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A group of loggers and their horse embark on a delirious journey to gather firewood deep in the Slovakian mountains.

The life and times of George Johnston, photographer and keeper of memories for the Tlingit nation.

Fifty years after the iconic first Trip, Ken Kesey's son Zane took the Furthur Bus - and his father's legacy- back on the road, for its longest running tour in history. Armed with a new band of Merry Pranksters, the Furthur bus traveled over 15,000 miles in 75 days, riding into music festivals, community events, tribal gatherings and national landmarks, reestablishing itself as a symbol of radical self-expression and cultural revolution all across the country.

A documentary that explores the dangerous and sometimes deadly world of fake products. An industry that once dealt in imitation designer handbags and shoes has exploded into a global epidemic of counterfeit pharmaceuticals, foods, toys, electronic goods, car parts and microchips. COUNTERFEIT CULTURE challenges consumers to take a deeper look at what appears to be harmless knock-offs at bargain prices.

This documentary is about the Montagnais from Saint-Augustin et de La Romaine Indian reserve, in the region of the Côte-Nord in Quebec. Perrault approach those First Nations Citizens in order to discover that even if in our traditional occidental thinking and culture we consider ourselves superior to them, we still have a lot to learn from their traditions and ancestral way of living. Through a warm, human and respectful gaze, Perrault looks at the repercussions of European civilization's influence on Aboriginal culture, exploring the imagination and the codes of Native from Canada. The result, contradictory yet profound, was especially striking thanks to the sublime images captured by Gosselin within close relations with the Cinéma-Direct tradition in witch Perraut is one if not the greatest ambassador in the world.

A documentary about Vancouver metal band 3 INCHES OF BLOOD. The film follows the band on tour across Canada and gives a first-hand look at what it takes to thrive on the road.

This documentary explores the state of black women's roles and lives in Canada during the 1970s.

An intimate portrait of Jack Chambers, a major figure in the Canadian cultural landscape. This lyrical film includes the full range of his work from the age of thirteen until his death. The story is told in Chambers' own words through narration, and balanced by interviews with people who were close to Chambers at different times in his life.

This video focuses primarily on the implications of the structure and format of television, especially the consequences of concision, and how these factors can shape the messages of the medium. In addition, other issues, such as how democracies handle dissenters, and how the mainstream media have treated the challenges of Noam Chomsky's media critiques are explored. The media construct reality, and in the conclusion we see the author participating in that very process.

This documentary follows four scientists and their Native guides into the unmapped wilderness of the Ungava Peninsula, in northern Quebec. Crossing this territory in large canoes, they collect samples of Arctic flora and rocks, take readings of soil temperature and record the correct bearings for rivers and lakes en route. The keen excitement of opening a new chapter in Canadian exploration is evident throughout the film.

Blackout is a short, animated documentary about the 2003 power failure in much of the eastern seaboard of the U.S and Canada for up to 4 days.

This short documentary tells the story of a cheese—the famous Oka—and of the monks who make it. The Trappists in Oka, Quebec, began making the cheese around 1890, when a Trappist monk from France taught them the recipe, which dates back to the 11th century. Today, Brother Albéric continues to make the cheese at an abbey in Manitoba according to traditional methods and a secret recipe written in a mysterious notebook.

A short 1960 documentary about physical fitness trends in the big city. Here you see modern man brought to bay by his own poundage, resolved to erase by exercise what rich food, idleness and age have put on.

In June 1970, Acadian prog-rock group L’Empremier did not shoot a live recording session within the ruins of Fort Beauséjour, Acadisco did not produce and release the album, and the original songs did not become emblematic militant anthems for the Acadian people.

The community of Nain in northern Labrador is rich with breathtaking landscapes and people with a strong storytelling history. Created through the St. John's International Women's Film Festival's FRAMED film educations series, in partnership with the Nunatsiavut Government, this film explores throat singing- a special talent and traditional game for both fun and public entertainment, which was nearly destroyed but has since been revived.

Documentarian Richard Lavoie follows the artists of the Mer Océane symposium which took place on La Grave, in the Magdalen Islands, in 1998.

“We’re beautiful, the whole gang. We’re special,” says Jean of the 15-odd employees at The Artisan—a workshop employing people with intellectual disabilities. Jean is the self-described “handyman and best-looking” member of the group. A moving celebration of difference, The Artisans captures daily life at an organization where the workers are as courageous as they are colourful.

Ceremonies for the beatification of the foundress of the Sisters of Charity, Mother Marguerite d'Youville. The first Canadian to ascend the altar, Mother d'Youville was the object of national celebrations highlighted by a triduum of thanksgiving at the Temple of the Canadian Martyrs in Rome.

"Field of Vision" moves between the real and the imagined, the built and natural worlds, and explores how we see with both our eyes and our minds. It weaves together layers of images and sounds with police blotter reports and descriptions of visual and auditory hallucinations.

Two young married adults with differing eating disorders share their experiences, insights, and stories of struggles, social expectations, misconceptions, and recovery.

The myths surrounding the Mi'kmaq god, Glooscap, are retold using the Cape Blomidon and Cape Split areas for the setting.

Director and writer Carol Geddes reflects on telling stories from an aboriginal perspective as a filmmaker in the NFBs North West studio.

The curmudgeonly bicycle maker attempts to set a cycling distance record.

A car slowly navigates the winding streets and disparate airwaves of the United States of America in search of the scars of capitalism in natural landscapes, urban environments, people, and wildife.

The three female protagonists present their personal relationship with intravenous drug use, and their intimate confessions are filled with fear and insecurity but also love for the state of intoxication. Ambient music in the background and colourful textures multiplying over shots of the everyday reality of drug users create an almost dreamlike world. “I won’t feel the full effects the whole night, but it will help take my mind off things.”

Co-directors Michelle Shephard and David York take an intimate journey with the mother of a young Canadian woman named Amina who left home to join the war in Syria and become a member of ISIS. From Canada to Europe and Turkey and back again, they work various channels seeking what a CSIS officer calls the “exfiltration” of Amina from inside the so-called Islamic State and into the custody of Canadian officials.

A documentary about an Interracial American gay couple who move to a fishing village in Cape Breton, only to find out that the community is under threat from climate change.

Waiting for Sancho is an ontological investigation into a place where cinema becomes something more than cinema. Filmed in high-definition colour over five days in the Canary Islands of Fuerteventura and Tenerife, Waiting for Sancho is a kind of experimental “making of” the critically acclaimed El cant dels ocells (Birdsong_/_Le chant des oiseaux). A particular take on the Biblical story of The Three Kings en route to the baby Jesus, El cant dels ocells premiered at the Quinzaine des Realisateurs at Cannes 2008.

A mockumentary about a satirical campaign to combat homophobia.

Les Vrais Perdants examines the subject of childhood education within the context of our competition-driven society. As they help children develop their talents, whether those be in hockey, gymnastics or piano, aren’t parents and coaches really seeking, consciously or unconsciously, to satisfy their own needs and fulfill their own dreams? The children might have something to say about that...

Mined, extracted, and woven, asbestos was the magic mineral. Towns became cities under its patronage, Persian kings entertained guests with its fireproof nature, and centuries of industry raked in the profits of its global application. We now live in the remains of this toxic dream, a dream that with the invention of electron microscopes revealed our material history as a disaster in the waiting.

"Fixed: The Science/Fiction of Human Enhancement" questions commonly held beliefs about disability and normalcy by exploring technologies that promise to change our bodies and mind forever. Told primarily through the perspectives of five people with disabilities, a scientist, journalist, community organizer, bionics engineer and exoskeleton test pilot, FIXED takes a close look at the implications of emerging human enhancement technologies for the future of humanity.

Late night Winnipeg adventure

This documentary follows Huang Yuechuang, a 77 year-old cormorant fisherman who is the last of his generation to carry on the traditional type of fishing in rural China. Yuechuang has recently become a well known personality online since a photo of him won a Sony Award in 2012 and he is determined to show the world why it is important to keep his family tradition alive.

A slow sensuous dance gives way to a technical barrage of prismatic shards of love.

Islands is an experimental video that deconstructs a film by John Huston to comment on the Caribbean‚s relationship to the cinematic image. A story of unrequited love by a shipwrecked American marine (Robert Mitchum) for an Irish nun (Deborah Kerr), Heaven Knows, Mr. Allison is set in 1944 in the Pacific, but is shot in 1956 in Tobago using Trinidadian Chinese extras to portray Japanese soldiers. The artist’s uncle Clive is one such extra.

The heady pleasures of new lust and love allow the artist to escape her head momentarily - before trepidation creeps back in. With her usual sensual blend of grainy slow motion imagery and in-your-face sex-talk, Bradley continues her passionate exploration into the nuances and contradictions of lesbian desire.

Valentine's Day, 1982: a terrible storm rages off the coast of Newfoundland. On the Grand Banks, the Ocean Ranger, the world's mightiest drilling rig, is pounded by waves more than 20 metres high. At the height of the storm, the "indestructible" rig begins to tip over, then capsizes. All 84 men on board -- 56 of them from Newfoundland -- perish. It is Canada's worst tragedy at sea since the Second World War.

Wandering around the cold, quiet landscape of Vancouver past midnight, the film is a recollection of personal thoughts on immigration, intergenerational trauma, gentrification, and what it means to seek refuge on stolen land. Locating itself amidst dissonances of language and translation, between what is (not) seen and what is (not) heard, the film is a self-reflexive act of resistance, a quiet morn for the perpetuating dreams of generations of Vietnamese immigrants who lived and left their lives in between the mist of nights. Made in response and dedicated to 39 Vietnamese immigrants who passed away in the container on their way coming into England in November 2019.

This documentary features Black women active in politics as well as community, labour and feminist organizing. They share their insights and personal testimonies on the double legacy of racism and sexism, linking their personal struggles with the ongoing battle to end systemic discrimination and violence against women and people of colour.

The film explores familiar landscape imagery Saïto and Goldstein share in their neighbourhood at the foot of Mount-Royal Park in Montréal, Canada. Using the images of maple trees in the park as main visual motif, Saïto creates a film in which the formations of the trees and their subtle interrelation with the space around them act as an agent to transform viewer’s sensorial perception of the space portrayed

A documentary telling the story of the 1983 Solidarity strike in “British Columbia,” a key point in the introduction of neoliberal economic policy in the province.

In the mountainous country near Lillooet, British Columbia, eleven-year-old Kevin Alec of the Fountain Indian Reserve learns to make fishnets with his grandfather, and skin and tan hides with his aunt. He goes fishing with his grandmother and horseback riding with his brother. Life is full of wonderful things to do and to learn. Will Kevin eventually abandon his traditional way of life or will it be a source of continuing enrichment? This film is part of the Children of Canada series.

"Broken Reflections" explores the internal battles we face and the strength it takes to confront our inner demons. Jame's journey represents the power of self-acceptance and finding the hope of overcoming even the darkest of personal struggles.

It Could Only Happen Here is an underground, DIY documentarian look at the behind-the-scenes of one of Quebec's best-kept secrets: FME Festival. Nestled in the mountain town of Rouyn-Noranda, FME is an emerging music festival that mainly focuses on Canadian bands, still cutting their teeth, and a few bigger international headliners.

This series of three works is part of the “household scenes” project, a corpus in development. It is a set of vignettes, cinematographic tableaux, built around the repeated gestures of my parents' daily life. I present these scenes sometimes as sequence shots, sometimes as a succession of cut-out shots. Some depict only one parent, with particular emphasis on how he/she negotiates domestic space. With these paintings, imagined in various environments and by a treatment specific to the medium, I work to reveal the singularity of the places, the movement of the figures and the relationship between the two.

People on welfare are rarely heard. What do they go through? How do they feel? How do concerned social and welfare workers feel about the welfare system? What is welfare supposed to do? In this film, welfare recipients and social case workers talk about the problems of being "up against the system." Part of the "Challenge for Change" series.