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A biographical documentary about the actor Long Lance.

Starting with her own memories of working as an actress on Abbas Kiarostami's Ten, filmmaker Roya Akbari proceeds to elicit other testimonies on the masters of Iranian cinema from three people who are themselves among the foremost Iranian directors: Rafi Pitts on Parviz Kimiavi; Amir Naderi on Sohrab Shahid Saless; and Bahram Bayzai on Arby Ovanessian. Bayzai also analyses Haji Agha, the Cinema Actor (1933) by Ovanes Ohanian, considered the first feature film made in Iran.

This explosive new documentary tells the real story of an ancient secret brotherhood, a devastating new weapon of destruction, and a shocking target - the Vatican. The secret Illuminati does indeed exist. For the first time, the truth is exposed behind the horrifying plan for world domination. Does the Illuminati have the power to take control of the world? Is the Vatican in grave danger? Are there even more targets around the world? Have devastating weapons been positioned to cause catastrophic results? Could the unthinkable scenario actually happen? Is it happening already? These FANTASTIC REVELATIONS will shock you!

In Fairy Creek, director Jen Muranetz documents the largest act of civil disobedience in Canadian history, creating a searing portrait of contemporary environmental activism, bearing witness to the lengths activists are willing to take to protect British Columbia’s last old growth forests.

Vika is a Ukrainian student living in Toronto with a group of immigrants made of skaters, musicians and tattoo artists from Eastern Europe. As tensions rise in Eastern Ukraine and conflict affects their families and loved ones back home, the group’s sense of identity is tested. Half-documentary and half-fiction, Troika deals with fundamental questions about identity and the sense of belonging among a powerless youth.

Director Sylvia Hamilton reflects on her work with the NFBs Atlantic Studio and the birth of New Initiatives in Film - A Studio D initiative for women of colour and aboriginal women.

An international team of art restorers and archaeologists begin work on the restoration of medieval frescoes inside a network of ancient caves. Faced with local bureaucratic challenges and systemic neglect of archaeological sites, the team encounters a community of shepherds and migrants that have used the caves for centuries and discover a living culture worth preserving most of all.

This feature documentary is a portrait of Peter Watkins, an Oscar®-winning British filmmaker who, for the past 4 decades, has proved that films can be made without compromise. With the proliferation of TV channels, documentaries are enjoying an unprecedented boom fuelled by audiences seeking an alternative to infotainment. But now documentary filmmaking, too, finds itself constrained by the imperatives of television. However, there is a rebel resisting this uniformity of the spirit. Pre-eminent among today's documentary filmmakers concerned about this mind-numbing standardization, Peter Watkins has never strayed from either his principles or the cause.

From the streets of Montréal-North to becoming a defensive force in the NBA with The Oklahoma City Thunder, basketball has been Luguentz Dort's lifelong journey. His Haitian roots, the grit of Parc Saint-Laurent, the founding of Maizon Dort and the unwavering spirit of his community have shaped him into everything he is today.

In the early 1970’s, 23 year old Amanda Feilding, Countess of Wemyss and March, drilled a hole in her head — that is she trepanned herself. Now 74, Amanda is a leader of the renaissance in scientific psychedelic research.

Standsinwater Sutherland is 2Spirit Cree living in Northern Ontario. Holding her eagle feather, she sits and tells her story: her quest to identity, how teachings learned along the way took her from the concrete jungle of Toronto back to her reservation and her commitment to help her community regain their culture and traditional ways.

A heartbroken documentary filmmaker focuses his camera on interesting women with hopes of meeting the love of his life.

After her mother dies, Fatima assumes a routine of care for her father and younger sister, but her world starts to close in on her as the days of Taliban arrival grow closer. Through video diaries and phone conversations, she stays in touch with a friend overseas, giving us a sobering glimpse into the looming uncertainty she faces.

This full-length documentary examines the work of Krzysztof Wodiczko, an artist who has taken his art out of museums to project it onto the sides of buildings. The film explores Wodiczko’s philosophy of art as social contract and shows examples of his provocative work, which has lit up walls from London's Trafalgar Square to Zion Square in Jerusalem.

Close-up photographs of baskets, tools and utensils used in the past and still used today by the L'ilawat of Canada. Printed notes describe the use of each item

In this intriguing film, Jack Wise speaks very privately about his artistic process —'losing oneself in the language of the brush'— and what it means to be an artist. While at work in his studio, Wise talks about calligraphy being his freedom and the mandala his discipline. As he reveals his spiritual journey into Eastern religions and the importance of the mandala, we see the circle become a dominant motif in his art, and discern the influence of Chinese and Tibetan art on his own landscape-based work. Director David Rimmer's experimental voice asserts itself sensitively. Pace and imagery —water droplets, leaf and tree forms, a door which opens— sublimely convey the mystery and pulse of the artist's paintings, process, and perceptions.

Juskatla weaves together perspectives of the people who live on the islands of Haida Gwaii-an archipelago on Canada's Northwest coast, and the ancestral territories of the Haida Nation. From industrial loggers who harvest trees from ancient forests, to Sphenia Jones, a Haida matriarch who bears an intimate knowledge of her People's territories, Juskatla meditates on the divergent ways of being that shape the islands and its people.

Featuring over 30 interviews with members from bands such as Nomeansno, Dayglo Abortions, Neos, Show Business Giants, Red Tide, Infamous Scientists and many more, Somewhere to Go is a gritty and raw documentary film that does not simply focus on the past phenomenon of punk in Victoria BC but aims to explore the timeless themes of rebellion, ‘art for art’s sake’ and the integral role of music to culture, community and identity.

Exploring four of the world's major religions: Hinduism, Buddhism, Islam and Christianity.

Bric à Brac is a documentary that takes a playful yet lucid look at the social ritual of the garage sale. Filmed spontaneously across the Abitibi-Témiscamingue region, six enthusiasts share their impressions of their summer pastime, while a philosophy teacher and a well-known anthropologist (Bernard Arcand) compare their interpretations of the phenomenon in a clear-sighted, concrete way. Bric à Brac bypasses commonplaces to reflect on our consumer habits, our relationship with objects and the importance of territoriality in the practice of this inevitable activity that colors (or embarrasses!) our summers.

Documentary follows three individuals downsizing.

Not only did Norman McLaren create his own film imagery, he also made his own music by drawing, etching and photographing patterns directly onto the sound track area of the film, becoming a pioneer of electronic music long before the invention of the synthesizer. Norman McLaren: Animated Musician celebrates this exploration and presents much never-before-seen work by this master of cinema.

Be it myth or ancient religion the age-old story of Nuliajuk is the key to a mystery; a haunting and gripping tale that opens a window into the soul of the Inuit. Two people set out in search of the elusive and mythical Nuliajuk, a female deity whose presence is seen in countless works of Inuit art. Rarely spoke of, and even then in awe or terror, her presence is nonetheless a central one in traditional Inuit spirituality.

On July 10, 1978, Eric Wilson - a 19-year from Ottawa and student at Tufts University - left home to drive to a summer college course in Colorado. When he went missing four days afterward in Nebraska, his family tried to persuade local and U.S. police that he wasn't simply a runaway and hadn't simply forgotten to call home. The program examines the lengths to which they had to go to find out what happened to Eric, and the byzantine nature of the legal system which seemed less interested in pursuing justice than in avoiding the expenses involved in the investigation and potential trials. Preserved by the Academy Film Archive, in partnership with Canadian Broadcasting Corporation, in 2007.

After a long period in life identifying as a Butch Lesbian, Cuthand considers transitioning to male. After a considerable amount of thought and discussion, Cuthand changed her mind and decided to remain a Butch Lesbian. Explaining her decision, she touches on the desire to maintain a connection to the Lesbian community, as well as the sexy genderfucking that happens when one is a masculine woman.

A woman’s connection to her mother in the spirit world reactivates Taíno culture and presence, revealing a realm unseen. Filmed on Super 8 and developed by hand with plant medicines and botanicals, Spirit Emulsion develops a language for Taíno filmmaking based in the earth and cosmos, and in so doing, breathes an ancestral connection into new form.

Follows the story of Bradley Collins, Canadian Baptist minister and a hockey coach as he struggle to promote a game of hockey in a post war country of Bosnia and Herzegovina (BiH).

At 12, Nirmal leaves his village in India for Canada during Partition. Narrated by present-day Nirmal and shaped through abstract imagery, Bubba reflects on assimilation and identity loss.

A Case for God – Caitlin’s Story, directed by Jayden Mattis, delves into one woman’s extraordinary transformation through faith. Once caught in the grip of drug addiction and homelessness, Caitlin recounts the trials, doubts, and revelations that guided her toward hope and healing. Through an intimate and unfiltered lens, the documentary reflects on Caitlin’s life before and after her spiritual awakening, inviting viewers to witness her journey without any intent to persuade or convert. Rather than presenting an argument for Christianity, A Case for God – Caitlin’s Story offers a profound look at the power of faith, inspiring audiences to reflect on their own paths and perspectives.

Just out of jail, sitting in his car, Joseph drinks iced coffee, smokes cigarettes and makes videos. He loves a USA that he can see disappearing before his eyes, and his rants are a powerful trip into a reactionary and savage American psyche.

"How do we know what we know?" asks the journalist in the studio to the special correspondent in Turkey who couldn't get into the conflict zone in Syria. The news report he put together is therefore made out of amateur footage.

Aurore Cormier was a settler child who died from smallpox at the turn of the 20th century, near what is now known as Thunder Bay. 100 years later, her relatives search for her grave.

Shot over three years in 18 countries around the world, Human Nature journeys towards greater meaning as it weaves its way through space and time.

Color only exists in the presence of light, so all things are essentially black. But really, what is black? A short, elegant and experimental exploration of the value and meaning of BLACK.

"Ricecake" is a short documentary film on RICECAKE: Vancouver’s Queer and Asian Dance Party, the brainchild of Shay Dior, a QPoC, drag artist, and mother of the HOUSE OF RICE. Through interviews with Shay Dior and friends, the film explores what it means to navigate queer spaces in Vancouver as an Asian person.

'The Coasters" is a character driven feature documentary that explores the lives of the people living on the Lower-North-Shore of Quebec namely: the Coasters. Anglophone, francophone and first nations innu communities share the isolation of this barren land where there are no roads to the outside world. Every season brings a different challenge for these hardened canadians who live of the land and the sea. They all wait for winter, for when the frozen water and the snow offers the proper conditions for snowmobile travel. Then, the world is theirs. For almost a century, hockey tournaments, carnivals and dancing nights take place every weekend all up "The Coast" in a different village. People that left the region for lack of work comes back for this moment frozen in time, knowing that everytime they come back home, might be the last.

Meet Canuck – a wild crow who formed an unlikely bond with his human friend, Shawn. The mischievous crow has captured the hearts of Vancouverites and garnered global attention through his antics.

Against The Odds describes different forms of resistance that existed in the German concentration camps like: smuggling of medicines, sabotage in weapons factories (especially the large effect it had on the German secret weapons programs), preparations for rebellions and escapes, and the mission of Capt. Pilecki, a Polish officer who purposefully got himself sent to Auschwitz in order to set up an underground organization in that Camp.

Part 2 of the "Hymn to Freedom" TV docuseries on the Black experience in Canada, Sylvia Hamilton documents the history of Black immigration and community in Nova Scotia.

This thoughtful, eye-opening documentary by Toronto’s Karen Chapman asks whether a community plagued by gun violence can find a way forward via an unexpected solution: mindfulness and meditation.

R.E.M Burn is a visual poem addressing thematic elements of life and death cycles and traditional knowledge principles. In our initial consideration for this piece, the collective discussed examining the art and fashion world’s appropriation of Indigenous design and iconography. The film quickly became about more than acknowledging the distinction between appropriation and recontextualization, which is increasingly less distinguishable in an age of commodification. As Indigenous people, we understand that knowledge comes from our relationship with ourselves, each other, our communities, our animal relatives, and the land herself. In its truest form, this knowledge is without replication. R.E.M Burn is ultimately a reflection on the land that sustains us, the knowledge she offers, and the responsibility we carry to share those teachings for the well-being of future generations.

Indigenous rights and title to the land remains a taboo topic for many across Canada, but in the small town of Laird, Saskatchewan, an old injustice is providing new opportunities for dialogue, friendship and a fierce determination to right the wrongs of the past.

A couple looks back on the road trip that transformed their relationship and confronts the fear and vulnerability of falling in love. Early in their relationship, Evan and Laura embarked on a road trip to Evan's hometown in Alberta, Canada. Armed with an old Super 8mm movie camera, they documented their adventure, capturing candid moments of their burgeoning love story. Years later, they revisit the footage and reflect on the journey that defined their bond. TWO KINDS OF PEOPLE explores the deep emotional challenge of vulnerability and speaks to the profound power of acceptance and unconditional love.

A beguiling, humorous presentation of cinematic impermanence. A naked man (Hoolboom), tilted 90 degrees by the camera angle, paints a black shape on a white wall; meanwhile, in a second, superimposed image, he re-paints it in white.

John Sabraw is a renowned artist who goes caving in waders to extract pollution from rivers and turn chemicals into pigments in a former coal town. Not only does he create artworks exploding with colour, he's building a multi-million dollar, carbon-neutral factory that will expand this process to create paint for industrial use, restoring miles of waterways and cutting carbon in one stroke.

This film interview affords a glimpse of a bold and learned mind illuminating important social issues. Responding to questions on the related topics of language, democracy, and the role of the modern university, acclaimed literary critic Northrop Frye explains why education is crucial: "A democracy cannot function without articulate citizens." Frye claims that the university is a place where individual liberty becomes possible, as students learn to question beliefs imposed by society. For Frye, reading and writing are "instruments of freedom."

Groups of Tibetan immigrants from small communities work in a Canadian laundry facility- mostly strangers to each other, but all part of a broader wave of Tibetan immigration that took place roughly between 2011 and 2017. With their social circles suddenly expanded, new romantic entanglements arise.

An exploration of the forestry industry, the film depicts a variety of views on the conflict between logging and environmentalism, including those of loggers, alternative forestry practitioners, a vice-president of MacMillan Bloedel, First Nations elders and environmental activists.

Based on the book, "Clearing the Way", by Major Mark Gasparotto, Tells the collective stories of the Canadian Combat Engineers in Kandahar Province, Afghanistan during deployment from August 06 to February 07.

Canadian band Sons of Butcher's feature-length concert documentary, featuring live performances and skits.

A documentary focusing on ex-convicts who reveal their struggles with trying to adapt to life on the outside.

In 1969, the federal government expropriated two hundred and fifteen families in eight towns of New Brunswick in order to build a national park. Not only did these families lose their homes and their memories, they also lost their livelihoods.

A Skateboard video from up north

Toronto-based documentary filmmaker and cinematographer Nicholas de Pencier (Four Wings and a Prayer, Watermark) examines the complex global impact that the internet has had on matters of free speech, privacy and activism.

A beautiful 7-year-old girl Fuyao is devastated when her parents are arrested and thrown into prison for their faith. Bullied and humiliated, Fuyao refuses to be crushed by the gigantic repressive regime. She and her mom find extraordinary means to connect through the iron bars and grow together.

Filmmaker Oren Siedler's personal exploration into her troubled and unusual relationship with her brilliant, charming, con-artist, white-collar criminal father takes us around the world, from Australia to Cuba and the USA.