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Mom and Me

Mom and Me is a personal and intimate documentary about a young filmmaker coming of age in extraordinary circumstances. It follows the complicated relationship between director Lena Macdonald and her mother, who was once a filmmaker herself, but ended up homeless, crack-addicted and on the streets. For ten years Lena filmed in the cold, hard streets of Toronto’s inner city and her story is raw, honest and unforgettable. Mom and Me is about addiction, prostitution and despair but it is also a story about family, the power of hope and the tenacity of love.

Mom and Me

NR 2015
Paddle to the Ocean

What do you do when your best friend dies doing something you both love? Paddle To The Ocean is a documentary film about using a banjo, a kayak and a bicycle to recover from Post-Traumatic Stress Disorder. In 2011, Zac Crouse (musician, recreation therapist and expedition kayaker) toured his album 'You Plan To Do Nothing' from Ottawa ON to Halifax NS using only a sea kayak and a bicycle. It was a journey Zac had intended to do with his friend Corey; who sadly passed away while on a kayaking adventure with Zac in Nova Scotia. Paddle To The Ocean is a tribute to Zac's friend, but it also examines the stigma associated with mental illness while demonstrating the benefits of physical activity and music.

Paddle to the Ocean

NR 2013
Damage Done: The Drug War Odyssey

After 30 years of the War on Drugs, illegal narcotics have gone down in price, up in purity and availability, and way way up in demand. The heroes of this film are veterans of the Drug War, and they urge us to consider ending drug prohibition both at home and around the world. They have had a complete revolution in their thinking: now they are working to end the War on Drugs. Find out what happened to change their minds and how they became truly radical cops.

Damage Done: The Drug War Odyssey

NR 2006
Lac La Croix

Lac La Croix First Nation is a small community located on the Canada-US boundary waters. It is surrounded by thousands of square miles of wilderness parkland - Quetico Park in Ontario and Superior National Forest in upstate Minnesota. The film is a self-portrait of a Northwestern Ontario First Nation, it's daily life and struggle for existence. When the parks were formed, ancestors were kicked out of their traditional lands within Quetico Park, enduring terrible hardships and upheaval. Elders speak of these treaty violations. The use of small motorboats to guide sports fishermen on a few isolated lakes is resisted by those who want an uninterrupted canoe-only wilderness park experience for tourists. The ironies are not lost on the guides, Elders and community members who tell Lac La Croix's story with grace, wit and lots of original music.

Lac La Croix

NR 1988
The Challenge of Change

"Today the rate of change and the areas of life molded by it are increasing astronomically ..." states the introduction to this film. Impressions of all that constitutes the environment of modern man are conveyed in the film in a kaleidoscope of movement and sound -- a montage of pictures from the urban and industrial scene, reflecting the creativity and inventiveness of which people are capable but which in turn demand adaptation and adjustment if we are to survive.

The Challenge of Change

NR 1969
I Am No Queen

Introducing I Am No Queen - a movie that resonates with the heartbeats of international students facing the challenges of being replanted in a new land. Follow Rani, an international student from India, as she navigates the dark streets of Canada. Her story is your story - filled with hopes, dreams, and the stark realities of life abroad. This film sheds light on the unique struggles and triumphs of students worldwide. Let's come together and share our experiences. Join us on this powerful journey.

I Am No Queen

NR 2025
Reaction: A Portrait of a Society in Crisis

This feature documentary gives voice to various English-speaking groups in Montréal and other places in Québec as they react to the October Crisis of 1970, when Québec nationalism took a violent turn. A British diplomat had been kidnapped, a Québec cabinet minister murdered. The troops were brought in as a safeguard. This film is a vigorous reflection of the discussions and analyses of the situation that went on wherever people gathered, voicing attitudes and fears, sympathies and concerns.

Reaction: A Portrait of a Society in Crisis

8.0 1973
Emotional Logic: William Douglas Transformed

Interview with Canadian dancer-choreographer William Douglas, who discusses his struggle to come to terms with AIDS, and his awareness of the disease's potential effects upon his life and art. Speaking from Montréal and his family's vacation home in Nova Scotia, he looks back upon his work as a choreographer, noting the impact Merce Cunningham's choreography has had upon him, and tracing the development of his own style. He talks about his love of dancing and teaching dance, and how this love has helped him transcend his fears for the future. His partner José Navas also contributes to the discussion. Excerpts from Douglas's works Anima, we WEre WARned, and Thorn are intercut with the interview.

Emotional Logic: William Douglas Transformed

NR 1994
The Strawberry Tree

Less than a month after Simone Rapisarda Casanova completed shooting in Juan Antonio, a village on Cuba’s North Eastern coast, the place was wiped out by a hurricane. Thus El árbol de las fresas begins with four of the now displaced former inhabitants reminiscing about their home and what they have lost. Eschewing drama and pathos, the opening sets the tone for what is an unusual documentary; the subjects often address the camera directly and even tease the filmmaker. In doing so they disrupt the usual relationship between viewer and subject in a playful way that allows both the viewer and the viewed to share equally in the filmmaking process.

The Strawberry Tree

6.0 2011
No Place to Hide: The Rehtaeh Parsons Story

When Rehtaeh Parsons was 15 years old, she went to a party that would define her remaining teenage years. She was sexually attacked and had no memory of it, until photographic evidence spread through social media. The resulting humiliation and bullying the Nova Scotia teen received led to her tragic suicide less than two years later. News of her death reverberated worldwide, a stunning demonstration of the power of images and social networks to amplify the extent of rape culture and effects of depression. Now, her parents and those who knew her reassemble the pieces of Parsons’s life in their courageous quest to make accountable the systems that failed to protect her. With the support of Anonymous, an online campaign and public pressure, they forced the Nova Scotian government and RCMP to address the case and bring the perpetrators to justice. Parsons’s story epitomizes the immense capacity of new tools in these nascent years of social networking.

No Place to Hide: The Rehtaeh Parsons Story

7.2 2015
Le Pier

What do we know about childhood other than the constructions we make of it? A little girl died inside the day her father left. As an adult, she is still there, frozen, stuck in the sand, ready to dissolve in the storm of her childhood. But is he really gone? Can memory lie to us? A film where characters from the past are transformed into actors in the present. A cinematic essay, based on images that the filmmaker has filmed over the years and family archives dating from the 1940s, all shot in the same place, on the same beach in Old Orchard, Maine, USA.

Le Pier

NR 2014
Special Works School

‘Special Works School’ was the codename used by the British War Office between 1917-1919 for a group of artists tasked with the job of ‘camoufleur’ - painters, textile artists, scenographers, designers, sculptors and scenic painters who were employed by the military to work specifically on developing camouflage technology. The artist, armed with the skill of rendering their surroundings with utmost acuity, was appointed to remove things from the realm of perception. Bambitchell’s ’Special Works School’ takes its name from this military unit to investigate the connections between artistic practice and surveillant technologies. With this video, the duo ask what an overtly aesthetic approach to surveillance can render visible, or invisible. By framing surveillance as an aesthetic practice, ‘Special Works School’ hones in on the psychic, embodied and material dimensions of surveillance - both from the position of the surveillor and the surveilled.

Special Works School

NR 2018
Faces

Shahram Golchin is a professional film actor from Pre-Revolution Iran who was trapped between worlds in the prime of his career. Debilitated by a range of illnesses and a strong sense of exile, he is our window to the other characters of this film. Faces is an experimental documentary exploring the life and work of diasporic artists as they represent themselves through their art and stories. This multi-layered documentary reflects on politics, pop-culture, history and the power of popular media.

Faces

NR 2008
Principles of Resistance The Gordon Hirabayashi Story

Principles of Resistance: The Gordon Hirabayashi Story explores the life and legacy of Gordon Hirabayashi, an influential civil rights advocate who challenged the internment of Japanese Americans during World War II. Set against the backdrop of his decades-long career in Edmonton, this short documentary delves into Hirabayashi's enduring commitment to justice, his contributions to human rights, and his role in establishing the sociology department at the University of Alberta. Through interviews, archival footage, and a powerful narrative, the film celebrates a remarkable man whose principles of resistance continue to inspire new generations.

Principles of Resistance The Gordon Hirabayashi Story

NR N/A