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The memory and strength of five priestesses mães-de-santo who build the religious cultural identity of the Bode Community, in Recife. Ceremonies, terreiros, maracatus and social works are revealed in this dive into the female universe. These women generate a personal and social transformation in the development of their surroundings and also of that community with the local population.

Focusing on former World Wave Champion Victor Fernandez and friends – freestyle legend Goliito Estredo, Marcilio Browne, Klaas Voget and up-and-coming star Alessio Stillrich - this new film concentrates on pure beauty in action, landscape and the ultimate sports lifestyle.

A deep and sincere investigation into the close connection between Brazilian football and our country's society, to show that the 7-1 defeat we took from Germany in 2014 is just “the visible defeat” of all the others that Brazil has suffered, not only on the field, but off it as well.

Pseudosphinx is the scientific name of the fire-caterpillars soon to become butterfies, or as they're commonly (and auspiciously) called: witches. These butterfy-witches are associated with several myths. Pseudosphinx is at the same time sphinx, meaning inhuman chtonic monstrosity that spells charades; and pseudo, as in artificial, insincere, deceptive, unreal, illusive, mimetic. Pseudosphynx keeps its meaning veiled, like a secret kept by those who save in their retinas the haptic impression of its fight. [Punto de Vista]

If André died this would be te saddest film in the world.

The documentary celebrates the poetic legacy of Lupicínio Rodrigues, investigating the musical contribution and historical context of this composer born in Rio Grande do Sul and author of hits that surpass generations.

The Encantadeiras is a group formed by a group of babassu coconut breakers from Maranhão. The film accompanies the 7 women on a tour and unveils the story of each one. Babaçu, feminism, land reform and music. A lot of music.

A trifle crime, from a legal point of view, is one that involves insignificant values. Paradoxically, in Brazil, these seem to be very serious crimes and their authors are highly dangerous individuals. The documentary follows the story of Maria Aparecida and Sueli, women arrested for petty theft, and Sônia Drigo, a lawyer who voluntarily set out to defend them. Maria was arrested for attempting to steal a shampoo and conditioner for R$ 24.00 and lost sight of an eye in jail. Sueli tried to steal a cheese and two packages of crackers, worth R$ 30.00, and spent almost two years in prison.

Would have one of the masters of Brazilian cinema always made the same film? From an encounter with documentarian Eduardo Coutinho recorded in 2012 and a vast amount of archive footage, this film offers a general look at Coutinho's work and testifies how the filmmaker’s thinking still stand the test of time to this day and age.

Nei D'Ogum is African religion, is sex and is racial causes. He is love and contradiction. He is a fighter for civil rights for black people, gays and transsexuals. He is the very cause. He describes himself as 'Poor, n*gger, fagot'.

In December 1997, in Rio de Janeiro, Minas Gerais composer Milton Nascimento brought together friends and career partners for the special "A Sede do Peixe" (The Thirst of the Fish). Featuring Caetano Veloso, Alcione, Skank, Nana Caymmi, and Gilberto Gil, the film is a cultural treasure, portraying unforgettable, often lighthearted moments in the career of one of the greatest icons of Brazilian Popular Music.

In 1992, a group of teenagers began recording horror films with VHS cameras in Palmitos, in the west of Santa Catarina, Brazil. Led by Santa Catarina director Petter Baiestorf, the production company came to be called Canibal Filmes. Far from large urban centers and in times of stagnation in Brazilian cinema, the group learned in practice how to make low-budget cinema. The films found their own way of financing and showing to the public. Through reports, photographs, documents and videos, the documentary covers Canibal's early years, retracing the group's efforts and challenges in making independent cinema in a region with no cinematic tradition.

A film that uses the very premise of acting, of the game between real and real fiction, to imagine a world in which art becomes impossible and the artist useless.

"Poetry is the divisor, before it repression, after her freedom", thus recites the poet evanilson alves, "sarau of the jaguar - poetry of broken" documents the poetic sarau that happens every fortnight in sussuarana, periphery of Salvador. On stage birth abdias, women and men in poetry saw ounces in the jungle of the Bahia capital.

In hopes of unraveling the causes and cure for various forms of insanity, a psychiatrist in Brazil created the Museum of Images from the Unconscious in 1952. It gathered paintings and drawings made by mental patients from all over Brazil. Many of the works in the museum are paired with the case-histories of the patients who created them in this fascinating film.

The film chronicles both the life and work of Brazilian author and engineer Euclides da Cunha and a failed attempt at directing his biopic in the 1980s and 1990s. Footage from the unfinished film is included alongside archive and documentary material.

An analysis of the ideas of economist Celso Furtado and his participation in several projects developed in Brazil from the 1940s onwards. Through testimonies from intellectuals and period images, an overview of Brazil's recent history is formed.

A film regarding the works, the studios and the performances of Abrahan Palatnik, Antonio Dias, Carlos Vergara, Glauco Rodrigues, Helio Oiticica, Ligia Pape, Lygia Clark, Pedro Escosteguy, Rubens Gerchman, Tomoshige Kusuno, Wesley Duke Lee, and the São Paulo 9th Bienal of Art.

A film about the figure of João da Baiana, the Brazilian samba pioneer who, in an informal conversation, tells us the history of samba from the beginning. On the side of pioneers like Donga and Pixinguinha, he goes on to describe picturesque passages of his life alongside important figures like Pinheiro Machado, Santos Dumont and the beginnings of our popular music.

A documentary amplifying the voices of women marginalized by Brazil’s penal system. It follows Érica and Núbia, who met in prison and forged a deep bond that endures beyond the bars. Now on parole, they recount stories of abuse, overcrowding, and the erasure of their identities as women. Lacking legal support, they confront these hardships with courage and humor. The film exposes the invisibility and neglect faced by incarcerated women, challenging sensationalist portrayals and urging empathy. It seeks to humanize their experiences, sparking debate about the cruelty and inefficacy of the penal system, and reclaiming the dignity of lives society too easily forgets.

A portrait of Afro-Brazilian resistance traditions in Bahia and their confrontations with persecution and intolerance. The history of capoeira, which came from Angola, was persecuted and criminalized for decades, and later transformed into a national sport and spectacle. The maculelê, a warrior dance brought from Mozambique, accompanied by loud chanting. Finally, the candomblé terreiros - a mystical cry of rebellion.

Iraxão is the spirit of the Iny people (Karajá, Javaé and Ixibyòwa). Pigs are the main food. The Iraxao party is to cheer the Apyãwa together with the spirits, it is the pacification of the spirits during the parties, where the spirits sing, dance, paint their bodies and celebrate, that is why many foods are offered to the axyga (spirits). Spirits arrive and mingle among people. Thus, they protect us from disease, from death, otherwise, if people do not believe in spirits, they themselves can cause spiritual illnesses.

Discussion on football and citizenship.

Two historians, the Brazilian Kalina Vanderlei and the German Sabrina van der Ley, met in Recife in March 2009 to investigate the roots and contradictions of the myth about the Dutch invasion of Pernambuco in the 17th century. Nassau (who ruled Dutch Brazil from Recife between 1637 and 1644) is defined by some residents of Recife as "the best mayor the city has ever had." To this day, that time is remembered as better than the present. But why would a people miss an invader?

Idealized by the filmmakers Lais Bodansky and Luiz Bolognesi, the documentary portrays the projects executed by the Buriti Institute and Buriti Films in 10 years of work. Since 2004, projects collect impressive numbers: 116,509 kilometers were driven on roads, which led to 759 outlying neighborhoods, where they were made 7439 film sessions to 1,355,403 brazilians. Eighteen states and the Federal District were visited by Cine Tela Brasil, who put brazilian various ages for the first time in a movie theater.

Stories of black women who, thanks to the relentless toil of their mothers, were able to attend school and retrace the paths treaded by their ancestors. Their memories, joys and sorrows become present as a possibility for a new fate, transforming the hard work of the washerwomen in a spectacle of life and fulfillment.

Present in nearly all cultures and used for many purposes, drums have unique shapes, sounds, names and accents in each region of the world. Behind this vast legacy are individuals who play them and are touched by these ancestral instruments. From the rare budimas used by Tonga people in Zambia to the large drums of the Chinese temples, from the religious festivals of Brazil to the rhythmic richness of the Arab World, these men and women keep this tradition alive.