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The Beat Generation: An American Dream

Using original film clips and interviews, this film illustrates the 1950s social movement termed the Beat Generation. Disillusioned with post-World War II America, Beat Generation writers and painters came together because they felt mainstream America was becoming out of touch with humanity and the individual. In their interviews, characters such as Allen Ginsberg, Neal Cassady, Jack Kerouac, and Gregory Corso express their disdain for a society that defines success and happiness in terms of superior technology, cars, and clothing. Those individuals discuss the false conventionality of society and the dangerous world of shock treatments and conformity in which they found themselves. Their goal is to redefine this world to reflect the endless possibilities that characterize America.

The Beat Generation: An American Dream

6.2 1987
Gefühl und Härte

In the spring of 1981, 28 young men and women, between 20 and 25 years old, occupied a house in Winterfeldtstraße in Berlin-Schöneberg. Until the fall of 1981, they lived and worked there together: renovating the rooms, painting the facade, publishing a newspaper for the neighborhood, setting up an autonomous cultural center, and establishing a "parents' meeting" there for parents of squatters. Despite an intensive press campaign and ongoing public relations work, the house at Winterfeldtstraße 20/22 was evicted by the police on September 22, 1981. After the eviction, some squatters move in with their friends, others move into a squatted house on Potsdamer Strasse.

Gefühl und Härte

NR 1984
So Why Make a Film About These People?

"This was my first student documentary. I shot it over the Easter vacation in 1980 on 16mm, black-and-white reversal film. Apart from two five-minute exercises, it was destined to be the only film I ever finished at the College of Film and Television of the German Democratic Republic (Hochschule für Film und Fernsehen der DDR, HFF) in East Germany’s Potsdam-Babelsberg. It was quickly banned from being shown publicly and it remained in storage until the end of 1989. The film tells the story of a mother and her sons having coffee and cake while they try to remember –in vain– when the first time was that they tangled with the police. The reason it was banned was the casual way the film portrayed those young men living their lives untouched by ideology, including taking their careers as petty criminals for granted, meaning the film’s author accepted their existence, as is, and simply wanted to explore it.”

So Why Make a Film About These People?

7.0 1980
Throbbing Gristle: Live at Oundle School, 16th March 1980

"This video cassette contains a recording of a live performance by TG at Oundle School. The audience, apart one or two members of the staff, was composed completely of school boys between about 8 and 18. In addition to the single camera recording of the gig, certain visual information from the files of Industrial Records Ltd. has been included. Like the TG sound itself, the content and quality of this recording cannot and should not be compared with conventional commercial recordings."

Throbbing Gristle: Live at Oundle School, 16th March 1980

NR 1980
Crossroads - Three Jazz Pianists

Shot in 1987 at the Montréal International Jazz Festival, this documentary film presents musical performances and conversations between three jazz pianists with remarkably different styles: Soviet Leonid Chizhik, Black Montrealer Oliver Jones, and French-Canadian Jean Beaudet. It introduces viewers to the diversity of interpretation within today's jazz world, explores the roots of modern jazz and the specific formative influences on the musicians profiled, and reaches for a definition of twentieth-century jazz.

Crossroads - Three Jazz Pianists

NR 1988
Otto Dix: The Painter is the Eyes of the World

This is the first documentary to illuminate Neue Sachlichkeit against the backdrop of the Weimar Republic and National Socialism. Dix’s works—including the key Metropolis triptych (1928–29), the great psychological portraits, and, last but not least, the landscapes with their hidden symbolism, painted during the years he spent at Lake Constance—form the starting point for this exploration of his oeuvre. They are placed in a context with works of art by George Grosz, Rudolf Schlichter, and Christian Schad, creating a new perspective on this crucial chapter in German art history.

Otto Dix: The Painter is the Eyes of the World

6.0 1989
Destination D-Day

On a cold February night in 1944, two British frogmen crawled on to a Normandy beach from the freezing sea to take samples of sand for scientific analysis from under the noses of German sentries. It was one of the most audacious of all the incredible operations that went into the planning of the Allied invasion of Europe. Throughout Britain during the 12 months before June 1944, men had been searching for the weak points in the vast German defences - all to ensure that D-Day, when it came, would be successful. The late Sir Huw Wheldon, then a major in the 6th Airborne Division, landed with his unit on 6 June to help defend the left flank of the invasion force against counter-attack. In this programme he tells the story of the Allied plans and preparations which helped ensure the success of Operation Overlord.

Destination D-Day

NR 1984
Félix Ribeiro - Dr. Celulóide

Mini biography of the man who dedicated most of his life to collecting films and printed material relative to moving images, and who worked since his 29th birthday, for the creation of a Portuguese film archive - when not even the world's oldest film archive (Stockholm) didn't exist. The emphasis of on camera comments by his wife, friends, and film critics is more on some of the films he saved, then on his personal qualities - his modesty prevailing even then, for this last appearance on film. He would die two years after this television documentary was shown, in the series "Dos Lumière ao Lumiar", for the Portuguese national television, RTP.

Félix Ribeiro - Dr. Celulóide

8.0 1980
Man Into Woman: The Transsexual Experience

The first documentary about Australian trans lives. Given only a limited release in 1983, it has rarely been shown since. Filmed in Sydney in 1981, the film unusually seeks to provide a voice for trans women and men of the time, in contrast with the sensational viewpoints that were a feature of most reportage of the period. Man into Woman features eight interviews with trans women and men, interspersed with the views of ‘authority’ represented by figures like the then Attorney-General of NSW Frank Walker. The film was a turning point in the Australian media for understanding the complexity and diversity of the trans experience.

Man Into Woman: The Transsexual Experience

NR 1983
The Cow's Drama

Drama, from the Greek, to do, act, or perform. A composition in which a story is related by means of dialogue and action and is represented with accompanying gesture, costume and scenery, as in real life, a play. The simplest story; a cow in a field, a day passes, articulated by a sequence of simple actions. Another day passes and the actions only vary with the chance events that make one day different from any other. Between the days three traditional songs about work, love and death are sung. These are stories too, but of generalisation, metaphor and myth, whereas the cow's drama follows only the surface pattern of events, the specific.

The Cow's Drama

7.0 1984
Heaven and Earth

An essay film or an ethnographic documentary, contemplating the finite lot of individuals as part of a continuum of human experience in the natural world. Himmel und Erde, translatable as Heaven and Earth, was recorded between 1979 and 1982. The documentary invites the viewer to contemplate the disruptive effects of technology on economic and social ties through circumscribed vignettes of village life, which are often repeated either as recycled footage or variations on a theme.

Heaven and Earth

6.4 1983