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Exilio

Exploration between the characters and the filmmaker. A quest into a universal existential problem, how to inhabit the world. Members of a family leave their home and in the middle of the Cuban Sierra Maestra struggle to find a new one. During this process they inhabit scenes of a routine life in the middle of nature, outside of a closed space between four walls, place and concept they long and project. It concludes with the departure of the patriarch and the already palpable absence of a father with dark gaze who dreams of going far away from his country in the pursuit of something different, becomes a reality. Contemplative meditation of an internal torment.

Exilio

NR 2021
11 Underground

In 1984, eleven miners entrenched themselves underground to protest for better working conditions in the mining village of Almaden in southern Spain. The strike, deep within the toxic mercury mine, lasted for eleven long days, during which the whole village showed its solidarity with the men protesting underground. The mine was the heart of Almaden, around which everything revolved – until it longer existed. The mercury mine was closed for good at the beginning of the 21st century. As a consequence, the area has experienced mass unemployment and slow decline.

11 Underground

8.0 2024
1912, Breaking the Silence

Afro-Cubans played a leading role in the fight to free Cuba from Spanish domination; as part of that struggle, slavery was abolished. Nevertheless, as African descendants began to achieve a semblance of social and economic parity, the plantocracy, backed up by the US army, sought to undo their gains. Determined to resist, veterans of the Mambi army formed the Party of Independents of Color, gaining wide popular support and ultimately threatening the domination of the white Cuban rulers. Their response was savage, and 6,000 Afro-Cubans were massacred; until this film, these events have been shrouded in silence.

1912, Breaking the Silence

5.0 2010
Postcard (Or, from afar, you are a mirage)

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Postcard (Or, from afar, you are a mirage)

NR 2024
Sumergidos en Atlántico (Minidocumental)

"Sumergidos en Atlántico" is a mini documentary that we started filming at the beginning of this whole project. Combining it with the EP was not easy, and there came a time when we decided that the best thing was to stop and dedicate all our energy to Atlántico. But when we found out that we were going to play at the Beatout, we wanted to take it back and document how we experienced the concert and the days leading up to it. This is the result of putting together the footage from before, during and after an entire stage. With it we close what we opened with Atlántico, and we face next year with new ideas and projects.

Sumergidos en Atlántico (Minidocumental)

10.0 2024
Flooded

Documentary about people and their towns (Abideira, Porto, Castro Candaz, Santa Marta, Pincelo, Ponte fortes, A Samugueira, San Paio, Mourulle, Portomeñe, A Hermida, Ribó...), flooded by the reservoir of Belesar in 1963. Real images and sound of the Ribeira Sacra and the Miño river, of the houses remains, of the cellars, the trees, and, more importantly, and especially, of the testimonies of ten people that lived in these places before the construction and that were forced to leave everything behind.

Flooded

NR 2013