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Pig Earth

“Pig Earth” marked John Berger’s first return to television after “Ways of Seeing”. The film, boldly using mostly still photographs, is based on John’s book of the same name, which was both a work of fiction as well as a history of French Peasant experience, as told by John ‘the story teller’, as if in the peasant’s own voices. All of which was given brilliant visual expression in the film through a series of beautifully edited sequences, each constructed from vivid and moving photographs of peasants and their lives, in black and white and colour, by John’s friend and long-time collaborator, the Swiss photographer Jean Mohr.

Pig Earth

NR 1979
The Third Door

One of the first (and perhaps therefore ambiguous) approaches to homosexuality in Spain at the time. The film narrates in cinematographic form the problem of the third sex, its justification and its existence within a real environment that is society itself. Two parallel worlds are shown to us; one, the hard and professional life of some artists who try to put on a 'music-hall' show. The other world is independent but it shows us what the life of an old glory was like, of an old man who was an artist in his time. Comparing one era with another is the intention of the film and ultimately its plot.

The Third Door

7.0 1976
TsOKS in Alma-Ata

In August 1941, two largest Soviet film studios Mosfilm and Lenfilm were evacuated to Alma-Ata, Kazakhstan. There, together with the newly founded Alma-Ata Film Studio, they were merged into TsOKS (Central United Film Studio), which became the main center of film production in the country until 1944. Now Kazakh film industry veterans who worked at the studio during these years recall the dawn of national cinema and years of work with Eisenstein, Pudovkin, Romm and others.

TsOKS in Alma-Ata

NR 1974
Gelede: A Yoruba Masquerade

Among the Yoruba of Western Nigeria and Dahomey the Gelede cult honours the earth spirits, the ancestors and especially the Great Mother. The festival filmed here emphasises the status of women and placated their potentially dangerous mystic powers. The commentary emphasises that the annual Gelede festival serves a cathartic role by paying respect to women in a patriarchal society. During the course of the festival social tensions are brought out into the open and ridiculed; antagonism between the sexes is thus controlled and given a legitimate outlet. The film shows the preparation of masks and the climax of the festival in which the Great Mask appears at midnight. On the following day the lesser masks entertain, satirising the movements of women.

Gelede: A Yoruba Masquerade

NR 1970
Sanrizuka: The Sky of May

In the mid-1970s, protests were waning across Japan after the Red Army scandal of Asama Cottage. In Sanrizuka, people were weary of the violence and the airport was well under construction. As for Ogawa Productions, they invited criticism by pulling out and moving to a quiet village in northern Japan. But when protesters back in Sanrizuka erected a tall tower at the end of one runway, they sent a crew to document what happened. This became the final film of the Sanrizuka Series.

Sanrizuka: The Sky of May

5.5 1977
The Shadow of a City

The degenerate alcoholics, the men and women of the beaches, themselves speak openly about their lives and problems. Through their stories, a picture emerges of those on the periphery of society who succumbed to alcohol because of war or difficult living conditions. They are aware of their own State; reason is still there, but the Will is lacking. The film is a cry for help on behalf of humans, it is a dispassionate and honest description of the position of degenerate alcoholics in Finnish society in the early 1970s.

The Shadow of a City

9.0 1971
Jusqu'au bout

"Jusqu'au bout" is dedicated to the hunger strike, in the Ménilmontant church in Paris, by fifty-six Tunisian workers to obtain their work permits. After a sequence showing the recruitment of workers in Tunisia itself, other immigrant workers testify to the harshness of their living conditions in France. Underlining the continuity between the anti-racist struggle and the fight against exploitation, the film follows the hunger strikers to victory, celebrated collectively in an unbridled dance.

Jusqu'au bout

NR 1975
The Real Macoy

Da Real Makoy is a 1977 Philippine propaganda documentary film. The film follows the tenth president of the Philippines, Ferdinand Marcos, setting a field trip to Ilocos Norte, Marcos's hometown, with his eldest daughter Imee Marcos. Shot entirely in Sarrat, Ilocos Norte with some animation sequences, the film was produced by National Media Production Center (NMPC) under her leadership Imee, who serves as a producer, and was written and directed by cartoonist Nonoy Marcelo in his directorial debut.

The Real Macoy

NR 1977
The Right Candidate for Rosedale

This short documentary records Anne Cools’ 1978 run for the Liberal Party nomination in Rosedale, one of Toronto's largest and socially most diverse federal ridings. The film records her bid for political power, and explains the nomination contest, a basic step in the Canadian electoral process. Because she was competing against the Liberal Party's preferred candidate, the nomination battle in Rosedale turned into one of the most innovative and fascinating in the history of Canadian politics.

The Right Candidate for Rosedale

7.0 1979