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A César award nominated short documentary on the renowned early French film maker.

A cinematographic logbook around the mythical island of Alicudi in Sicily.

Susan Sontag scrutinizes the ongoing Arab-Israeli conflict and the growing divisions within Jewish thought over the question of Palestinian sovereignty. Shot in Israel during the final days of the Yom Kippur War. Promised Lands is less straight documentary than visual collage. There are images of combat zones and soldiers, but also everyday street life, desert landscapes, funerals, supermarkets, the Wailing Wall. The soundtrack is snatches of radio, bursts of church bells and gunfire, and an extended voiceover from two politically opposed Israeli thinkers.

In 1979, aboard the Basile, a Damien II type ship (Joubert design), French sailors and mountaineers sailed in the footsteps of the explorer Ernest Shackleton, considered one of the main figures of the heroic age of exploration in Antarctica, towards South Georgia, where they climbed Mount Paget, which is part of the Allardyce range and peaks at an altitude of 2,935 metres.

They left the south because they were all out of other options. This is their last chance. And here in Iqaluit, far to the north, they have found solitude, potential redemption, and, most unexpectedly, a place that’s not easy to leave. Claude, Ramy, Patrick, Michel and Chaïd are now taxi drivers, endlessly cruising the ring road, the dozen-kilometre highway that holds all their hopes, dreams and fears. Beautifully photographed by Donat Chabot, this unique film by Sophie Fortier is deeply melancholic and affecting.

“Look closely at the mountains!”: the phrase was coined by artist Manfredo de Souzanetto during Brazil’s years of dictatorhsip. Mining activities were destroying the environment in the state of Minas Gerais in the south west of the country. Through editing, Ana Vaz draws parallels between this region and the very distant Nord-Pas-de-Calais in northern France, also marked by over three centuries of mining. On one side, eroded mountains plague its inhabitants with deadly landslides. Hollow and gutted, these mountains become the receptacles of a ghostly memory. On the other side, in France, mining waste stacks become mountains and reservoirs of biodiversity, where the frontier between nature and technology is now indiscernible.

An interview with film Critic Bernard Eisenschitz discussing the progression of Ernst Lubitsch's career, from the director's beginning in German silents through CLUNY BROWN, the last film he saw to completion.

A documentary short about Egypt.

First portrait of Negus Hailé Selassié made by Italian television. The descendant of the Solomonid lineage, the last emperor of Ethiopia, forced into exile by the fascist invasion between 1936 and 1941, when he returned to his country after the liberation of the Allied Forces. In 1965 Selassié, considered a new messiah for Rastafarianism, was still in office, the empire of Ethiopia ending in 1974, a year before his death. (1965)

The film tells the story of people who engage in extreme activities in nature - in the air, on the water and in the mountains.

A fictional documentary on Notre Dame de Paris, produced in 2019.

Documentary that retraces Isabelle Adjani's life and career.

Under the Ben Ali dictatorship in Tunisia, on October 7, 1991, a man was abducted, tortured in prison, and eventually killed for allegedly belonging to an Islamist movement. Unaware of her son’s death, Kamal Matmati’s mother would still go above and beyond for years, trying to reach him with letters and clean clothes. Thirty years later, a trial is held addressing Matmati’s death at the hands of the Ben Ali regime. The mother is asking for her son’s corpse so they can give him a proper burial. Matmati’s voice, who speaks to us posthumously, raises a discussion about the manipulated collective history that serves only the oppressors’ agenda.

A “non-stop party”, celebrated in night spots, meeting places, places where bodies mingle and people dance, an adventure in the immense loneliness of the world.

A documentary that follows Jérémy, 34, the last fisherman of a family line, in Boulogne-sur-Mer. This young fisherman is now torn between his visceral love for the sea and the bank loans that he can already hardly pay back. Between the consequences of Brexit, the takeover of industrial fishing, covid and global warming, he may have to make the most difficult decision of all: sell his boat.

A handful of prisoners in WWII camps risked their lives to take clandestine photographs and document the hell the Nazis were hiding from the world. In the vestiges of the camps, director Christophe Cognet retraces the footsteps of these courageous men and women in a quest to unearth the circumstances and the stories behind their photographs, composing as such an archeology of images as acts of defiance.

The Black Book, drafted during World War II, gathers numerous unique historical testimonies, in an effort to document Nazi abuses against Jews in the USSR . Initially supported by the regime and aimed at providing evidence during the executioners’ trials in the post-war era, the Black Book was eventually banned and most of its authors executed on Stalin’s order. Told through the voices of its most famous instigators, soviet intellectuals Vassilli Grossman, Ilya Ehrenburg and Solomon Mikhoels, the documentary, provides a detailed account of the tragic destiny of this cursed book and puts the Holocaust and Stalinism in a new light.

Filmed inside Pharmacy No. 3 in Shanghai, Joris Ivens and Marceline Loridan-Ivens document the daily work of a state pharmacy that functions as both a dispensary and a neighborhood medical center. The film focuses on routine interactions between staff and patients, revealing an integrated model of urban healthcare in 1970s China.

Nanor, a rapper in Montpellier, shares what pushes her commitment for music, what pushes her to go on for one more day, for one more rhyme...

Feature length documentary on the making of François Ozon's film Angel.

A short, early travel documentary about Nogent. The film starts with images of trains, buses, and railway tracks, which are juxtaposed to shots of deserted Paris streets, empty factories, and typewriters packed in slipcovers. It is a natural landscape organized by industrial infrastructure and populated by the urban crowds who are swimming, rowing, canoeing, sailing, fishing, or biking.

At a lakeside hotel, Michel Piccoli discusses the centennial of cinema with Jean-Luc Godard. Godard asks why should cinema's birthday be celebrated when the history of film is a forgotten subject. Through the remainder of his hotel stay, Piccoli tests Godard's hypothesis.

War, emergency, pandemics and hunger. Humanitarian workers are used to working in the most varied and extreme missions and contexts across the planet. However, few of them venture openly into the world of personal feelings. For this film, forty humanitarian workers and their loved ones did just that, speaking without reserve about the risk, the commitment, the first mission, the sense of powerlessness, the encounters, the passion, the return home and the unspeakable things they’ve witnessed. This film explores the question of their selfishness in choosing to do this kind of work. Each person, in their own words, tells us about their feelings and experiences. Openly and straightforwardly, they tell us who they are and speak of their commitment to others, their doubts, their weaknesses and the images that haunt them.

Vladimir Ilyich Ulyanov, better known as Lenin, is remembered as the instigator of the October Revolution of 1917 and, therefore, as one of the men who changed the shape of the world at that time and forever, but perhaps the actual events happened in a way different from that narrated in the history books…

Who better than Madonna, Lady Diana, and Bono to embody the contradictions of the 1980s? The intertwined destinies of the princess of the dance floor, the queen of hearts, and the humanitarian rock star, where generous enthusiasm vies with narcissism. A perfect reflection of the ambiguities of an era.

Every summer, many people transit by sea between France and Algeria, between Marseille and Algiers. Cars loaded to the hood... packages of all kinds... men loaded with bags and stories. At sea, we are no longer in France and not yet in Algeria, and vice versa. From the singular confines of the boat, in the back and forth and the parenthesis of the journey, the crossing puts back in the heart of the passage these women and men brought up.

Montage film dedicated to the Resistance, under German occupation from 1940 to 1945, with documents from French, Canadian, American, English and German archives.

In war-torn Kharkiv, a filmmaker meets a woman awaiting her soldier. Amid ruins and sirens, he discovers a city — and hearts — still unbroken.

A film about Raymond Depardon's photography in his native countryside from the documentary TV series "Territoires photographiques" for France 3 and INA.

For the France 3 show, Mosaïque, Sarah Maldoror met Assia Djebar on Sunday March 29, 1987 on the occasion of the publication of her book Ombre Sultane. She discusses the status of the traditional woman in the Arab Muslim world: "The woman is always on the move, she is never anchored. To the extent that she is always in the process of repudiation, she is in the process of leaving. With Ombre Sultana, I wanted to make the reader feel that these women from elsewhere are like her, even if the reader is Western.

A documentary that critiques the neo-colonial destruction of indigenous African agriculture and economies, resulting in mass starvation.

This documentary situates the start of filmhistory a century before the Lumières. Without Robertson, Reynaud, Plateau, Muybridge and Marey: would there be cinema ? The pioneers of optical toys and photographic studies of movement are given their due in this playful media-archeological essay.

After Nigeria and Nollywood, Jimmy Jean-Louis continues his cultural and cinematic discoveries around the world. Next destinations: the Dominican Republic and Haiti. Between doubts and certainties, both international and identity-related, 21st-century cinema is undoubtedly surprising... The notoriety of our protagonist offers us a unique pass to delve into the heart of this "tropical seventh art."

Let Me Run profiles six inspiring women, famous or anonymous, from yesterday or today, athletes or amateurs, who use sport to gain freedom, while tracing more than 150 years of women's struggle for access to sport.

At 60, Alain Robert has become a legend around the world, a genius clairvoyant madman from whom we do not know what to expect except that the Champagne flows, that nothing is quite planned and that life prevails. always on the rest. In the free solo niche, who can claim such longevity? Such consistency? Making crazy risk-taking a world of life is the legacy that this generation of rockers passes on to us. Alain is a rocker, rock heart too, just a rock, crazy about freedom. He is probably the oldest climber to dare to venture on a comeback without any safety equipment on the vertiginous cliffs of the Verdon, 20 years after having left them.

One year after the closing of Operation "Marseille, European Capital of Culture" in 2013, the director Nicolas Burlaud draws up a critical review of this year "exceptional" according to local decision-makers. According to him, the festivities were a Trojan horse. While the inhabitants looked elsewhere, too busy to "cultivate" during this event, the promoters seized the districts of the popular classes. An area that has metamorphosed but caused the poor to flee, unable to pay higher rents.

An initiative from Pompidou Center, filmed by Jean Marie Straub.

In the Darhat valley in northern Mongolia, the horses of nomadic tribes are stolen by bandits who then sell them to Russian slaughterhouses. Shukhert, a brave horseman, relentlessly pursues them through the Mongolian taiga, bordering Siberia.