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Anniversary

The film is the author's message of memories and reflections evoked by the celebrations of the anniversary of Warsaw's uprising. The picture of the cemetery with crowds of people who came to visit the graves of the insurgents presented in a way that aroused emotions because of the power of the memories it refers to, but also because of the fact that the anniversary was private, unorganized - it was an expression of spontaneous, grassroots activity. The Warsaw Uprising lived in the memories and emotions of those who remembered it, who lost loved ones, friends, acquaintances, but also lost their city, because Warsaw is also the subject of this personal anniversary.

Anniversary

NR 1981
Cinema as Foreign Exchange

This documentary shows how cinema has been used very differently in three neighbouring African countries with different colonial heritages: Zimbabwe, Mozambique and Madagascar. Mozambique used cinema newsreels as a crucial propaganda tool after the Portugese colonisers left. Madagascar boycotted US movies, so its screens were dominated by French, Indian and Hong Kong films instead. But a few films managed to get made. The situation in Zimbabwe was the worst, except that alone of the three countries it possessed an efficient film laboratory.

Cinema as Foreign Exchange

NR 1984
Lypa

A portrait of Inuit hunter and artist Lypa Pitsiulak, who decided to return to the land several years ago. His goal was to rediscover his culture, teach his family survival skills in the harsh Arctic environment, and pull himself and his family away from the negative influences of white culture. The film portrays his lifestyle, his love for his family, and some of the sources of his artistic inspiration. It also highlights his beautiful prints and sculptures, with their fantastic interweaving of figures from the animal, spirit and human worlds.

Lypa

8.0 1988
Debate 1984: Capitalism or Socialism - Which is the Moral System?

Seventeen hundred eager attendees braved a snowstorm to hear this extraordinary debate. Held at the University of Toronto in 1984 - when academics still believed that socialism was the wave of the future - this event kept the audience captivated for over 2 1/2 hours. The debate centered on moral fundamentals eliciting profoundly opposing views on issues from the nature of man to the justification of government. Don't miss this electrically charged confrontation.

Debate 1984: Capitalism or Socialism - Which is the Moral System?

NR 1984
Freitag, der 13.

24 hours at the Berlin traffic accident standby service. The frequency of accidents on the streets of the capital of the German Democratic Republic (GDR) becomes apparent, including inappropriate and increased speed, pedestrian errors, failure to give way and driving under the influence of alcohol. Major Busse, the head of the Berlin Traffic Accident Investigation Unit, raises the question of whether the GDR has developed its own kind of driving. The camera provides interesting insights into the carelessness and aggressiveness of road users, which can lead to serious injuries and deaths

Freitag, der 13.

NR 1989
Headline Today: Guatemala

Headline Today: Guatemala is a war documentary. Two American journalists: Allan Nairn and Jean-Marie Simon explore the internal armed conflict in Guatemala in 1982. After General Efraín Ríos Montt comes to power the few news about Guatemala that appear in the United States' media are apparently positive. The major American media advertises the image of Ríos Montt as a “born again Christian” with a mission to pacify Guatemala. Nothing is further from reality. The Reagan Republican administration hides from Americans the war aid that his administration continues to provide to the Guatemalan army, despite the explicit congressional ban. The international media remains silent about the dimensions of the war in Guatemala while Ríos Montt, with the approval of the local oligarchy, leads for 18 months the largest number of atrocities and human rights violations against the civilian population.

Headline Today: Guatemala

6.0 1983
Hemligheten

About the problems and questions that arise when a young person becomes an adult, what occupies his thoughts, what is important in meetings with other people, how he searches for his own place in life, how he handles the meeting with love and the person who becomes the most important there. When the film is shot, the rock singer Hasse is 24 years old; he lives in Stockholm. The camera follows him through his days, to the rock club, to the stage, to meetings with friends, parents and girls. He meets Johanna, who is 16, and what is called infatuation, eventually love, arises. How does Hasse now create a place for himself in life, how do they build up their community? Both are big-city children, raised in welfare Sweden, which perhaps no longer provides welfare but has created an emptiness, a meaninglessness.

Hemligheten

7.0 1982