Discover Movies

Between June 1940 and March 1943, the 1,200 kilometer long demarcation line broke France in two. For almost three years she controlled the daily newspaper of 40 million French people. In the north the zone occupied by Hitler's soldiers, in the south the zone administered by Marshal Pétain's Vichy regime. This film lifts the veil in this theater on the shameful mistakes of the collaboration, but also on the most courageous and noble deeds. Archive images and film recordings at places where the border used to be crossed are alternated with interviews with the last witnesses of this time.

On the day of the Assumption of the Virgin, a very old sacred liturgical drama is performed by the people of Elche.

Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)

Once upon a time, there was a pedunculate oak (Quercus robur), born in 1810, 210 years old and a pillar in its kingdom. This spectacular adventure features an extraordinary cast: squirrels, barnacles, jays, ants, field mice... This vibrant, whirring, marvelous little world seals its destiny around the majestic tree that welcomes them, feeds them and protects them from its roots to its crown. A poetic ode to life, in which nature alone expresses itself.

Broadcast once a month, Dim Dam Dom was a TV variety show on the second channel of French public television agency ORTF made up of a series of short sequences presented by one–off guest presenters. On the 30th of April 1965, Marguerite Duras interviewed François, a little seven-year old boy. Duras asked him what he thought about the inventions of the future, school, the usefulness of TV, "Belphégor" and talking horses. Francois answered the writer’s cunning questions with humour, candour and poetry.

Filmmaker Jean Chabot looks at the use of nuclear energy in Quebec. Do we need this expensive and dangerous energy?

A dystopian crime film adapted, produced, and directed by Stanley Kubrick, based on Anthony Burgess's novel A Clockwork Orange. Where a sadistic gang leader is imprisoned and volunteers for a conduct-aversion experiment, but it doesn't go as planned.

It starts like a fairy tale: there is a queen, a king and their beautiful children, Pauline, Anaïs and Guillaume. But it's a little more complicated than that actually ...

Turkey, a village, today. A French filmmaker of Armenian origin returns to his roots. Four times in three decades, the director and actor Serge Avédikian returned to Sölöz, his grandparents' village located 170 km south of Istanbul. Throughout his successive returns from 1987 to 2019, he has drawn from this experience a powerful film on the themes of identity, historical truth and reconciliation.

In this documentary, comedian Louis T explores the multiple facets of vaccination in Quebec (Canada). In a biting style, he questions the reasons for and consequences of the population's growing mistrust.

A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.

Ireland, 1845. When a deadly fungus destroys potato crops throughout northern Europe, the most impoverished Irish population, whose main source of food is precisely the potato, suffers a cruel famine that will cause more than a million deaths and, in the following ten years, the mass exodus of more than two million people.

Portrait of Reinette l'Oranaise, diva of the Arab-Andalusian music, born in Oranien, who was able, in spite of the difficulties made to the women of the time and thanks to her steel will, to learn all the repertoire of Andalusian music.

6000 mensonges comes to the spectator as lightning in a clear sky. What starts as a recollection of prenatal images we are used to seeing suddenly becomes a dive into an unknown territory, in which the border between reality and fiction is no longer relevant. The result is a striking, haunting and powerful testimony of a devastating experience that is lived by many in silence, told in the most contemporary possible way.

A look at the students and teachers of 'Island Academy' the high school for inmates of Riker's Island. The largest correctional facility in North America.

In the heart of the Ariege Pyrenees, Patrick Chêne, a farmer and osteopath, cares for humans and animals with his hands and diphonic song. The vibrations of his singing radiates through the body and acts like an acoustic probe, showing a sensitive world full of invisible energies that make and form life, building our link with Earth and our environment.

The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.

In 2005, a small group of scientists and filmmakers agreed to leave everything behind for more than a year to sail to the Antarctic and live in isolation. Following in the path of the greatest explorers, expedition leader Jean Lemire and the crew of the Sedna IV dedicated themselves completely to measuring the threat posed by global warming in a place where Earth is particularly vulnerable. The resulting film, is a record of their incredible 430-day journey that inspires equal measures of fear and admiration. Alternating between captivating images of beauty and serenity, and spine-tingling sequences where the ship's crew finds itself on the edge of catastrophe, this is an expedition where danger and wonder are inextricably linked.

A “Cinéma, de notre temps” series episode directed by french filmmaker Jean-Pierre Limosin, originally aired 26 January 1996.

The Fence is a cry! In the aftermath of the civil war which bloodied Algeria, Tariq Teguia interviews the young people of Bab El Oued who express their anger. In the fixed shots in which they testify, Tariq Teguia alternates wanderings in a car which extend those of Ferrailles d’anticipations. And it is the violence of confinement that dominates, coupled with the desire for something impossible elsewhere.

Documentary about the process canned pineapple takes from cultivation to sale.

"Rita Hayworth, my grandmother and me. Time passes. Images age... too." (Gaël Lépingle) A visual and sound collage that superimposes and intertwines the destinies of a grandmother facing incipient Alzheimer's and the film star Rita Hayworth.

In summer 2003, when the heatwave hit in Europe, in Switzerland, the glacier below the Schnidejoch pass, released a mysterious object: a piece of a Neolithic quiver.

Every year since 1980, I have filmed the Good Friday ceremony reconstructing the Passion of Christ in Burzet, a remote village in the Ardèche area, where for seven hundred years, the local people have dressed up to celebrate and perpetuate this religious rite. (Gérard Courant)

A homage to journalist Francis Ponge in a film that its author regarded as “natural.”

At the beginning of the 1980s, a group of Germans ventured into a social experiment: in the remote hills of Umbria, they founded a self-sufficient community beyond consumerism and bland gainful employment. After 40 years, the rural commune still exists. Not all the plans have come to fruition over the years. How are the dropouts doing today?

A cold odyssey over more than 8,000 km through contrasting territories, from the mountains of Mongolia to Lake Baikal, from the taiga to the Siberian tondra: this is the challenge that Nicolas Vanier has set himself. The adventure will last 18 months, 18 months during which Nicolas and his team face one of the most hostile regions of the globe before reaching the Arctic ice. An exceptional route, where only traditional modes of transport are used to overcome the constraints, each time different, of the regions crossed...

Léon G. Damas (1912–1978) was the first poet to “live Négritude”, according to the Senegalese poet, politician and cultural theorist Léopold Sédar Senghor. Cosmopolitan and always in transit, his writing is a chorus of melodies and imagery imbued with angst and melancholy and strongly influenced by jazz and blues. Punctuated by images of the landscapes of French Guiana and the voice of the artist, the film exemplifies the poetic documentary form to which Maldoror frequently returned.

How did the end of the Soviet Union change the way of thinking, the way of behaviour of militant French Communists ? For the first time and during several months meetings of a Communist Party cell in one of Paris' industrial suburbs were filmed by André Van In. Set against these meetings, the militants are filmed discussing their commitments, their dreams, their mistakes. Beyond questions about power or the political machinery, they share their faith in militancy and their hopes for a fairer society.

Bertrand Tavernier talks about Losey's M.

As the eldest son of the legendary actor and producer Kirk Douglas (1916-2020), it was not easy for Michael Douglas to make his way in Hollywood and, like his father, become a recognized actor and a prestigious producer.

This portrait from the "Algerian Filmmakers" collection, created by Linda Tahir-Meriau, focuses on Mohamed Chouikh, born in 1943 in Mostaganem, an Algerian actor and director. In 1965, he starred in one of the first major Algerian films, "L'Aube des Damnés" (The Dawn of the Damned) by René Vautier and Ahmed Rachedi. In 1966, he appeared in "Le Vent des Aurès" (The Wind of the Aurès) by Mohammed Lakhdar-Hamina. The film won the Best First Feature Award at Cannes. Until 1970, Mohamed Chouikh devoted himself primarily to his acting career in theater and film. It was Michel Drach's film, "Elise Ou La Vraie Vie" (Elise, or Real Life), based on the novel by Claire Etcherelli, that brought him to the attention of French audiences. In the 1970s, he became a director for Algerian television. In 1989, he directed "The Citadel", which was selected for more than 70 international festivals and won around twenty awards.