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In French Polynesia, there is a place where every year, thousands of groupers gather in secret followed by hundreds of sharks… The photographer, diver and biologist Laurent Ballesta, with his team, wanted to better understand what motivates these fish to wait until the exact day of the full moon to spawn all at once! With the help of researchers from the CNRS of Moorea, they dived and conducted numerous experiments to study and witness this unique phenomenon. Taking advantage of this period of incredible richness, Laurent Ballesta did a record dive of 24 hours at over 20 meters.

Extract of rushes from the unfinished documentary project written and produced by Henri Langlois on Marc Chagall.

Ingrid Caven offers a rich repertoire of songs in French, German and occasionally English; at times, she dispenses with words and simply plays with sounds.

A strange interview with JUDAT about the new generation of underground cinema.

Martinique, late nineteenth century. Abandoning the plantation where they work, Hermansia and Tiquitaque, a couple of musicians, settle in Saint-Pierre, but quickly become disillusioned as their career takes off in a small town which is only interested in Western music. Thus begins a long drift during which the couple learns new sounds and new music from elsewhere.

An investigation, detailed in substance and playful in form, on the Google phenomenon, a company with dazzling success whose power worries.

Inspired by Rossellini's Europa '51 Straub-Huillet made a film consisting of two pans of a street corner in Paris.

Some 20 years ago, two sex workers were murdered in an upper-class Brussels neighborhood. Celebrated Belgian magistrate Anne Gurwez decides to revisit this cold case, pouring over the evidence with the use of new technologies and tracking down then-suspects.

In focusing his attention on the competitors of Mr Gay Syria, director Ayse Toprak shatters the one-dimensional meaning of “refugee”. Using the pageant as a means of escape from political persecution, the organiser Mahmoud — already given asylum in Berlin — hopes to offer the winner a chance to travel as well as bring international attention to the life-threatening situations faced by LGBT Syrians.

The French Ministry of Culture commissioned films on the cultural decade "en chantiers". Robert Kramer makes one of the six short films that illustrates the cultural side of the decade Mittérand. Here we see a director of cinema in the suburbs of Caen, in her room lined with flower paper. This for art and essay cinema. There, the critic Serge Daney in a sailor's cap, for a chat by the fire. An overview of French cinema today, "Pickpocket" on television. Then back on you. The camera slides on the desk that we imagine to be Kramer's. Finally, the camera flies over Paris, slides along the facades, stops on a window, entering the skylight: "The films invite to see ... I invite you to see Jean Genet's hotel room."

"Et expecto resurrectionem mortuorum", the work by Olivier Messiaen, was a commission by the Minister of Cultural Affairs André Malraux and was to be performed on the 20 June 1965 at Chartres Cathedral, in the presence of President Charles de Gaulle. This documentary takes place during the rehearsal on the prior day.

In her debut feature, Alexandra Pianelli captures the unique world in and around her family’s Paris newsstand, presenting a film diary that lovingly documents her time working there. Sequestered behind the cramped counter, Pianelli films the world as it passes before her with a boundless sense of curiosity and compassion. iPhone or GoPro strategically set up before her, she records idiosyncratic interactions with charming regulars who drop by for their newspapers and a chat, or the lost passers-by simply looking for directions. Le Kiosque is a tender study of humanity, as well as a bittersweet sketch of physical media’s dying days as the newsstand’s future becomes increasingly unclear.

Located on the île de la Cité, in the middle of the Seine, the Paris Law Court looks like an impenetrable fortress. Like Kafka’s castle, it guards its secrets well. It is the place of power. The filmmaker, who worked there for several years as a crime reporter, is extremely familiar with its labyrinthine spaces, its practices, its ceremonies. She comes back to it now, while the Courthouse, such as she knows it, is about to disappear: its relocation is planned in 2017. So, she explores it, camera in hand, on the traces of her experience.

Rose, 29 years of age, has one goal: leaving France and “going back to Noirie” [Blackland]. When Matthieu Bareyre, one of her closest friends, read her diary and offered to make it into a movie, she was given a once-in-a-lifetime opportunity to deal with some old demons of hers.

25 years ago, Marguerite Duras passed away at the age of 81. At the evocation of this name, one spontaneously thinks of the intellectual superstar Duras, adulated or hated, with her big glasses and turtleneck, who received the Goncourt prize for her mythical novel, "L'Amant". But behind the superstar writer, who either fascinates or annoys, and behind his double novel, the young Indochinese girl, with her hair pulled back and lips underlined with lipstick, which is precisely the subject of "L'Amant", are hidden other, perhaps less well-known facets of the character, a writer, but also a filmmaker, journalist, a woman committed to the left, a transient lover or a loving mother. Marguerite Duras will have had 1000 lives in one and many other faces. This film attempts to get as close as possible to this extraordinary destiny.

Two friends, both Indigenous fishermen, are driven to desperation by a dying sea. Their friendship begins to fracture as they take very different paths to provide for their struggling families.

From falsehood to mystification to manipulation and false impartiality, the whole logic of disinformation and brutality is brought to light. When the king of the media and his politico-journalistic buffoons are sifted by a radical counter-audiovisual power, the discredit of the "elites" sanctioned by the referendum of May 29, 2005 is better understood. With this film, Zalea TV's team had decided to laugh about it and make them laugh, even if at bottom these discoveries were rather disturbing. By staging a series of very simple techniques of "self-defense", this film is an invitation to self-disengage permanently. The use of the TV-B Gone, an instrument whose sole function is to turn off the television, appears here as the ultimate resort to media criticism.

Alexander and Roxane meet children then lose sight for several years. Teenagers they meet, never to leave but because of the family they will be separated for three months and forced to write letters as they live in the same street just 9 numbers away ... Their love is stronger than all, will remain patient and will continue to grow. Alleging facts. This film is directed by and starring two protagonists. Alexandre Laugier & Roxane Martine. That love wins. Are you ready for this adventure with them? You look at your wife or husband then the same way ... ?

The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.

On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.

Every good, even amazing things sadly comes to an end...

A series of philosophical dialogues on friendship, architecture, electricity, cannibalism and human rights.

Spontaneous portrait of an endearing and cheerful teenager living in balance between traditionalism and modernity. She presents her regalia to us and we share her pride in being Innu.

A City constantly threatened by war in a never-ending nightmare.

Documentation of Lygia Pape’s 1968 performance Divisor - reactivated in the city of Villeurbanne (France) in October 2014. Commissioned by Institut d'Art Contemporain de Villeurbanne / Rhône-Alpes.

Ireland, 1845. When a deadly fungus destroys potato crops throughout northern Europe, the most impoverished Irish population, whose main source of food is precisely the potato, suffers a cruel famine that will cause more than a million deaths and, in the following ten years, the mass exodus of more than two million people.

Chris Marker’s A Grin Without a Cat is an epic political essay tracing the rise and decline of the global left from the 1960s to the 1970s. Through archival footage and commentary, the film examines revolutionary movements in France, Latin America, and beyond, reflecting on the ideals, failures, and fading hopes of a generation.

A portrait of the masterful author whose novels were adapted into the classics 'The Birds,' 'Jamaica Inn,' and 'Rebecca."

In pursuit of ghosts and evil spirits, director Maria Pinto reinvents the paternity suit brought by Joao, her father, against the Dentist in Salazar's Portugal. A cross between fact and fiction, a celebration of family memory.

Circumcision is not a trivial act. For those parents, mostly "mixed" couples from different religious origins, a choice has to be made before the birth of their children, whether religion has a role in their lives or not.

In just a few simple lines, a picture of the French countryside in the 1960s: the last moments of a disappearing, changing world. The simplest documentary images are there to make us aware of the raison d’être of agriculture, harvesting the fruits of a cyclical and repetitive nature.

Documentary about sexual harassment and rape cases in French Universities and Superior Education. Many women come forward about their personal cases and how, despite the many reports, barely no action is taken.

How do those who may die tomorrow live? Camille visits Louis and then Rosa. These images, shot by Raymond Depardon and Patrick Blossier, introduce her approach. In a playful intimacy, she then begins to film Germaine.

Based on research by Ariane Chemin, this documentary tells the story of how French soldier Félix Mora recruited young Moroccans en masse for the mines of industrial France in the 1960s and 1970s as the French economy was booming. This recruitment led to a new generation of working-class French citizens through immigration.

England, 11th century. William the Conqueror (ca. 1027-1087) wins the Battle of Hastings (1066), changing the shape of medieval Europe and the course of English history. An account of the life of the extraordinary Norman warrior who became king.