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A Book Is to Care For

The film tells the story of Bill, a young boy who discovers a worn and damaged book about the American Revolution in a secondhand bookshop and buys it for 25 cents. Through his experience, the film explores the lifecycle of a book, from creation to wear and tear, and the importance of proper care and repair. Bill, with the help of his schoolmates and Miss Walker, the librarian, learns how to mend torn pages, remove stains, and protect the book with a new cover and dust jacket. The film emphasizes the collective effort required to create a book and educates on how to extend its life through careful handling and repair, conveying a message of respect and stewardship for books.

A Book Is to Care For

NR 1969
Warsaw Ghetto

After a brief sequence of Nazi rallies (including shots from Triumph of the Will), German footage of the invasion of Poland, and Julien Bryan footage of the siege of Warsaw in September 1939, this film uses still photographs (some from Himmler's personal collection) and much of the 1942 German propaganda footage shot in the Warsaw Ghetto. It details the daily struggle to survive the Warsaw Ghetto, including scenes of poor sanitation, smuggling food from outside, beggars, Jewish Police and the ghetto prison, deportations, collaboration, and resistance. It uses film footage of flamethrowers and German artillery to represent the putting down of the Ghetto uprising under General Stroop.

Warsaw Ghetto

NR 1965
Festivaltown Cannes, France

A short, silent film depicting the beaches of Cannes, France; also the sight of the annual Cannes Film Festival. Focuses primarily on capturing families, couples, and other revelers swimming, sailing, etc. Festivaltown prominently features the sunny French Riviera, site of the annual Cannes Film Festival. Children and men and women of all ages go sailing, swimming, and take long walks on the boardwalk. Luxurious landmarks such as the InterContinental Carlton Cannes can be seen looming in the background throughout the film.

Festivaltown Cannes, France

NR 1964
Wreck of the New York Subways (Newsreel #47)

During the winter of 1969, the New York Transit Authority increased the public transportation fee fare from 20 cents to 30 cents--a 50% increase. Infuriated riders scrambled under turnstiles and through exit doors, refusing to pay the fare. In THE WRECK OF THE NEW YORK SUBWAYS riders and subway workers denounce the terrible conditions and constant fare increases. The film analyzes the vicious cycle of bonding the Transit Authority, which profits the banks at the expense of the taxpayers.

Wreck of the New York Subways (Newsreel #47)

NR 1969
A Place to Live

A City of Chicago sponsored film commissioned by Lewis W. Hill for the Department of Urban Renewal. The film attempts to defend the city's redevelopment plan for residential and commercial urban renewal, and explains how relocation officers can assist those who have been recently displaced. As the narrator succinctly states, "we are tearing down what stands in the way of a better city. Some buildings must go simply because the occupy space needed for something else, but for the most part, it's the warn out areas of the city that are making way for the new." Recently displaced home owners are interviewed, expressing their distaste of the urban renewal process. The film explains how the city will help these displaced home owners, by use of a good relocation officer from the Department of Urban Renewal. (Chicago Film Archives)

A Place to Live

NR 1968
On voit bien qu'c'est pas toi

Prepared and shot with a group of young workers, schoolchildren, the unemployed, etc., in a neighborhood of Le Havre, On voit bien qu'c'est pas toi inaugurates a series of "collective" films, in a neighborhood of Le Havre, On voit bien qu'c'est pas toi inaugurates a series of "collective" films, inspired by the impetus of 1968, which helped to make our filmmaking activity (somewhat) better known. The young people chose the documentary form to show their lives as they wanted them to be seen, that is, on a daily basis, in their premises, at work, on the town, with their families, on wild camping trips... In this way, they drew up a precise and detailed self-portrait of a milieu hitherto almost totally absent from the screens.

On voit bien qu'c'est pas toi

NR 1969
The Great Advancement of Chairman Mao Tse Tung's Thought

This film is a product not of the China of today, but of Red China's Cultural Revolutionary era: a period when the most radical and histrionic thinking strove to turn China's immense population into martyrs for Chairman Mao's ideals. This film, whose original title translates to "The Great Advancement of Mao Tse-Tung's Thinking," was captured by American intelligence in the mid 1960's (who provide the simultaneous translation on the soundtrack). It must have scared the hell out of them, for the film shows Chinese soldiers engaged in strenuous training for post-nuclear attack. The great lie of this film - from the Chinese leaders to their own people - is that the radioactive fallout from a nuclear blast will not kill them. In the film's most haunting scene, we see a Chinese cavalry charge in the Gobi desert into the aftermath of an above-ground nuclear explosion. Both rider and horse are wearing gas-masks! A harrowing look at the unbending will of fanaticism.

The Great Advancement of Chairman Mao Tse Tung's Thought

NR 1966
Oslofilm: Plass til en bil?

A film addressing the issues related to car use and parking in Oslo’s city centre. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

Oslofilm: Plass til en bil?

NR 1963