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Muddi - Zwölf Annäherungen an das Altern

The director's mother is 90 years old—and is beginning to forget herself. Not only herself, but everything else as well. She has dementia. Only her faith and her tireless knitting of exclusively blue socks keep her alive. The director, whose relationship with his mother has been very tense throughout his life, approaches the dissolution of his mother's ego in this experimental and essayistic film with the support of Didier Eribon, Simone de Beauvoir, Norbert Elias, Jean Améry, and others. In addition to this very personal story, he also tells a universal story about the process of aging, about repression, but also about rebellion in dealing with and interacting with aging people.

Muddi - Zwölf Annäherungen an das Altern

NR 2025
Schüttenhoff in Förste/Nienstedt 1989

Every fifth year in Förste/Nienstedt people gather to the "Schüttenhoff" (shooters court). For five days at Easter processions of three "battalions" take place symbolizing the storming, defence and conquering of barricades erected by inhabitants or local associations. The three "battalions" are the riflemen (responsible for taking the barricade), the farmers (responsible for defending the barricades) and the pioneers (responsible for mopping up). Two of the five processions are shown, men on Whitsun Sunday and women on the following Tuesday.

Schüttenhoff in Förste/Nienstedt 1989

NR 1993
Das geht jeden an

The film "Das geht jeden an" focuses on the cultural riches of the Westphalia region. In addition to towns and landscapes, the film shows well-known landmarks such as the Hermann monument. The film is a child of its time and refers to the blood-and-soil ideology of the National Socialists in its depiction of a supposedly idyllic rural life. At the same time, the film is intended as an advertising film. In fact, the production was commissioned by the Westfälische Provinzial-Feuersozietät to draw attention to fire hazards that could destroy the cultural assets shown in the film.

Das geht jeden an

NR 1937
The Long Vacation of Lotte H. Eisner

Historian, author, and movie critic Lotte H. Eisner is the subject of this documentary. She recalls her early childhood in Germany and her association with such legendary directors as F.W. Murnau and Fritz Lang. Leaving Germany for Paris in 1933, her anticipation of WW II saw her relocating to the South of France. Eisner gives her considerable and insightful opinions on classic German Expressionist Films, as several of her admirers drop by during the interview conducted by director Sohrab Shadid-Saless.

The Long Vacation of Lotte H. Eisner

7.0 1979
Utopia in Babelsberg - Science Fiction aus der DDR

DEFA made several science fiction films that are hardly known today. These productions, called "utopian films" in the GDR, show astonishing technical achievements. ...Science fiction at DEFA was never a war of the stars, no alien invasion, but in most cases an establishment of contact with the alien via signals, a recurring plot motif. Communication instead of confrontation. These films provide information about the image of a coming socialist society, about expectations and hopes, and they were counter-images to the officially condemned Western SF art.

Utopia in Babelsberg - Science Fiction aus der DDR

6.0 2021
The Silent Glow

New forms of manipulation and the inundation of stimuli from new media pose a great risk to children’s mental health. Finally, society has started to respond. A secular culture of consciousness is arising: meditation and new forms of resilience and mindfulness training have formed part of the curriculum in many of Europe’s schools. Can systematic inner development genuinely enable young people to take responsibility – for their own lives, for society and for the world? Can openness, compassion and an ethical attitude in children be increased by mental training?

The Silent Glow

NR 2018
A garden that means more than a garden

Taleb, who came to a refugee camp at the age of five in 1975 and returned there after his studies abroad, tells of his life as a displaced person, his gratitude for the reception and support in Algeria, and his hope that the Sahrawis may one day return to their homeland. For Taleb, this hope drives him to actively prepare for better times: as a graduate in agricultural sciences, he conceived a successful small-scale closed-loop economy in a desert under the most difficult conditions, producing enough food for self-sufficiency.

A garden that means more than a garden

NR 2023
Orlando - or a little history of the middle class

By its definition of being "neither poor nor rich", the middle class seems to have always had an identity problem. The essay film "Orlando or a short history of the middle class" is based on a text written by Daniela Dröscher, inspired by Virginia Woolf's dazzling novel heroine Orlando, a character who experiences both social decline and advancement over three centuries and changes gender in between. The film follows Orlando and tells the story of the middle class from a female perspective.

Orlando - or a little history of the middle class

NR 2023
The Journalist and Her Jailers

The Journalist and Her Jailers explores what this local court in Germany can really accomplish. Can it actually provide some measure of justice for Luna Watfa and the tens of thousands of Syrians who have been detained, tortured and disappeared by Bashar al-Assad’s government, and thereby perhaps even provide a blueprint for future war crimes prosecutions worldwide? To engage with this question, Luna must first seek to understand what justice even means in this context, for the plaintiffs, witnesses, the defendants- and for herself.

The Journalist and Her Jailers

NR 2023
Max Bill: The Master's Vision

The film about Max Bill (1908-1994) moves between the dynamic fields of art, aesthetics and politics. Max Bill was probably the most important swiss artist of the 20th century and the most famous student to come out of the legendary Bauhaus in Dessau. He was an ardent anti-fascist and all his avant-garde work as an artist, sculptor, architect and typographer showed a social responsibility and environmental awareness right through his life. His views have become incredibly topical.

Max Bill: The Master's Vision

6.0 2008
Schellack - Eine schwarze Scheibe verändert die Welt

A black paste that made our world louder and happier: when inventor Emil Berliner began using shellac as a sound carrier in 1896, this was the initial spark for a media revolution that has continued right up to the present day. It had already begun ten years earlier with Emil Berliner's invention of the gramophone. Together, the record and the record player changed people's everyday lives. It was a revolution - technically and culturally - because shellac records, unlike wax cylinders, could be reproduced and distributed on a mass scale. 78 revolutions per minute became the standard playback speed and shellac - the resinous paste made from slate flour, cotton, soot and the resin of the lacquer louse - gave the record its name and became synonymous with an era.

Schellack - Eine schwarze Scheibe verändert die Welt

10.0 2020
The most beautiful treasure of evolution

A nobleman, Mr. Waller von Wallerstein, is fatally ill. He places an advertisement for the adoption of a child who is to continue the old noble line. A child comes forward, a young Russian. However, it brings with it its entire entourage: the Russian mother, a pianist, and later also the father. The nobleman, who actually only wanted to occupy one child, is occupied by an entire family. Amidst wrangling and misunderstandings, a happy moment arises. This is the external plot of the new novel by American author Irene Dische, who lives in Berlin. The novel has caused a great stir. In its formal structure, it follows the "33 Changes on a Theme by Diabelli" written by Beethoven. It is, says Irene Dische, about a novel of "cold-hearted kindness". The heat of emotions offers too little chance for kindness in the family war: Report on a happy exception in the slaughterhouse of love.

The most beautiful treasure of evolution

NR N/A
Explicit!

Violence, sex, and buttocks: a brief history of controversial pop music videos. With its explosion in popularity in the 1980s, the music video became an expression of a desire for emancipation, and producers were quick to recognize its commercial potential. MTV became the vehicle for this music video culture—and relayed its scandals. From Michael Jackson's "Thriller" to Madonna's "Justify My Love" and N.W.A's "Fuck The Police," right up to the recent escapades of Rihanna, Nicki Minaj, and Rammstein... : peppered with more or less subtle references to sex or violence, music videos have borne witness to the gradual shifting of the boundaries of good taste. Through a kaleidoscope of the most controversial videos, we look back at the strokes of genius and brilliance of three decades of music.

Explicit!

5.0 2016