whose business career began in 1924 with the purchase of an oil truck. It is an absorbing look at a man who amassed great wealth as a by-product of his main objective: "to see wheels turn."

I Like to See the Wheels Turn

9.0 1981