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This documentary about the cod fishing industry was filmed on a fishing boat near the Arctic Circle.

Les Indes Galantes (The amorous indies), is an opera-ballet created by Jean Philippe Rameau in 1735. He was inspired for one of the dance by tribal Indian dances of Louisiana performed by Metchigaema chiefs, in Paris in 1723. Clément Cogitore adapts a short part of the ballet by mobilizing a group of Krump dancers, an art form born in Los Angeles black ghetto in the 1990s. Its birth occurred in the aftermath of the beating up of Rodney King and the riots, as well as police repression it triggered. Amidst this coercive atmosphere, young dancers started to embody the violent tensions of the physical, social and political body. Both the tribal dance performed in Paris in 1723, and the rebelious Krump dancers of the 1990s shape a reenactment of Rameau’s original libretto, staging young people dancing on the verge of a volcano.

Nothing could be cooler than a rock-band on tour. Hordes of screaming fans who want to give up their virginity for an autograph, free drugs in all sizes, colors and kicks, luxury hotels that loose a star after our rock gods have passed through it like a tornado and sold out theaters and stadiums. The members of The Experimental Tropic Blues Band would give up one of their balls to be able to experience that one day. Everything’s better than these endless trips on the road in a tour bus that should have fallen apart decades ago, cabinets filled with aspirin to battle cheap beer hangovers, dark and smelly theaters with clogged toilets and a few lost spectators, getting paid in candy bars and not one horny groupie in sight. It certainly can’t get any worse than that? Just wait and see!

Brash and opinionated, Christine Choy is a documentarian, cinematographer, professor, and quintessential New Yorker whose films and teaching have influenced a generation of artists. In 1989 she started to film the leaders of the Tiananmen Square pro-democracy protests who escaped to political exile following the June 4 massacre. Though Choy never finished that project, she now travels with the old footage to Taiwan, Maryland, and Paris in order to share it with the dissidents who have never been able to return home.

Elitza Gueorguieva films the making of the novel that her Belarusian alter-ego Aliona begins about her father, a maritime adventurer, physicist and dreamer, who disappeared off the Turkish coast in 1995.

Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see.

A film-maker travels through mountain villages and along the shores of Alpine lakes to investigate the disappearance of Valérie 20 years earlier. She allegedly murdered a Canadian tourist before disappearing without a trace. At least that is how the narrator, who was passing through the region at the time, remembers the story. Over the course of the interviews, the elusive Valérie seems to disappear a second time, literally engulfed by the Alpine landscape, magnificently captured on film by François Caillat. A haunting, imposing landscape, where chasms and precipices become metaphors, characters in a work of fiction that the camera turns into a documentary. A film in the form of an essay in which the director takes his work on memory to its highest degree of abstraction.

One Sunday in Canada visits an Italian community in the northwest sector of Montreal, where about half of the city’s 150,000 Italians live.

A documentary that follows 4 people's journey dealing with the abortion issue in Ireland.

At the outskirts of Paris, in a rapidly-changing suburb, a group of Romanian families are searching for a place to live. From their abandoned village, to the demolished slum and occupied houses, their quest weaves together a common history, forged through solidarity and marked by displacement. Accompanying them on their journey, we build this film as an alternative habitable space.

I travelled across Mauritania to find a tree that I saw from my window in Belgium. It wasn't a mythical tree, but rather one that could be anywhere. On my way, I met men and women who shared their perception of this quest and in doing so, in a roundabout way they shared some of their visions of the world and of existence. For some, my tree was the sign from the spirits, of the invisible or a call from light. For others, it was the symbol of a history, a culture or the end of a period in time. For yet others, it was a tree that you see only when you get lost...

Documentary on corrupt police officers in France.

An in-depth exploration of supervillains across comic book history, this French documentary zooms in on the complex motivations, origins, and morals behind these sinister yet fascinating characters.

After having long dreamed of a life made up of great love stories and epic feelings, my mother’s mother settled alone in a house where she says she has never been happier, enjoying an affair with nature who at least doesn’t tell her when it’s uncommitted.

Thierry lives in the Aosta Valley, in Italy. On board his piaggo ape, he travels the paths of the valley to take care of his cows. He also loves Anaïs, but for some time, she doesn’t answer him anymore… From traditional serenades to Italian pop, Thierry sings about love.

A film about Dorothée Blanck.

From the series "Portraits" : Pascal Martin

On 22nd May 1985, Jean-Paul Kaufman and Michel Seurat were kidnapped by the Islamic Jihad on the road to Beirut airport. Seurat died after 8 months of captivity.

A playful, free, and personal film in the form of a letter, a film interwoven with a thousand stories knit together with different textures, a book of images where a filmmaker shows the images and the stories he wants to share.

A film about birth Robert Kramer directed for TV.

Samvel and Avo, Erik and Karen live in the land of a century-old conflict, rooted in the rubble of the Russian Empire. In Nagorno-Karabakh, people live, dream and prepare for a tragedy that is always on the horizon. Over 3 years, Alexis Pazoumian films the epilogue of the black garden, a land where war waits for no one.

French television panel discussion with German and French veterans of World War I, conducted after the viewing of G. W. Pabst's 1930 film WESTFRONT 1918.

In 2014, in Donetsk, Renaud Lavillenie broke the pole vault world record held by the legendary Sergei Bubka. Since then, the French pole vaulter has become one of the world's greatest athletes. This summer, in Rio, he sets his sights on Olympic gold. His second, another record. Already present in Ukraine, Cédric Klapisch followed the champion in his preparation for over a year.

A popular icon in the 1980s and 1990s and a genius comedian, Eddie Murphy has never stopped challenging America on its identity issues. Coming back after a 25-year hiatus, the first great Black hero of the cinema appears today as a precursor who revolutionized the image of African Americans and opened many doors for his community.

Norilsk is an impossible kind of place. In this Arctic city, winter lasts for nine months and temperatures plummet to -60°C. Norilsk Nickel, the first worldwide producer of copper and nickel, has dominated life since the city rose from the ashes of the Soviet gulag. More than 180,000 people manage to survive in this closed-off city isolated from the outside world. In looking at their extraordinary daily lives, this film paints a poetic portrait of an extreme city where everyone is looking for a way out.

The horrific war in Chechnya, a neighbor of Georgia, gives a special poignancy to Otar Iosseliani’s fascinating, four-hour, made-for-television documentary on Georgia which, like his delightful Chasing Butterflies (SFIFF 1993), was produced in France. Iosseliani presents the history of this former Soviet republic through beautifully interwoven images of landscapes, artwork and clips from other Georgian filmmakers such as Nikoloz Shengalaya and Tenghiz Abuladze. He illuminates the part played recently by two politicians, both KGB men but with very different destinies: Zviad Gamsakhurdia, an ultranationalistic demagogue who died in exile; and Eduard Shevardnadze, who is the president of Georgia today.

Underwater photography, magnified close-ups, and film through microscope present the sea urchin, a complex creature. We see their mouth and five teeth close and open. After injecting one with gelatin, the shell is removed and we see the muscle structure, digestive tube, and reproductive organs. Magnified stems reveal suction cups; stems lengthen and contract allowing the sea urchin to move. We see microscopic calcareous stems; at their ends are jaws with various uses. Cilia everywhere are in constant motion, stirring up water and debris. African music on the soundtrack suggests a shuffle dance.

This hard-hitting documentary reveals the abuse suffered by the gay community all over the world. France, despite having legalized gay marriage in 2013, has seen a rise in homophobic violence in recent years. In Tunisia, gay people can be sentenced to three years in prison, simply for their sexual orientation. When arrested by the police, they are subject to an “anal examination”, a humiliating procedure of no scientific value. Uganda is one of the 27 sub-Saharan countries in which homosexuality is repressed, with active state-encouragement of homophobia, and where homosexuality is punishable by lifetime imprisonment. In the United States, more progressive laws have not translated into progressive attitudes. 700,000 Americans, in a desperate attempt to change their sexual orientation, have gone to see therapists who claim to be able to “transform any homosexual into a heterosexual.”

My films are like that: in a room, but looking out onto an open sky. [...] I can’t really say it except to repeat that Bresson note, ‘that without a thing changing, everything is different.’ The film exists. The fiction is set up, and we believe in it. The justness of the agreement leads us to believe it, because everything plays equally at being a sign. That’s the arrangement of the elements. It’s an act of faith. La vallée close is just this: elements treated above all as if in a documentary that, without being changed, portray the story and reveal between them the elements of fiction. But above all seen as they are, insignificant. And then in the relations they set up, they can satisfy our desire for a story. -- Rousseau

Following in the footsteps of US writer Jack London, philosopher Philippe Simay travels through the inhospitable lands of the Canadian Far North.

Abel Ferrara headlines a film retrospective and a series of concerts in France dedicated to songs and music from his films. Preparations with his family and friends will form the material of this self portrait, showing another side of the director of legendary films BAD LIEUTENANT, THE KING OF NEW YORK and THE ADDICTION. Ferrara is joined on stage by past collaborators, including composer Joe Delia, actor-singer Paul Hipp and his wife actress Cristina Chiriac for concerts at the Metronum in Toulouse and the Salo Club in Paris in October 2016.

Narrated by Olympic champion Enzo Lefort, this documentary traces the legacy of Guadeloupean fencing. From Mayolè, the combat art of slaves in the 16th century, to current Olympic dominance. How did this small Caribbean island produce more than a third of French fencing medals over twenty years?

Farmers in the Île-de-France region, they filmed life on the farm, working in the fields, and family and village celebrations on 8 mm or Super 8 film. From the 1950s to the 1980s, these testimonies unfold a history of rural life: we move away from a peasant and family model to industrial agriculture for export. Through these family images, I attempt to answer my own questions about our agricultural future. In the 1950s, the land of Île-de-France fed us.

A look at French painter/traveler Titouan Lamazou and his work.

In 1998, Ludovic Cantais followed Hubert Selby Jr in his daily life and made him talk about the genesis of his work, his writing, his doubts and his obsessions.

This is a brief bio of the life of Tati through his works. Begins with his silent period, then feature films, and shows many examples from the short films on this disc. For someone with such a limited output of work, his reach and genius was limitless.

"The crime of the cease fire was to capitulate as if France had no empire" - Charles De Gaulle

Journalist Laurence Haïm, a 25-year U.S. correspondent, explores the complexities of this powerful nation. Following the presidential race between Kamala Harris and Donald Trump, she documents Trump’s campaign, the devotion of his supporters, and his appeal to the most religious and conservative wing of the American right.

Yuki lost his mother after a long illness, when he and his sister were still children. For loved ones, she is now only a distant voice, a foreign face on photos, a ghost who visits them in their dreams, an increasingly blurred memory. Munemitsu, his father, has done all he could to fill this unfathomable emptiness, even forgetting. But to no avail, given that Norie is still there, like a latent and sprawling presence, entwining the invisible bonds of the family. But who really was Norie?

French documentary on the films of John Carpenter

The 1960s opened with La Dolce Vita by Federico Fellini and its unforgettable lead: Marcello Mastroianni. The actor seemed to glide effortlessly through his roles — and through life — as if to say that life is not all that serious, or perhaps that it is far too serious not to be laughed at. But what kind of man was hiding behind the actor with the handsome, boyish looks, who appeared so gentle and nonchalant?

Almost all of this episode of the Carnets filmés, with the evocative title, Tout est Brisé is devoted to the misdeeds of the storm of 26 December 1999 on the Bois de Vincennes, whose forest extends at the foot of my building. For several months, I was the cinematographic witness of this disaster which brought down more than half of the 130,000 trees in the Bois.

In the wake of "Mondovino", this film offers new research on the world of cheese, through a work of investigation and discovery in various parts of France, but also Italy and the United States. It highlights two clashing worlds: on one side the taste of defenders and diversity, the other multinational companies, supermarkets and proponents of food globalization. The "stinky cheese" has become an iconic element in the debate on the French exception, globalization, industrial food and the environment.

An episode of the educational TV series "En profil dans le texte" directed by Rohmer, on the French philosopher Blaise Pascal, the subject of debate in Rohmer's film "My Night at Maud’s."

MAQUETTE is an excursion into the world of dance and other cultural activities in Toulon: “There is a film that I didn’t complete. I shot it in Châteauvallon with a dance group called Artefact. A rough cut of it exists entitled MAQUETTE, but that’s all I did with it.”