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With Sven Hedin Across the Deserts of Asia

In 1927/8, the cameraman Paul Lieberenz accompanied the Swedish researcher Sven Hedin on an expedition through Inner Asia from Beijing to Urumqi. Lufthansa was planning to launch a direct flight from Berlin to Beijing; meteorological observations had to be made, weather stations had to be built and the land had to be investigated for places that would make appropriate airfields. But the film is less focused on the research carried out by the 27 academics in total than on the caravans, made up of no fewer than 300 camels and numerous helpers, as they make their way with "Faustian drive" (Siegfried Kracauer), through rocky and sandy deserts.

With Sven Hedin Across the Deserts of Asia

10.0 1928
A Murder in Abidjan

1995. On the outskirts of Abidjan, the largest city in Ivory Coast, a policeman is murdered. Shot outside his vehicle, while his fiancée sits in the car, terrified. Superintendent Kouassi is the detective in charge of the investigation. Tall and lanky, he moves with the tired energy of a man who has seen it all. Drawing on a network of underworld characters with dubious information, Kouassi’s team begins bringing in potential suspects and subjecting them to horrific brutality: beating them with sticks, hanging them upside-down, threatening their lives. Some of the men are left so broken they have to literally drag themselves into Kouassi’s office later, to be interrogated while lying on the floor, their bodies a mess of bruises, broken bones, and lacerations.

A Murder in Abidjan

10.0 2000
A Mile in Their Shoes

Three presenters, three continents and three of the poorest countries in the world formed the backdrop for the BBC TV documentary, A Mile In Their Shoes. The programme followed Nick Knowles, Patrick Kielty and Victoria Beckham on extraordinary journeys through Zambia, India and Peru. Their experiences highlighted where the money raised by Sport Relief was being put to work. The presenters joined three children to experience everyday life in three areas the charity is battling to help. Victoria travelled to Peru to meet 11-year-old Dinah - who lives and works on a rubbish tip. Of the 250,000 children working in Peru's capital, Lima, 80% are under the age of 12. In rural areas the situation is no better, with a huge 62% of school-aged children suffering from malnutrition. Victoria met Dinah, who is 11 years old. Dinah's mum died three years ago and she lives and works with her dad on a rubbish tip.

A Mile in Their Shoes

8.0 2004
Kenyatta

Jomo Kenyatta's death in 1978 brought to an end a political career that encompassed more than 50 years of African history. Kenyatta entered politics in the mid-1920s and then spent 17 years in exile in Europe. He returned to Kenya in 1946, and was elected president of the nationalist movement, the Kenya African Union. Arrested and imprisoned in 1952 for allegedly leading 'Mau Mau', he was released in 1961 and two years later became Kenya's first Prime Minister. In power, the man whom European settlers had once reviled as "the leader to darkness and death" was eulogized by them as a pillar of stability, while former allies challenged him by creating a left-leaning political opposition. Kenyatta weaves archival and contemporary images with interviews with friends and relatives, comrades and opponents, to create a biographical portrait of a key figure in 20th century politics, and a case study of what Frantz Fanon called the pitfalls of nationalism as a political force in Africa.

Kenyatta

NR 1973
Our Nazi

In Our Nazi, we are plunged into a situation we barely, and only slowly, understand: the filming of Thomas Harlan’s experimental feature Wundkanal (1984), in which true-life ex-SS officer Alfred Filbert, now very old, is ‘put on trial’ for the camera, without him suspecting what is to come or why he is really there. Kramer’s confronting film is an essay about the sticky complicity of everyone present at this event, each bringing their own history, their own political ideology, their own desires to take revenge, to seek redemption or compassion, or just to put their heads down and ‘get the job done’ professionally, or (in the case of Filbert) to be a star, a part of the magnificent, magical, seductive world of cinema, even if it kills him.

Our Nazi

8.7 1984
The Boy

Actress-director Zabou Breitman embarks on an unusual adventure: imagining the life of a boy discovered in an old photo from an album bought at a flea market. These are the images and memories of an unknown family, which somehow feel familiar. At the center is the boy, with his gaze that is both gentle and melancholic yet joyful. Who is he? What is his true story, the one that unfolds between the lines? What if every individual were also the unwitting hero of a tale? This dizzying family investigation blurs the lines between reality and fiction, sometimes merging them completely.

The Boy

7.5 2025
The Settlers

In the nearly 50 years since Israel's decisive victory in the 1967 Six-Day War, hundreds of thousands of Israeli citizens have established expanding communities in the occupied territories of the West Bank. Frequently coming into direct conflict with the region's Palestinian inhabitants, and facing the condemnation of the international community, the settlers have been viewed by some as the righteous vanguard of modern Zionism and by others as overzealous squatters who are the greatest impediment to the possibility of peace in the region.

The Settlers

6.0 2016
A Sense of Carol Reed

The film director, Carol Reed, is the subject of this documentary short. The illegitimate son of the famous stage actor, 'Sir Herbert Beerbohm Tree' , Reed was brilliant with actors, especially child actors, making him the perfect person to bring Oliver! to the screen. Reed is best known for three films he made in the late 1940s, and the documentary offers generous clips from Odd Man Out, The Fallen Idol, and the most famous of all, The Third Man. The film director, John Boorman, the assistant director, Guy Hamilton, the actors, Ron Moody and Bryan Forbes and the cinematographer, Oswald Morris, are among the interviewees.

A Sense of Carol Reed

NR 2006
Surviving 9/11

9/11 was perhaps the defining historical event of the postwar era. Broadcast live around the world like horrifying theatre, it was a moment in history imprinted onto people's memories. But what was it like to actually live through, and how easy is it to move on from a day that society wants to go on remembering? Twenty years on, this film brings together 13 ordinary people who were caught in an event they weren't able to fully comprehend at the time and which they are still working through.

Surviving 9/11

7.2 2021
Encantado, le Brésil désenchanté

Considered for a few years the “country of the future”, Brazil has seen since 2013 a deep disenchantment between the middle and popular classes that culminated with the rise of Jair Bolsonaro to the Presidency in 2018. Enchanted portrays this recent Brazilian history from a homonymous neighborhood of the Rio suburb transfigured by the 2016 Olympics. From Rio to Paris, a political and poetic testimony of Brazil through the eyes of the first generation of the popular class to study abroad.

Encantado, le Brésil désenchanté

8.7 2018
The Mikado

A short, hand-tinted promotional film made by the D'Oyly Carte Opera company to show off the new wardrobe and set dressing for the 1926 production of The Mikado. About six scenes from The Mikado are shown, then designer Charles Rickets steps onto the stage with a final look at the costumes and the film ends. The players in the production are legendary Savoyards, well-known from recordings of the period, but this is the only time a movie camera caught them in their roles, though sadly minus the singing. About four nitrate prints of this film are known to exist; two of which are at the BFI in London.

The Mikado

10.0 1926
My Homeland

Perhaps this is Robert Vas' most personal film; a portrait of his country - Hungary - as seen through the eyes of an exile. Robert Vas escaped from his homeland after the brutal crushing of the 1956 Hungarian Uprising by the Russians and he was never able to return. He portrays his country through the writings of Hungary's national poets and illustrates the film with images of the Revolution and of the society it would become in the years immediately following 1956. The film was transmitted on the 20th anniversary of the crushing of the uprising.

My Homeland

NR 1976