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Cholet. The work of Freddy Mammani

Is it kitsch or authentic? A wonder is unfolding at an altitude above 4000 metres in the Bolivian boomtown of El Alto. For the past fifteen years, self-made architect Freddy Mamani has been building his Cholets here. With their hallucinating colours and unruly baroque forms, the buildings are striking jewels in a predominantly drab landscape.He has already completed more than sixty of them, and the phenomenon is grabbing the attention of people all over the world. Are these nothing more than exotic extravagances, or is this authentic architecture related to the Andean architecture of the Aymara people who have lived on the plateaus of Bolivia for centuries? Off to Bolivia to meet the ‘Gaudi of the Andes’!

Cholet. The work of Freddy Mammani

NR 2018
AI: What's going on?

Artificial intelligence (AI) is already an indispensable part of our lives. In the field of social life, economy, health care, army, traffic and education... Everywhere there are more and more - sometimes very surprising - applications. And the end is far from in sight, the potential is enormous. An enlightening documentary that looks at the present and the future of AI, but also dares to ask questions about possible pitfalls. Should we set a limit somewhere or place our full trust in AI? Are we gradually becoming superhumans or are we just losing control of our own destiny?

AI: What's going on?

NR 2021
25 minutes of Sahara

25 minutes in the Sahara, is a snapshot of the 34 years of division in which resistance and justice for the Sahrawi community has played out. 1500 seconds of images and voices are heard from exile; voices that are not silent under occupation; that speak as immigrants and that hold their own as an international human platform. 1500 seconds to open and not close your eyes to the reality of these men and women, part of our History. A present of robbed freedoms, properties exploited and forgotten by those who hold the key to the globalisation of toture and repression. A bid, at the end of division, to grant the Right to a Future in the Present, from the West and democratic action in the name of the Sahara.

25 minutes of Sahara

NR 2010
Atlantis Expedition

In one of the most inspiring expeditions of the 20th century, Alfredo Barragan sets out to prove that primitive men could traveled from Africa to America long before Columbus' trip. He creates a raft with the same materials these primitive men could have arranged and together with four brave friends he sets out to sail the Atlantic Ocean - and the adventure begins. He didn't only want to prove this hypothesis but he also wanted to prove that a men, with determination and enough planning, can achieve what seems impossible. "Let men know that men can!". Don't miss this amazing and inspiring story that will make you believe again in yourself and in mankind.

Atlantis Expedition

8.3 1988
Mandiyú

We meet a group of rural worker and their families in the north of Uruguay, people who are struggling to continue their lives working on the land. Mandiyú is a group of small milk producers who are landless. In 2007 they finally ran out of patience waiting for an official ruling about a plot of land, and as there was no response from the Institute of Colonisation they occupied an unproductive space belonging to the Uruguayan state. This documentary tells the story of these workers and their families.

Mandiyú

NR 2007
#005

The fifth cartridge exposed by Yonay Boix’s super 8 camera offers a continuation of the author’s filmed journals that he carefully composes frame by frame, exploring the potential of celluloid and in-camera editing. This time, the leitmotiv is either a spot of light or a dark spot that he generates using a pierced piece of paper and a glass filter onto which he has previously painted a black dot, respectively. These procedures trace back to the mechanisms of early cameras, reminding us that what we see is not the world but the glimpse of it that a contraption was able to catch.

#005

6.0 2020
A punto de despegar

Some arms do not stop tearing down walls and houses. Others insist on cleaning and tidying rooms that will be gone the next day. Collapse and resistance coexist. In A punto de despegar we witness the disappearance of San Agustín, the last town that survived the era of the great haciendas of Lima. The expansion of the airport causes the eviction of the entire place and with its demolition comes the end of several traditions and ways of life. Modern Peru is a one-way train where the archaic has no place. A respectful camera preserves the faces, gestures and words of those last days. A film built after a decade of friendship with the neighbors. A farewell that radiates affection, intimacy and uneasiness in equal measure.

A punto de despegar

5.0 2015