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During the six-year term of President Luis Echeverría, a Mexico-United States coexistence day was organized in Washington. American children and adults flocked to the cathedral, where Mexican dancers performed regional dances. It was a day of folk music, dances, Mexican crafts and food exhibitions.
A sample of the most relevant and characteristic aspects of traditional Navarran culture: carnivals, pilgrimages, crafts involving farm implements and tools, agricultural work, patron saint festivals, and other manifestations of rural society and folklore unfold over 150 minutes at the pace set by the seasons. The film is a reference document of prime importance on traditional Navarrese society, which was beginning to disappear in the years when the film was shot due to the rapid transformation of the region into an industrialized society. More than thirty years later, this process has been almost completely accomplished, giving the film a unique added historical value.
About the figure skating competition for the prize of the Nouvelle de Moscoux newspaper
Shows places where rodents live, such as grass, rock crevices, or underground, and observes how they store food. Explains that rodents outnumber other mammals in both kinds and numbers. Points out that while some rodents spread disease or damage crops, others are important aids in scientific studies.
The documentary presents Pope John Paul II's first pilgrimage to Poland, which took place in 1979.
Suliman Mohamed Ibrahim Elnour’s graduation film depicts everyday life in a school in Yemen.
The final days of the reign of the Shah: processions of mourning and jubilation, scenes after the fire in the Cinema Rex in Abadan, southern Iran, in which 377 viewers died; the famous interview with the Shah – shortly before his departure at Mehrabad Airport, followed by the acclaimed arrival and first speech by Ayatollah Khomeini; finally the graves of the martyrs of the revolution in Tehran’s large cemetery Behesht-e Zahra. Torabi and his cameramen film euphoric crowds and thoughtful revolutionaries, statesmen and members of various minorities such as Turkmen and Zoroastrians.
1975: Alan Evans, aka the Rhondda Legend, was making decent money for playing darts.
Made a year before the Emergency, Flashback was commissioned by Films Division to commemorate its 25th anniversary. Sastry, with his ever-surprising style, turns this ‘history of’ film into a joyous mix, bringing archival film footage, documentation of Films Division’s infrastructure, and the musings of John Grierson, Ezra Mir, S Sukhdev and himself together, to tussle with the role of documentary cinema. Today, the unprecedented access to archives like that of Films Division is an open invitation to ‘flashback’ and reassemble the past.
Shot in the 1970s at L'Abri d'Érasme, this controversial feature-length documentary by Pierre Maheu challenges conventional therapeutic methods aimed at isolating patients from society. It takes us into the world of psychiatrist Roger Lemieux, who advocates the abolition of any distinction between "therapist" and "patient", professional and private life. His schizophrenic "patients" are "guests" with whom he can go as far as intimate contact to achieve their recovery.
Shot over one day, this program records the events and protests in Washington DC on May Day, 1971. This was the day when one of the most disruptive actions of the Vietnam War era occurred in Washington, DC, when thousands of anti-war activists tried to shut down the Federal government in protest at the War.
Comparing and contrasting the cities of Edinburgh, Scotland and Munich, Germany.
A Dispute in the Village Council — how should the village be redeveloped, what kind of new houses does it need? People want a basement, a small garden plot, a place to keep a piglet — and everything nearby, so they don’t have to run half a kilometer when a neighbor comes over and they need to fetch some pickles from the cellar for a snack. And they don’t want to go up to the ninth floor, even if there’s an elevator. But everything has already been decided — no one will build two- or three-story houses, let alone separate ones. Only five- to nine-story buildings. The plan has been approved, and new residents are already moving into urban-style apartment blocks. So why did they even have the discussion?
Filmed in 16mm during 1978 - to highlight the sophisticated social, medical, educational infrastructure that the PLO built during the 70ies in the refugee camps in Lebanon. The documentary is a cinematographic testimony of the Palestinian effort to build a secular and pluralistic society, based on the participation of the people and thus strengthening their feeling of national identity and dignity. PRCS was shot in practically all the Camps in Lebanon, from Nahar el Bared in the North to Rashidiye in the South, from Nabatiye to Beirut - Sabra, Shatila and Burj-el-Barajneh. Among the personalities in the film are Abu Ammar (Yasser Arafat), Dr. Fathi Arafat (President of PRCS), Dr. Sait Dajani, Yusuf Iraki, Abdelaziz Labadi.
Humphrey Burton introduces two Omnibus USA reports on the arts in New York... that is the arts in the streets, away from the museums and the concert halls. One film is 'Saturday in Soho', an impression of artists, dancers and musicians' work and of the Soho area in general. The second is 'Watching My Name Go By', a showcase a kind of graffiti cult game played by 11 to 17-year-olds. It's illegal and dangerous - and while some New Yorkers think it's a kind of art, others think it's kind of disgusting.
"A good ski run is like a good meal." So begins the unmistakable musings - and voice - of Warren Miller as we journey back to the "Me Decade" and his classic film, "Ski a la Carte." All the sights, sounds and styles of the 1970s are guaranteed to get you in the mood for a little ski boogie on an off the hill at some of the most amazing destinations on the planet. Classic ski action cinematography at its best. Featured locations include Mammoth Mountain, CA, and an invitation-only spring racing derby; Mt Vernasus in Greece, which hosts a school for ski-ophytes; and some truly outrageous '70s freestyle action from Squaw Valley, Park City, Sun Valley, and Colorado's Breckenridge, Keystone, Copper and A-Basin resorts. Generous portions of Warren Miller's trademark humor and some crazy kaleidoscopic effects make "Ski a la Carte" the perfect sample of vintage 1970s Warren Miller.
The camera takes in the Patagonian pastures, then the faces in an old warehouse, and transparent photos of Patagonian scenes. Everything is filtered by an amber light. (Narcisa Hirsch Filmoteca)
Great Britain was the first country to plan the establishment of 'new towns' to house the overflow from rapidly expanding industrial centres. Today these towns number over one hundred. This film examines the operation of two of them.
A BAFTA award winning documentary on the basic physics, properties, uses and fascination of light. Intended for educational and general audiences.
Enter the imaginative world of acclaimed sculptor Rolanda Polonsky, who had been a resident of Netherne Psychiatric Hospital in Coulsdon, Surrey for 26 years when this film was made. One of the positive aspects of her illness, described in the film as a schizophrenia, is that it "tapped a deep source of mystical vision and human feeling" which finds expression in her work.
Educational film about the dangers of drug use and abuse in high school. Framed around the death of a classmate from overdose.
Artur London was arrested in 1951 in a Stalinist purge, imprisoned and tortured for two years and forced to confess in the Slansky Trial, one of the last Stalinist "show trials" in Eastern Europe. The documentary explores some of the reasons for the controversy aroused by Costa-Gavras' The Confession, which had been accused of being anti-communist, and it highlights the political importance of filmmaking which, by its nature, is a fiction intended for the general public.
Hirsch’s first steps in filmmaking were documentations of her performances and happenings in public spaces. These were collective actions, filmed initially on 8mm or 16mm film, which record the reactions of a randomly chosen spectator.
Railman is a film concerned as much with the distribution of roles within the film collective as with getting “as close as possible to the life and routines” of an NUR station master. Filmed at Grove Park Station, Lewisham, in south east London, and set against the backdrop of state divestment in transport infrastructure, Railman might be regarded as a modest and experimental corrective to officially sanctioned British Transport Films.
A 54-minute portrait of Pulitzer Prize-winning composer George Crumb featuring a performance of his "Vox Balaenae for Three Masked Players."
A community daycare experience in Vila Kennedy, Rio de Janeiro, where resident mothers works in the neighborhood.
From the Wild Opera series by French filmmaker Frederic Rossif.
The lively atmosphere of Sydney’s famous landmark, Paddy’s Market in Haymarket, documented on film before the market moved to a new location. A Film Australia crew gets up early to shoot the stall holders selling fruit, vegetables and all things second hand. Shot in vibrant colour Out They Go captures the earthy dignity and vitality of the workers at the market as they go about their business, right in the heart of the city.
GETTING OFF ON THE RIGHT FOOT presented by the SAFETY AND COURTESY DEPARTMENT OF UNION PACIFIC RAILROAD
Filmed in Cuba, a documentary about communism in Cuba
A short documentary capturing the vibrant daily life, merchants, and cultural atmosphere of the traditional bazaar in Mashhad.
Asked about her artistic practice after her return to the United States, Hafif said: ‘I wanted to take a break from painting and try out other creative methods. So I bought a Super 8 camera and photography equipment. The first film I produced was the best I ever made. I shot on black-and-white stock and kept the camera trained on a single cloud for three minutes. The cloud slowly changed shape and floated away.’ In the cloud, Hafif seized on a motif with a long tradition in the history of painting. The film’s ‘action’, too, prompts associations with painting: the sky appears as a ground on which the clouds stirs like a mass of paint applied with a brush. A bird crossing the screen anchors the scenery in the specific filming location: California’s Pacific coast.
In this episode, Prof. Dr. Kees Trimbos, social psychiatrist and professor of preventive and social psychiatry at Erasmus University Rotterdam.
During the 16th Workers' Festival in Dresden in 1976, a student group of Chilean emigrants paints a mural symbolically depicting the activity of the Unidad Popular during Salvador Allende's reign. Festival guests comment on this work. Music by Chilean music group Jaspampa, formed in Leipzig in 1972.
Explores the creative world of Paul Soldner, a potter working in Aspen, Colorado.
The introduction of Spanish currency into the history of Peru after the Conquest of the Inca Empire.
Guy Gilles films the lives of young artists aged 12 to 18, members of a circus that has set up camp for two weeks at Porte Maillot in Paris. Between outdoor rehearsals and balancing acts, the filmmaker captures the fragile magic of adolescence and the spirit of freedom that comes with the dream of performing.
Following his use of art, painting and sculpture, in his work of the previous decades, Hurwitz took on a project for the American Foundation of the Arts aimed on deepening and enriching, for art students, the way in which we see. Working with his second wife, the editor Peggy Lawson, he made four short films comprising The Art of Seeing Series. The films, made without words, are beautiful poems to the pleasure of sight. This is the second part of his series.
A woman tells the story of how she bought an expensive dress that she never got to wear, and then tells the story again focusing on her feelings about the events she described.
Women walk in protest against executions of Basque militants by Franco regimen.
This video creates an awareness of the different forms of beauty found in cities. Explains that art, not luxury, is necessary and that nature enriches cities. Shots of San Francisco, Rome, and the Gold Rush town of Columbia, California. The film extols the modern outdoor shopping mall, enhanced by public art and parks, as an important aspect of civic architecture and design.
Sibylle Schönemann’s film about abortion lets young and older women speak; women who were forced to abort by their partners or who chose to carry the baby to term despite predicted difficulties. Assembled as a kind of collage, a round table alternates with stylised passages, while the camera also shows moments in a clinic right before and after the procedure. The attitude vacillates between drama and affirmation of life. Liberal perspectives, with one exception, are left out. Schönemann, together with Tamara Trampe, almost managed to take up the complex issue in a feature film.
In many ways the sister film to 'Horse of Mud', Al-Abnoudy’s graduation film at the Film School in Cairo is a portrait of Cairo’s street performers. The artistry of this community of fire-eaters, acrobats, child contortionists, and musicians is captured through the lens of Al-Abnoudy’s unobtrusive camera, accompanied by the spare and haunting narration provided by poet Abdel Rahman Al-Abnoudy. Playing with the poetry that offers image and cinema, she pays tribute to those underground enterteiners, giving back its letters of nobility to a marginalized and downgraded popular art.
The film emphasizes the importance of safety when using hand tools in a workshop. It discusses the significance of keeping tools sharp and in good condition, proper handling techniques, and the need for safe storage. The film also covers guidelines for using specific tools like saws, chisels, screwdrivers, and wrenches, highlighting the dangers of using dull or damaged tools. Additionally, it stresses the importance of maintaining a clean and organized workspace, wearing appropriate protective gear, and being aware of one’s surroundings to prevent accidents.
Backyard Theatre is a documentary about playwright Michel Tremblay and director André Brassard’s flavourful brand of Quebec theatre, which captured the earthy wit and joual (slang) of Montreal's East End working-class neighbourhood. The film features impromptu improvisation by the cast of Les belles-soeurs and Demain matin, Montréal m'attend, two genre-defining plays.
The only early film by Gernot Eigler to have survived, ASOZIALE was made in 1970 as part of the “Armut in Deutschand” (Poverty in Germany) TV series of the SWF network. Eigler, a Mannheim-born doctor, psychiatrist and specialist in occupational health was encouraged to make provocative, experimental films via his friendships and connections around the film studio at the Technical University of Aachen and the Cologne XScreen group. During breaks from work, Gernot Eigler continued to make films for ZDF and SWF until the mid-1980s. The fact that ASOZIALE has been preserved while the rest of Gernot Eigler’s early works must be considered lost is due to the fact that the film was shown at the Short Film Festival Oberhausen in 1971 and awarded a prize there by the jury of the Filmothek der Jugend. After the festival, a copy remained in the archive at Oberhausen.
Striking students meet at a "Revolutionary Seminar" at the Art Institute of Chicago in response to the invasion of Cambodia and the killing of protesting students at Kent and Jackson State Universities.
Follow the real-life rags-to-riches story of acclaimed Mexican performer Rigo Tovar, a musical pioneer whose innovative combination of traditional cumbia rhythms, electric instruments and rock melodies propelled him from poverty to stardom. This documentary shows Tovar, who died in 2005, during the height of his popularity, and features interviews with family members and plenty of live concert footage.
About the work of the young ballerina Nadezhda Pavlova and choreographer Nikolai Boyarchikov. Their collaboration on the image of Juliet formed the basis of the film.
Six short 16mm films shot by Adaora "Zora" Lathan during her time as a film student at the University of Illinois.
Matsumoto's early video work Murder Catalogue, but there were few opportunities to be screened at that time since it dealt with a grotesque image. Digitized a half-inch videotape he had kept in his studio. It is a work that shows the original form of a mysterious narrative that later appears well in Matsumoto's work, as it is constructed to repeat an event through long-term filming of a video and monologues by a cassette tape recorder. A photograph is placed in front of the video camera by one by one and the camera zooms in mechanically towards the images. Also, in Matsumoto's voice, a short monologue about the photos recorded on the tape is played. However, the voice is suddenly cut off by the sounds of hitting and the screams of the terminal, followed by the camera starting to expand the different images in the same way, and the voice of the recorder is played over and over again. - Ex-Is