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Jiyan's Story

The fascinating story of Jiyan, a female guerrilla fighter who devoted twenty years of her life in the Kurdish militant struggle, reveals women’s determination for freedom not only against another oppressive regime, but also against the patriarchy. Jiyan Tolhildan is a young Kurdish woman living in the Kurdish region of Syria. After years of oppression by her family, her teachers and the society as a whole, Jiyan decides to go to the mountains to join the Kurdish struggle for freedom. When the Arab Spring breaks out Jiyan and her friends decide to go into the cities in Syria to join the protests. They also set out to educate Syrian women on women’s rights in the Rojava region. Now, six years after the Arab Spring, Kurdish forces have a semi-autonomous region in Syria. For the first time in history, women have an autonomous political organisation and an army in Syria. The women named creating this organisation “the women’s revolution.”

Jiyan's Story

9.0 2017
An Opera of the World

In An Opera of the World, Malian scholar and filmmaker Manthia Diawara reflects upon the refugee crisis and the relationship between Europe and Africa. The film revolves around a 2008 performance of Bintou Were, a Sahel Opera, by Zé Manel Fortes with a libretto by Koulsy Lamko, in Bamako, around which Diawara builds a story about migration, interweaving interviews with documentary and archival footage. In the course of the film, one crosses into the world of opera from the tradition of sung wisdoms and sentiments, which has characterized West African culture for centuries. If opera is often understood as an über-European art form—the Gesamtkunstwerk invoked by Richard Wagner—Diawara chooses to meditate on its movement or migration as opposed to its expansion or totality. What happens when opera moves south, from Europe to Africa, just as so many people from that continent are moving north, in search of better lives?

An Opera of the World

NR 2017
A Jobless World?

The "Uberisation" of the world is upon us, as we’re all aware. But it might be only a foretaste of what awaits us in the near future: will it be an unprecedented disruption in the history of mankind or quite simply the end of most of the working population? Unlike the industrial changes of the last two centuries, the huge shift of the 21st century deals with the brain, and its playground is the services and tertiary sectors. What will the consequences be for employment over the next ten years? "A Jobless World?" offers an investigation into the genesis of this new world.

A Jobless World?

NR 2017
God is Not a Real Estate Agent, Trump's Zionist Ball & Chain

Real estate in NY and NJ is deeply entrenched in Organized Crime, and corrupt pay to play governments. Bribery and blackmail are just a normal part of state contracting. There exist a concentration of Zionist ideologues profiting from the gambit and using their wealth to assist a foreign government with its political aims. Crooks are using the state to enrich themselves and then using this wealth to further the interest of the Israeli regime and its grip over America money, media, and military power. President Trump himself and his extended family, with Charles and Jared Kushner in particular, are serving financial and ideological aims of the Israeli state. Expose their game, break the cycle.

God is Not a Real Estate Agent, Trump's Zionist Ball & Chain

NR 2017
Everything I See Is Mine

In 1918, two important events took place in the City of Buenos Aires: an unexpected snowfall and the visit of Dadaist star Marcel Duchamp. The artist who dared to paint a moustache on the Mona Lisa touched Buenos Aires soil, getting around the restrictions of World War I and having as his only contact with the other members of the movement the handwritten letters in which he described the strange customs of the Argentinians. Through the endless possibilities of fiction, Everything I See Is Mine reconstructs Duchamp's days among visits to the Palermo lakes and the ritual of mate.

Everything I See Is Mine

NR 2017
Het mysterie van de melkrobots

Johan van Rijthoven is a modern farmer who will do anything in his power to hand over a healthy farm to his children, like his ancestors before him. Because his cows don’t give enough milk and his business is in danger of going under, the dairy farmer is engaging in a battle with the multinational who delivered three faulty milk robots. A battle that will lead to confrontations with himself, his immediate environment and uncontrollable forces on his farm yard…

Het mysterie van de melkrobots

NR 2017
Spuren des Performativen

GDR August 31, 1985, Klubhaus in Coswig/Dresden - "Intermedia I - Farbraum/Klangbild"- the event was the first and, as it turned out, the last exhibition by the subculture in East Germany, in which over 40 visual artists and twice as many musicians, performers and super 8 film photographers participated. About 1,200 visitors travelled from all over the GDR to witness a six hour programme on both evenings. It remains unclear to this day how many informers working for the Stasi were among them.

Spuren des Performativen

NR 2017
D'Inked: A Tattoo Removal Documentary

D'Inked is a documentary about the development of laser tattoo removal technology and how it has changed the culture of tattoos. The film follows a man named Jake on his 5-year journey through the process of removing a full color half sleeve tattoo. The film also features interviews with prominent figures in the tattoo and laser removal communities discussing the technological, physical and ethical realities of removing what has always been considered a definition of permanent.

D'Inked: A Tattoo Removal Documentary

NR 2017
Girl-Hearted

It's quite plain to 7 year old Nori: She is a girl, because she has a girl's heart. But her body is that of a boy ... Five years ago: Each and every day mother and son argue about what appears trivial: the colours of pants and shirts suddenly matter, soon all he agrees to wear are skirts and dresses, he likes to put barrettes in his still short hair. The neighbours start gossiping. Then one day, the boy reveals his favourite dream to his mum. A wizard will turn his penis into a vagina so he could be a "real" girl

Girl-Hearted

1.0 2017
My Dear Art

In the past fifteen years, the Asian art market has exploded. Chinese collectors now spend more money in auction than Americans and Brits, while a new generation of Asian artists are reshaping the world’s artistic palate. My Dear Art depicts the wonders and absurdities of the Asian art market. From China, to Singapore to London, it profiles the artists, collectors, gallerists and experts who are changing the face of the art business forever and asks fundamental questions about the value and role of art in modern society.

My Dear Art

NR 2017
Tarajal: Desmontando la impunidad en la frontera sur

The events that took place at the beach of El Tarajal in Ceuta (Spain) in February 2014 - the killing by the border police of 15 people who were trying to reach the Spanish coast - are an example of how the police force can violate the laws of its own country and international conventions with total impunity. The worst part is that this violation of human rights is protected by the Spanish Ministry of Interior itself, which hinders any effective action by the prosecution. For this reason, the civil society plays a fundamental role in revealing the facts. This is where the figure of collective complaints (DESC Observatory and the association Coordinadora de Barrios) steps in.

Tarajal: Desmontando la impunidad en la frontera sur

NR 2017
Katharine Hepburn: Woman of the Century

An interview with author and journalist Claudia Roth Pierpont on the significance of Woman of the Year (George Stevens, 1942) on actor Katharine Hepburn's acting career and the evolution of Hepburn's status as a feminist icon. She cites Hepburn's individuality in an era that adhered to rigid sexual roles and Hepburn's commitment to portraying strong women and constant need to reinvent herself to maintain her viability as an actress. Pierpont also reveals Woman of the Year mirrored the life of reporter Dorothy Thompson, and discusses two reasons why the film's ending was ultimately changed.

Katharine Hepburn: Woman of the Century

NR 2017
I'm in Love with my Car

Cars affect our primary senses on all levels, they define our world and change our contemporary society. Our tastes have changed: drive-in food, that was once at most a monthly family treat has now become an essential daily ritual in our fast-paced, consumer society. We barely notice the smell of exhaust fumes but more and more people are getting sick from atmospheric pollution. Our cities are now designed in function of cars, changing what we see and our perception of the world we live in. The film seeks to question the car myth, something that is deeply rooted in our consumer society. A group of primary school's kids guide the spectators in a journey into our imaginary. Using automotive archives and through the involvement in a dynamic way of scientists, engineers, anthropologist and racing drivers, the film explores how the car has changed not only the cities we live in but also our lives.

I'm in Love with my Car

5.0 2017
Avenues of Escape

During the decades long crackdown on Falun Gong practitioners in China which claimed thousands of victims, the lives of three women intertwine as they embark on a dangerous journey to find freedom. Armed with only a road map and a desire for justice, they must rely on their wits, courage and the compassion of strangers, to escape imprisonment and navigate a treacherous passageway out of communist China. Staying behind means certain death, but the road ahead holds no guarantees. How far will they go for freedom?

Avenues of Escape

6.0 2017
Children’s Game #17: Chunggi

Reminiscent of male football tricks where a ball is juggled frontally off the knee or foot, Chunggi, popular among Nepalese girls, appears a lot more difficult. It involves a light bundle of leaves, as green and gathered as the school skirts of the players, that is repeatedly thrown up sideways with the outside or the inside of the foot while hopping on the other leg to a firm, fast beat: the girls look like carefree flappers dancing the Charleston. Part of the fun is counting aloud in English. One girl reaches 50. Then, with regretful backward looks, they vanish through the tall wooden portal into their school.

Children’s Game #17: Chunggi

NR 2017