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The Offspring: Americana

The Offspring present exactly what you're looking for in camcorder entertainment. "Americana" is the video that gives you the inside story behind this band's humble beginnings. Watch the true story of a Californian garage band as they stumble into the limelight. Also check out America's finest boarders (skate, wake, snow & surf) and America's finest bikers (BMX & Moto-X) as they huck their shit. This is no Hollywood production. No actors and no stuntmen, just friends and the Offspring.

The Offspring: Americana

NR 1998
Message to Love - The Isle of Wight Festival

In August 1970, 600,000 fans flocked to the Isle of Wight to witness the third and final festival to be held on the island. Besides the music, they also got a look at the greed, cynicism and corruption that would plague the music industry for years to come. They also witnessed the final, drugged out performance of Jimi Hendrix in England just two weeks before he would meet a tragic death. When it all was over, the fans view of rock and roll was never the same.

Message to Love - The Isle of Wight Festival

6.8 1996
Children Like Any Other

This is a film that shows portraits of three children who lived in Sarajevo during the siege. Through their stories the film tries to give a picture of youngsters who live in the war for three and a half years and their efforts to overcome the trauma. The stories are seemingly separate, but the thread that connects them is a three-year-old boy who on his tricycle constantly wanders the streets of Sarajevo, passing everywhere and always seeing everything. He takes us from one child to another, opening up before us a picture of the bizarre life of children in Sarajevo.

Children Like Any Other

NR 1995
Georges de La Tour

"Since a long time I have been linked to the painter Georges de La Tour. His paintings helped me in making my films. Even more, in a precise way they crossed my personal life. The film I shot about La Tour is about that : an intimate emotion followed by the love for the works of La Tour. [...] Georges de La Tour's paintings (it remains 30) are fixed images gifted of a rare radiation and density in the history of human labour. It happens that me, a film-maker, with my movement of twenty four images per second, I am a little jealous of this completion." (Alain Cavalier)

Georges de La Tour

6.0 1998
Sarkanais un brūnais

World War II and Latvians – the second most affected nation in this slaughter of superpowers. However, the number of people drafted into the war and killed is only a statistic, behind which lies the tragedy of each individual and an entire nation. Latvians, ruled, deceived, and coerced by foreign powers, had to fight under foreign flags on both sides of the front. Brother against brother, father against son... It was not a Latvian war, because Latvians had nothing to gain from it. It was not even a war between good and evil, it was a war between red and brown.

Sarkanais un brūnais

NR 1999
The Dark Side of Hollywood

Behind the scenes of Hollywood's low-budget movie industry. It is a powerful portrait of the fragility of fame and the cost of stardom. B-pictures have long been the spawning ground of today's and tomorrow's stars. They started the careers of Jack Nicholson and Sylvester Stallone among many others, as well as now super star directors Francis Ford Coppola, Peter Bogdanovich, Ron Howard and James Cameron. The film examines the evolution of starry-eyed newcomers arriving in Hollywood and discovering the harsh reality of getting into pictures.

The Dark Side of Hollywood

9.0 1998
New York Portrait, Chapter III

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)

New York Portrait, Chapter III

7.7 1990