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Erinnerungen - Zwei Frauen in Leipzig

A GDR documentary from the 1980s. Sachsenplatz in modern Leipzig: Waltraut Kosetzka, 61, and 55-year-old Inge Arnold are among the women who helped to rebuild the destroyed city after the collapse of the Third Reich. The film portrays the two women, documents their biographies, accompanies them in their everyday professional and private lives and visits their old places of work as rubble women. To emphasize the importance of their work, old footage of destroyed buildings is contrasted with new buildings. It is repeatedly emphasized that their work made a decisive contribution to improving housing conditions in Leipzig. To this day, the two working women are committed to maintaining their city.

Erinnerungen - Zwei Frauen in Leipzig

NR 1981
Eyes That Saw

A warehouse of the imaginary, a library of vision, a labyrinth of dreams: this, and much more, is the Museo Nazionale del Cinema. From the magic lanterns to the rotoscopes, from the archive footages of the Torino relics at the time of Pastrone, “Occhi che videro” reconstructs an atmosphere of magic and allure of the visual utopias before the Lumière brothers that any technologic marvel will ever be able reach. But the film is first of all an homage to the founder of the Museum: Maria Adriana Prolo.

Eyes That Saw

NR 1986
Computer Games

The authors of the film try to explain that in order to solve global problems, particularly economic ones, it is necessary to follow not only a dry "how-to-do-it" approach, but also to listen to the voice of reason. Through two examples, the authors of the film illustrate the consequences of decisions made by people who did not consider the potential irreversible outcomes. The authors and participants of the film compare these individuals to computers, which are mechanical machines that lack a soul or heart and make decisions based solely on the information provided to them.

Computer Games

NR 1987
Acting Our Age

An invigorating antidote for American culture's one-dimensional image of older women, this classic film offers empowering insights about women and aging for every generation. Personal portraits of six ordinary women in their 60's and 70's who share their lives. In candid interviews that tackle a range of thought-provoking topics, including self-image, sexuality, financial concerns, dying, and changing family relationships, members of the group display both a vibrant strength of spirit and inspiring zest for life.

Acting Our Age

10.0 1988
Meir Ariel’s Election Tour

The film by Ido Sela, who recorded with his camera Meir Ariel's special concert tour throughout the country in October 1987. This is a concert tour structured like an American election campaign: Meir Ariel and his band land without prior notice in various places throughout the country - Tiberias Beach, the Acre Theater Festival, Kibbutz Mishmaret that Ariel was A member of it, Pituach towns - build a temporary stage and sell their musical "merchandise" and their illusory sleep to the curious locals. Sela uses wisely and is completely unconcerned with the differences that exist between the people of Tel Aviv and the people of the suburbs.

Meir Ariel’s Election Tour

NR 1988
Holiday Film

A woman on a meadow, strolling around, narcisstically involved, wandering. Now and again one can see her breasts through her half-opened shirt. The camera films with a powerful telephoto lens. This idyll is radically destroyed when the woman suddenly looks directly into the camera. There is an immediate cut (the voyeur has been discovered) and the whole sequence of events begins from the beginning again, but each time re-filmed from the last till finally, only a completely abstract, flickering picture remains.

Holiday Film

6.5 1983
Punks and Poseurs: A Journey Through the Los Angeles Underground

At its core, “Punks and Poseurs” is a narration-free concert film, but it’s cut with terrific interview footage that explores the changing nature of punk, from insider and outsider perspectives. There’s a lot of great footage with writer/performers Pleasant Gehman and Iris Berry, torpedoing the influx into the music scene of neophyte phonies who just didn’t get it, explaining title of the program. (After this first aired in 1985, a bunch of the new waver/Durannie chicks at my high school—which is to say all the girls who were trying their suburban Ohio best to look like Gehman and Berry—started calling everyone “poseurs,” which was pretty funny.) There’s also a hilarious interview with employees at a store called “Poseur,” which sold punk fashions and accessories—people had to get that shit somewhere before Hot Topic forever banished punk to the mall, no? Also keep an eye out for the kid giving a primer on how to fashion liberty spikes with Knox gelatine.

Punks and Poseurs: A Journey Through the Los Angeles Underground

NR 1985
La nuit ensoleillée

For two weeks in 1980, two thousand disabled athletes gathered in Arnhem, Holland, for the sixth edition of the Olympic Games for the Physically Disabled, which had been held for twenty years and had last been organized in the Soviet Union. To begin with, one-legged Canadian Arnie Boldt cleared 1.96 meters in the high jump. Records were soon to fall like the cold rain of that uncertain summer, and for all those who dreamed of going faster, higher and stronger, there was no shortage of adversaries. Brad Parks, the wheeled American, pulverized the 100 and 1,500-meter records, Leone Williams, the Jamaican, threw the discus over 28 meters; among the "big guns", the battle was fierce between Brown, the American world record holder at 263 kilos, and Lindberg, the elf from the North.

La nuit ensoleillée

NR 1981
Machete Gillette... Mama

"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg

Machete Gillette... Mama

6.0 1989
Part One: China in Revolution 1911–1949

The first film, China in Revolution, describes the epic upheaval that began in China with the fall of the last emperor in 1911. Over the next four decades, the Chinese people were caught up in struggles with warlords, foreign invasion and a bitter rivalry between the Chinese Communist Party and the Nationalist Party. The film highlights the two figures who came to shape events, Chang Kai-shek and Mao Zedong. First they worked as allies to unite the country and then they fought a bloody civil war that was won by the Communists in 1949.

Part One: China in Revolution 1911–1949

8.7 1989
The World of Gilbert & George

Gilbert & George are renowned for presenting themselves as ‘living sculptures,’ fusing their art and identity with the external world. Their exploration of the bleak urban surrounds of 1980’s London, powerfully evoke the desires and tensions of its disillusioned youth alongside their own eccentricities. Poetic narration combines with vivid imagery that moves between the startlingly beautiful, the humorous, and the absurd. Church spires and city streets, youth and drunks, dancing and tea-drinking all take on an affecting symbolism when viewed from the unique perspective of Gilbert & George.

The World of Gilbert & George

1.0 1981
Fatal Addiction: Ted Bundy's Final Interview

Ted Bundy, an infamous serial killer responsible for the murder of as many as 50 young women and girls, granted an interview to psychologist James Dobson just before he was executed on January 24, 1989. In that interview, he described the agony of his addiction to pornography. Bundy goes back to his roots, explaining the development of his compulsive behavior. He reveals his addiction to hardcore pornography and how it fueled the terrible crimes he committed.

Fatal Addiction: Ted Bundy's Final Interview

7.0 1989
It's Grits

With all the native wit, rib tickling humor and ability to see what makes the South the South found in the literary classics of Southern writers like Mark Twain, documentary filmmaker Stan Woodward helps us discover the common thread that connects the South’s people across all social, economic, political and racial boundaries – Grits! “Grits is us” - or, if we are to be grammatically correct, “Grits are us” - could easily be the title of this uproariously funny and at the same time insightful and poignant personal documentary.

It's Grits

NR 1980