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Documentary filmed in Technicolor on 35mm for Steel Authority of India Ltd. (SAIL).

Promotional tourist film, presenting a history of Britain concentrating on landscape and Inter-City travel.

A documentary profile of conservationist and wildlife cinematographer Dick Proenneke at his wilderness home in the Lake Clark areas of Alaska. Includes scenes of area wildlife, along with clips of Proenneke carving his log cabin home out of the wilderness.

Lincolnshire, Northamptonshire, Leicestershire, Nottinghamshire, Derbyshire, Staffordshire, Warwickshire, Worcestershire, Gloucestershire, Herefordshire and Shropshire - eleven Midland counties which can offer the holidaymaker a variety of pleasures and some of the lovliest English countryside.

Vancouver s two leading authorities on sexism in the school system, Linfa Shuto and Reua Dexter, relate their opinions on the problem and some solutions that they are working on. The tape also includes a short historical look at women s position in education and a critical discussion on sex stereotype roles by Grade 6 students.

This short documentary pictures Abadan city in southern Iran in the early 70s and how the National Oil Industry development has affected its progress.

Documentary on a case of heretical worship that occurred within popular Catholicism in Serra d'Arce, in the province of Salerno, where Giuseppina Gonnella, a sort of mystical sorceress-exorcist, freed people from evil and spells and was sometimes possessed by the spirit of her nephew, who died in a car accident in the 1950s.

The International Ox Pull, highlight of the Bridgewater, Nova Scotia, annual fair, is a holdover from the pioneer past when oxen cleared the land and tilled the soil. These beasts of burden have lost none of their pulling power, as demonstrated when they drag tons of weight loaded on sleds (the winner pulls up to 6 tons!). Competing teams come from various parts of the Maritimes and the Northeastern United States.

A Tribute to John Cage is Paik's homage to avant-garde composer John Cage. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator. In this multifaceted portrait, Paik creates a pastiche of Cage's performances and anecdotes, interviews with friends and colleagues, and examples of Paik's participatory music and television works that parallel Cage's strategies and concerns. The methodology and philosophies that inform Cage's radical musical aesthetic — chance, randomness, the democratization of sounds — are evident as he performs such seminal pieces as 4'33" (of complete silence) in Harvard Square, or throws the I Ching to determine performance sites. Among the collage of elements included in this work are segments from Paik's Zen for TV; Paik and Charlotte Moorman in early performances, including the TV Bra; and anecdotes from composer Alvin Lucier.

A documentary about the underground newspaper, 'Good Times,' featuring The Floating Lotus Opera Company, The Berkeley Astrology Guild and the Good Times Commune.

The adventures of a journalist behind the scenes of the famous Crazy Horse night club in Paris.

This documentary film is an exploration of Québec’s feature film industry. The film takes a look at the people who have succeeded in this unique milieu (Geneviève Bujold is one) or failed; at its movies, which run the gamut from hard-core skinflicks to such highly acclaimed films as Mon Oncle Antoine, and at its audiences, which number in the millions.

The famous painter of “La Vucciria” analyzes the work of another artist, in this case David and his Dead Marat, emphasizing how many artists love the works of others and often draw them to study their composition, geometry, and profound beauty. This, says Guttuso, is a severe, austere painting, devoid of any rhetoric.

A short documentary produced for Canadian public television about the medieval village of Tourrettes-sur-Loup, where Cronenberg stayed in 1971 and had since been an honorary citizen, trying to become a novelist.

Two disembodied male colleagues direct Lynda Benglis, who sits between a monitor and a camera lens loudly exclaiming her vision for the video we’re watching. Playing with the idea of originality and how the reproduction of images troubles fine art categories, Benglis affixes a double portrait of herself to the monitor screen and draws moustaches on both likenesses. Document ends with Benglis writing the video’s title and “copyright, Dec. 1972” directly on the monitor underneath the photograph, validating this video accomplishment as an original artwork.

A far closer view, and a more complete one, than even the hardest and most patient of visitors is likely to get of the bighorn mountain sheep of the Canadian Rocky Mountains.

The people of Samogitian village are preparing to participate in civil protection competitions. Exercises are held in the village. The most important thing is to be prepared for an nuclear attack. All instructions are carefully executed. And it does not matter at all that the exercise looks funny for bystanders. Samogitians are also happy to be together.

Rostock - GDR county on the Baltic. This county covering the northern part of the GDR is the welcoming destination of many people: holidaymakers, tourists, people on business trips and seamen. Sometimes there is an equal number of local residents and visitors. The film reports on the development of this formerly backward region to an advanced agrarian and industrial county. It reports on the way of life and achievements of the people and gives the viewer an impression of the county's scenic beauties.

Alexander Kluge documents the preparations for an exhibition on the Staufer dynasty.

Moira Mulholland narrates the history of (European) women's rights through images, interviews, and performances focusing in on the Women's Suffrage Movement in Canada.

Film comprised of footage of the works of art created by Russian-Georgian artist, Zurab Tsereteli.

Łęczna is a town in eastern Poland in the lubelskie voivodship. Unfortunately, it is infamous for a legend of a former settlement that collapsed and was covered by the ground. The reason for that was the fact that the place had been inhabited by quarrelsome, envious, and malicious people. The modern legend predicts another catastrophe in 2000. In the 1970s, miners came to the town and tried to adapt to it. The unpleasant division between the old and the new inhabitants, between agricultural and industrial Łęczna, was felt by the newcomers.

The UCS struggle is a campaign film supporting the fight to retain their jobs by the workers at Upper Clyde Shipyards who developed a new weapon for waging this fight – the occupation and the work-in. The film was screened at the time at meetings attended overall by 25,000 workers. It includes a speech by Jimmy Reid.

About the construction and laying of the railway line from Lima to Junín, transporting minerals and passengers, a journey that climbs through precipices and tunnels in the Andean mountains.

Working with the Georgian polyphonic ensemble Rustavi and composer Anzor Erkomaishvili to resurrect the countryside’s derelict monasteries, Chkhaidze films eroded structures and faded biblical paintings caressed by sunlight, evoking the ambivalence of a besieged culture despite Georgia’s extant link to antiquity. Building on themes from his earlier work, Kolkhida—where Chkhaidze assigns the famed national myth of Jason’s quest to find the Golden Fleece in Colchis a negligible value in proportion to the land’s permanence—Chkhaidze here examines and historicizes Georgia’s identity as one of the earliest adopters of Christianity.

Short documentary about diamond cutting in the Antwerp Diamond district.

A collection of short animated films commissioned by The While House Conference on Children in 1970. Made by children at the Yellow Ball Workshop. In addition to the animated films, most titles are followed by a short documentary segment showing the children who made each film.

Feature on the northern city of Murmansk and its annual Spring festival of winter sports and Saami culture.

In 1958, Charles Starkweather went on a murder rampage that left 11 people dead. He took with him his 14-year-old ex-girlfriend Caril Fugate. When he was captured, the big question became whether he had kidnapped Caril, or she was his accomplice. The jury believed she had helped Charlie, and sentenced her to life in prison. This documentary was made after she had been in prison for more than a decade.

In the spring of 1939, AB Radiotjänst was hit by one of its first public storms. A woman, Astrid Kindstrand, had read the daily news for the first time.

In 1971 Thierry Zéno creates a fascinating portrait of artist Georges Moinet in the form of a 16 mm medium-length film. A schizophrenic who lives in a psychiatric hospital near Namur, Moinet paints. After being mute for 24 years he chooses this cinematic encounter to explain his artist approach, revealing what lies behind his personal cosmogony. But this long logorrhoea proves disturbing and fails to provide possible clues to understanding his work, gradually becoming a form of music that blends in with the sounds and distant, invisible hubbub of the hospital. With Alessandro Ussai behind the camera and Roger Cambier responsible for the sound, Zéno gets up close to Moinet to better capture him in all his demiurgical excessiveness, his existence on the fringes but also his humanity, deconstructing in a series of very tight shots the man and his canvasses.

Second part of a French TV series about the creation and building of the town of Cergy-Pontoise.

"El campo para el hombre" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. The film was shot in the late years of Franco's dictatorship, so it was made in secrecy (the directors were connected to the Spanish Communist Party).

The confrontations and conflicts between the city of Padre Cicero's pilgrims and the attempts to develop the region.

This ethnographic film records a conflict that took place on February 28, 1971, in the Yanomami village of Mishimishimabowei-teri during the fieldwork of Timothy Asch and Napoleon Chagnon. Constructed in four parts, the film first presents the complete unedited footage of the fight as it was witnessed by the filmmakers, followed by slow-motion analysis, kinship diagrams, and a final edited version. Through this structure, the film documents both the social dynamics of the conflict and the process by which ethnographic knowledge is produced from filmed events.

A film from Espirito Santo

Documentary short about the adoption process and its benefits to society.

A heartfelt mosaic of thoughts and dreams, where teenagers express their views on love, relationships, and the future. This poignant exploration of unexpected teenage parenthood avoids judgment, instead posing lingering questions that encourage reflection.

A reflection on the dictatorship of Augusto Pinochet captured in its economic and social causalities. Originally shot for a TV youth program but canceled before broadcast.

Director Eugenia Gutu offers a feminist critique of gender (in)equality under socialism in this documentary portrait of an industrializing town and its model citizen, Florica S.

Two cameras mounted on tripods with wind vane attachments were positioned about 50 feet apart along an axis of 45 degrees to the direction of the wind. Both cameras were free to pan through 360 degrees in the horizontal plane. There are three continuous 100 foot takes for each screen. The movements of the two cameras, which were filming simultaneously, were controlled by the wind strength and direction.

April 19 nite of Ricky visit but not of Ricky. 1. Jose Soltero & his assistant Alicia from Argentina. I do teaching, they tape. 2. Harry arrives and Sandy. She & I tape. 3. Harry does his Eurthmy(?) thing & gets hungry (medium rare quickly). Best part is we're double taping (Me on other camera) I talk about Kenneth Anger's curse. Good.

Scenes from the three last days of the festival in which the population of the old Kingdom of Jau participate yearly.

Documentary about the life of a young woman from the countryside who works in a city factory, her hopes and difficulties.

Documentary about stuntman Rémy Julienne.

A short film about an oar and the motor engines that should replace it.

Footage of this film was found in his belongings of director Mark Zenner after his death. A classic slice of Australian punk, both literally and figuratively, as razor sharp editing and collage techniques enliven the documentary on several punk bands.

This exquisite documentary traces the history and artistry of stone carving in Ireland from earliest times to the Middle Ages. Directed by George Morrison, director of the ground-breaking historical films Mise Éire and Saoirse? This engaging film is beautifully shot and shows Morrison's skills as director, writer and cinematographer. It was awarded the Diplome d'Honneur in Moscow in 1971.

Documentary film of the late great Mike Hailwood's return to the 1987 Isle Of Man TT motorcycle championship race.

In 1973 Yorkshire public television made a short film of the Nobel laureate while he was there. The resulting film, Take the World from Another Point of View, was broadcast in America as part of the PBS Nova series. The documentary features a fascinating interview, but what sets it apart from other films on Feynman is the inclusion of a lively conversation he had with the eminent British astrophysicist Fred Hoyle.

Documentary portrait of a religious healer, and her shamanic mushroom-cult belief system.

On May 1, 1929, violent clashes broke out in Berlin between the police and communist demonstrators, an event that became known as “Bloody May.” Numerous demonstrators and bystanders lost their lives in the violence. The communist film cartel "Weltfilm" GmbH documented the events in the short film "May 1: International Workers' Day," which was released under the title "Blutmai 1929." Neither the director nor the cinematographers are known. The footage shot at that time was also used shortly thereafter in the Soviet newsreel "Soyuzkino-Journal, No. 33/1929" with new intertitles. In 1970, the State Film Archive of the GDR created the compilation "Kampfmai 1929" from parts of the two films and attributed the montage to Phil Jutzi.

A parable, photographed in live-action, about the use of eating utensils in India. Doubling as a social commentary, this film also examines the significance and status that people attach to their artifacts.

International motocross championship in Manchay – Lima.

Produced in Italy in 1974, Anna Baldazzi’s Greta Garbo is a 30-minute color short that embarks on a singular quest: a journey through the streets of New York in search of the legendary screen icon. Far from a traditional documentary, the film serves as a personal exploration of the filmmaker’s own relationship with the city, navigated through a lens of irony and farce. Baldazzi engages in a playful, dialectical game with the concept of stardom; her stated objective is to "destroy the myth" of the diva, yet she achieves a striking paradox. By maintaining the total absence of Greta Garbo for the entire duration of the film, the legend is not erased, but rather powerfully re-established through its own void.