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The lives of two refugees intertwine over a pond which acts as a sanctuary for them as they look toward liberation.

On the way up Yushan takes the journeys of Mr. Wu Rong-Fu and Mr. Lin Chang-An as the axes of narrative. The two individuals had some "modifying" on the top of Yushan. Their lives are intimately tied with Yushan. The personal narratives branched out along the way, the unexpected events on the halfway, and the anonymous landscapes, the mountain of memories via hands and materials as well as imaginations and recollections. Though they never meet, through the film, they'd have a chance to walk aside.

new record of the three people who reunited in Yokosuka, feeling the waves of the sea, mountains, wind, and everyone who shared the place.

[Ten Years of Installation Art Series-Taiwan Art Lantern Festival (Technology Empyrean 2004) The Taipei County Bureau of Culture used "Technology Auras-Metropolitan Gaze and Imagination" as the curatorial proposition of the 2004 Taiwan Lantern Festival Art Light District. It reintegrated the meaning of the times, contemporary art, and the cultural image of the traditional Lantern Festival. Its purpose is to focus on dialogue through the works of artists, the contemporary "urban imagination", and a total of 9 domestic artists' lantern festival installation creations.]

Heike Baranowsky captures situations in Chinese everyday life, as in her sixteen-minute film projection T Square (2006), which she made together with Waszem Khan (camera: Volker Gläser). The film operates with a hardly perceptible and slow and regular zoom in on Beijing’s Tiananmen Square, where the evening ritual of lowering the state flag is in pro- gress. The transition from a city panorama to the action at this historically and politically charged location is accompa- nied by a change in atmosphere, both through the onset of darkness and a shift in perception from mere viewing to ob- serving. (Peer Golo Willi)

This is a journey in which the creator of this documentary tries to find the origin for his creation. While driving on the freeway to Puzi, Chiayi County, WU Yao-tung and Tom continue a conversation left unfinished two decades ago. The dialogue falters; clearly they live in two different worlds. After traversing this journey for 20 years, the dark spectre entangled within the depths of the mind is never driven away.

A 16mm film by Bokyung Jun

Su shot The Magnificent Levitation Act of Lauren O at Hong Kong’s Shaw Studios. She came up with the character after she came across American science fiction writer Octavia Butler’s Parable of the Sower, which followed protagonist Lauren Oya Olamina on a quest for freedom. Su’s character belongs to a fictional activist-anarchist group called Laden Raven which was founded in the 1930s. Composed of circus performers—often viewed as social outcasts—and other marginalised members of society, the group attempts to change the world as did the 60s counterculture movement.

Li Lang runs a major moving company in China. The company he started with his wife 20 years ago has grown rapidly and become prosperous. But President Li is not satisfied. His double life, torn between his wife and his mistress, is also in danger of falling apart. Director Ma, who is active in the world of Chinese independent film, has followed President Li's life for five years, capturing every scene on film from close range. This is a unique documentary that delves into the depths of modern Chinese society with candid footage.

A documentary following Shoji Sakurai, who spent 29 years in prison after being falsely arrested for the "Fukawa Incident."

We experience a lot of poems as a record of real life. Through the specific Taiwanese backdrop, the poetry film illustrates a series of moments to approach the concept of time, which is not as concrete as we are taught. As a poet, the filmmaker presents her ideas on the nature of reality, existence, what is there and what is not there.

Documentary about the first and second generations of Chinese immigrants, who have mainly ended up working in Asian restaurants across the country.

Tik, who was born with ADHD, is meticulously cared for by his single mother diagnosed with cancer. This early summer, he finally musters up his courage to step out of the motherly comfort zone and embarks on a journey of growth.

A documentary Ichikawa made for the 1970 Osaka Expo, originally made for projection on eight split panels.

1976 was an important year for China - Chairman Mao dies and the Cultural Revolution ends. In Chengdu, five young women find 2 Yuan on the street. They treat themselves to ice cream and decide to take a photo in a studio. Every 10 years they take another photo in the same position. Although their lives have taken different routes and their political views don't align, they remain close friends.

Tsuneko Sasamoto and Takeji Muno are 101-year-old journalists. Sasamoto writes about accomplished people both famous and unknown. Her photographs have always reflected ever-changing times, vividly depicting women during and after WWII. Muno, an extraordinary journalist, resigned from his newspaper job on the day Japan lost the war, out of remorse for writing pro-war articles. He left Tokyo for his hometown and founded "Taimatsu (Torch)" to keep his journalism alive. At 101 Sasamoto claims her life is ongoing. Muno says he’s at the pinnacle of his life. We have a lot to learn from their optimism.

In an exploration of two different cities, we witness the multicultural landscapes of New York City and Seoul. Through delicious dishes that evoke comfort, we learn of the connection that brings two worlds together.

Kotobuki-cho is a section of Yokohama whose residents consist of about 4500 single men, 300 women and 180 children. The day laborers living there have no secure social standing, but they do have one thing: pride in their daily work routine.

Baekheung-am Temple, a bhikkhunī (Buddhist nun) temple which opens only twice a year, is famous for its conservatism and principles. Access to this temple is prohibited and so is picture-taking. Although it was difficult to get the permission for shooting, it unlatched the latch by itself after I was officially exiled four times. Monk Sunwoo who lost her parents when she was three years old and grew up in the temple asks herself if this way is what she chose and what it means to her. Monk Sangwook chose to become a Buddhist priest before she became a professor. Her old sick mother constantly visits her to change her mind. Old master of seventy years old, who has trained for 40 years, self-examines her severely asking if she has lived properly.

Part oral history, part reflection on a culture at risk of being erased, this documentary presents a deep dialogue between a 93-year-old Pangcah chieftain and an indigenous filmmaker. Through words and songs, hunting trips and weaving of vines, the elderly chieftain lives and embodies the ways of the Pangcah people. He also recounts his frustrated attempts in defending traditional culture against Taiwan's encroaching modernity.

A short documentary on the making of Noburo Ofuji's Katsura-hime.

A short documentary by Apichatpong Weerasethakul about lives connected by radio.

This correspondence between Spanish auteur Jaime Rosales and critical chronicler of contemporary China Wang Bing is divided into three short films each consisting of documentary observations.

Four people appeared in different films with their memory of the May 18 Gwangju Democratic Uprising. They now take photos in the same place they used to be four decades ago, with similar facial expressions. Forty years later, how would they feel about the memory of the day and the films that tell their memories?

Tang’s son was stolen when the child was three. Twelve years later, the Chinese police found him but that joy was dampened by a new reality.

Documentary about stage actor Izumi Aoyagi

After more than a quarter of a century without any form of religious ceremony, the Na, an ethnic group living on the Himalayan plateau, began openly practising their religion again in the early 1990s. Their priests are called daba. Among the few old shamans who are still living today, Dafa Luzo is the most remarkable. As the main character in the film, we see him looking after his farm and his family, as well as performing rituals to expel all unclean spirits and demons and honour the ancestors. His main worry, and his greatest hope, is to make sure his knowledge is safely handed down to the next generation.

The filming began in 2001 and lasted for ten years, recording the story of the dragon boat in Lianxi Village on Xiaoguwei Island in the Pearl River Delta region of southern China. Lianxi Village, which is only a dozen kilometers away from Guangzhou City, still maintained a fairly traditional lifestyle and customs in 2001. The villagers are mainly composed of farmers and fishermen. They are keen on dragon boating. The traditional Dragon Boat Festival dragon boat race is the village once a year. Event. With the construction of Guangzhou University Town in 2003, the villagers of Lianxi Village had to be relocated and resettled. Today, the names of Xiaoguwei Island and Lianxi Village have disappeared from the map. The criss-cross highways and subways connect the island and the city.

An experimental documentary which opens with a story of my family: my American aunt found a painting of my grandmother by chance, in a random Chinese restaurant in the middle of nowhere - she said she cried. By tracing this story and reproducing its meaning, the film wonders through different topics: the construction of the Cold War, USA and Taiwan relations, different generations of Chinese diaspora since the 1950s, contemporary immigration and cross-nation fluidity, family romances, religion, and ancestors...

The COVID-19 exploded in China in early 2020. Thousands of people from the mainland rushed to Hong Kong that made the people panic. The supply of the face masks cannot meet the demand. Some non-governmental organizations distributed face masks to the elderly in early February that attracted lots of people to queue up.

A Chinese family from a poor rural village in Fujian Province continues to bring other family members to Japan via smuggling and bigamous marriages. Undeterred by the uncertainty of their status as illegal immigrants, they continue to send money to their extended family waiting back home. They experience sudden illness, arrests, and deception by Japanese. They manage to scrape by running a beauty parlor and an internet café, but language and visa problems make life difficult. At their ancestral home in China, their family waits for them with mixed feelings. The director, a student from China, offers us a glimpse of the unknown corners of the international city of Tokyo.

Hundreds of offshore wind turbines are being built in proximity to the habitat of endangered white dolphins, as a cetacean scholar tries to find a balance between development and marine ecology.

A film exploring the correlation between self and otherness and ancient layers of Japan's history, by following the footsteps of art and literary critic Hariu Ichirō as he walks around Gwangju, South Korea, and speaking in his home in Japan.

a short documentary about the yellow university vehicles in Thailand.

Three representatives of today's young generation: a young man who works at a motorcycle factory, a woman who works at a department store in Tokyo, and a young man. A work for overseas that depicts Japan in an era of steady economic development.

Did you buy the lottery tickets for 1 million yen?

A documentary about a Taiwanese poet Wu Sheng.

Documentary about japanese painter Akira Tsuboi.

A young woman who lives in Canada travels back to her home country, only to complete a long-time wish to take a special "couple portrait" with her aged Grand father.

The documentary Fen records the daily life of Li and Lianzi, a couple who have been migrant workers in a Chinese megacity for 20 years. Lacking local Household Registration, their adolescent elder son, Manshan, is facing a lot of stress as he prepares for the high school entrance exam. The younger son, a left-behind child, has been raised by the grandmother over these years. In hope of family reunion, Li and Lianzi want to convert to the local Household Registration through a point-based system offered by the government. If they cannot acquire enough points, Manshan will face more competition to get into public high school, and the prospect of bringing the younger son over will remain slim. What future awaits this family? Fen is the required points to convert to local Household Registration. It is the admission score for public high school. And it is the looming separation weighing on the family.

A record of the Anpo Treaty and Okinawa struggles of 1968 to 1970. Part 1: '68.10.21 to '69.5.31; Part 2: '69.6.8 to '69.11.17; Part 3: '69.12.1 to '70.6.23

In China, over 69 million children have been left behind by their parents in their home villages while they migrate to big cities to survive. Qui Che (14) was left by his mother with his grandparents. He was 4 years old when his father tragically took his own life due to their financial situation. He grew up lonely with unbearable burdens to help his grandparents with farm work. He vents his difficulties by writing diaries that provide a glimpse into his inner world. His story reveals a personal journey filled with emotional, familial, and societal challenges, especially the absence of his mother, who returns home once in three years. The film is a microcosm of the universal migration tendencies around the world.

The Na-khi people of Yunnan demonstrate the ritual dance for the propitiation of suicide, expressly for Rock to film. The ceremony features dancers moving around an altar containing paper dolls representing suicides and doing ritual battle with demons. Title cards explain the steps of the ceremony. Produced in 1954 using footage filmed by Rock in 1928.

Tang lives alone in a cave in the mountains. He spends his days trekking and meeting friends in the local town. While this self-styled hermit has lived for years with almost no money, now he dreams of becoming a successful entrepreneur. Coming down from the mountain, he meets local businessmen and old friends, pitching them a series of outlandish money-making schemes – from a campsite on the rooftop of a local hotel, to a 300-day-long hermit experience for tourists. With a deep urge to live a meaningful life, Tang is confronted by the prejudices of townsfolk who see him as nothing more than a local oddity.